8,720
edits
Changes
m
→Morphing
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| 33 || 0/1 || 0: Rotary Speaker slow; 1: Rotary Speaker fast
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| 34 || 0/1 || 0: Delay Feedback Infinity Off; 1: Delay Feedback Infinity On
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| 35 || 0/1 || 0: Delay Hold Off; 1: Delay Hold On
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| 38 || N/A || Part of an NRPN message; see [[#MIDI NRPN|MIDI NRPN below]]
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| 99 || N/A || Part of an NRPN message; see [[#MIDI NRPN|MIDI NRPN below]]
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| 119 || N/A || Part of an NRPN message; see [[#MIDI NRPN|MIDI NRPN below]]
|}
| 12 || 6 || Cabinet || Character
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| 50 || 0 || Stomp A || Type (see belowother table)
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| 50 || 3 || Stomp A || On/Off
| 50 || 7 || Stomp A || Stereo
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| 50 || 8 || Stomp A (Wah) || Wah Manual
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| 50 || 9 || Stomp A (Wah) || Wah Peak
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| 50 || 10 || Stomp A (Wah) || Wah Range
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| 50 || 12 || Stomp A (Wah) || Wah Pedal Mode
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| 50 || 13 || Stomp A (Wah) || Wah Touch Attack
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| 50 || 14 || Stomp A (Wah) || Wah Touch Release
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| 50 || 15 || Stomp A (Wah) || Wah Touch Boost
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| 50 || 16 || Stomp A (Dist/Shaper) || Distortion/Shaper Drive
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| 50 || 17 || Stomp A (Dist/Shaper) || Distortion/Booster Tone
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| 50 || 18 || Stomp A (Comp) || Compressor/Gate Intensity
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| 50 || 19 || Stomp A (Comp) || Compressor Attack
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| 50 || 20 || Stomp A (Mod) || Modulation Rate
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| 50 || 21 || Stomp A (Mod) || Modulation Depth
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| 50 || 22 || Stomp A (Mod) || Modulation Feedback
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| 50 || 23 || Stomp A (Mod) || Modulation Crossover
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| 50 || 24 || Stomp A (Mod) || Modulation HyperChorus Amount
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| 50 || 25 || Stomp A (Mod) || Modulation Manual
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| 50 || 26 || Stomp A (Mod) || Modulation Phase Peak Spread
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| 50 || 27 || Stomp A (Mod) || Modulation Stages
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| 50 || 30 || Stomp A (Rot) || Rotary Speed (slow/fast)
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| 50 || 31 || Stomp A (Rot) || Rotary Distance
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| 50 || 32 || Stomp A (Rot) || Rotary Balance
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| 50 || 33 || Stomp A (Comp) || Compressor Squash
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| 50 || 34 || Stomp A (EQ) || Graphic EQ Band 1
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| 50 || 35 || Stomp A (EQ) || Graphic EQ Band 2
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| 50 || 36 || Stomp A (EQ) || Graphic EQ Band 3
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| 50 || 37 || Stomp A (EQ) || Graphic EQ Band 4
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| 50 || 38 || Stomp A (EQ) || Graphic EQ Band 5
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| 50 || 39 || Stomp A (EQ) || Graphic EQ Band 6
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| 50 || 40 || Stomp A (EQ) || Graphic EQ Band 7
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| 50 || 41 || Stomp A (EQ) || Graphic EQ Band 8
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| 50 || 42 || Stomp A (EQ) || Parametric EQ Low Gain
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| 50 || 43 || Stomp A (EQ) || Parametric EQ Low Frequency
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| 50 || 44 || Stomp A (EQ) || Parametric EQ High Gain
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| 50 || 45 || Stomp A (EQ) || Parametric EQ High Frequency
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| 50 || 46 || Stomp A (EQ) || Parametric EQ Peak Gain
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| 50 || 47 || Stomp A (EQ) || Parametric EQ Peak Frequency
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| 50 || 48 || Stomp A (EQ) || Parametric EQ Peak Q
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| 50 || 49 || Stomp A (EQ) || Parametric EQ Peak 2 Gain
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| 50 || 50 || Stomp A (EQ) || Parametric EQ Peak 2 Frequency
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| 50 || 51 || Stomp A (EQ) || Parametric EQ Peak 2 Q
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| 50 || 52 || Stomp A (Wah) || Wah Peak Range
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| 50 || 53 || Stomp A || Ducking
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| 50 || 55 || Stomp A (Pitch) || Voice Mix
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| 50 || 56 || Stomp A (Pitch) || Voice 1 Pitch
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| 50 || 57 || Stomp A (Pitch) || Voice 2 Pitch
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| 50 || 58 || Stomp A (Pitch) || Detune
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| 50 || 60 || Stomp A (Pitch) || Smooth Chords
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| 50 || 61 || Stomp A (Pitch) || Pure Tuning
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| 50 || 64 || Stomp A (Pitch) || Key
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| 50 || 65 || Stomp A (Pitch) || Freeze Formants
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| 50 || 66 || Stomp A (Pitch) || Formant Offset
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| 50 || 67 || Stomp A (Delay) || Low Cut
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| 50 || 68 || Stomp A (Delay) || High Cut
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| 50 || 69 || Stomp A (Delay) || Delay Mix
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| 50 || 70 || Stomp A (Delay) || Delay Mix Pre/Post
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| 50 || 71 || Stomp A (Delay) || Delay Time 1
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| 50 || 72 || Stomp A (Delay) || Delay Time 2
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| 50 || 73 || Stomp A (Delay) || Delay Ratio 2
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| 50 || 74 || Stomp A (Delay) || Delay Ratio 3
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| 50 || 75 || Stomp A (Delay) || Delay Ratio 4
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| 50 || 76 || Stomp A (Delay) || Delay Note Value 1
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| 50 || 77 || Stomp A (Delay) || Delay Note Value 2
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| 50 || 78 || Stomp A (Delay) || Delay Note Value 3
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| 50 || 79 || Stomp A (Delay) || Delay Note Value 4
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| 50 || 80 || Stomp A (Delay) || To Tempo
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| 50 || 81 || Stomp A (Delay) || Delay Volume 1
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| 50 || 82 || Stomp A (Delay) || Delay Volume 2
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| 50 || 83 || Stomp A (Delay) || Delay Volume 3
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| 50 || 84 || Stomp A (Delay) || Delay Volume 4
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| 50 || 85 || Stomp A (Delay) || Delay Panorama 1
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| 50 || 86 || Stomp A (Delay) || Delay Panorama 2
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| 50 || 87 || Stomp A (Delay) || Delay Panorama 3
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| 50 || 88 || Stomp A (Delay) || Delay Panorama 4
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| 50 || 89 || Stomp A (Delay) || Voice3 Pitch
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| 50 || 90 || Stomp A (Delay) || Voice4 Pitch
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| 50 || 91 || Stomp A (Delay) || Voice3 Interval
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| 50 || 92 || Stomp A (Delay) || Voice4 Interval
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| 50 || 93 || Stomp A (Delay) || Feedback
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| 50 || 94 || Stomp A (Delay) || Infinity Feedback
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| 50 || 95 || Stomp A (Delay) || Infinity
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| 50 || 96 || Stomp A (Delay) || Feedback2
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| 50 || 97 || Stomp A (Delay) || Feedback Sync Switch
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| 50 || 98 || Stomp A (Delay) || Delay Low Cut
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| 50 || 99 || Stomp A (Delay) || Delay High Cut
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| 50 || 100 || Stomp A (Delay) || Delay Filter Intensity
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| 50 || 101 || Stomp A (Delay) || Delay Modulation
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| 50 || 102 || Stomp A (Delay) || Delay Chorus
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| 50 || 103 || Stomp A (Delay) || Flutter Intensity
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| 50 || 104 || Stomp A (Delay) || Flutter Shape
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| 50 || 105 || Stomp A (Delay) || Grit
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| 50 || 106 || Stomp A (Delay) || Reverse Mix
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| 50 || 107 || Stomp A (Delay) || Swell
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| 50 || 108 || Stomp A (Delay) || Smear
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| 50 || 109 || Stomp A (Delay) || Ducking Pre/Post
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| 51 || * || Stomp B || Same as Stomp A
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| 58 || * || Effect Mod || Same as Stomp A
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| 74 || * || Delay (4.0+) || Same as Stomp A
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| 74 || 0 || Delay (Deprecated in 4.0) || Type (see below)
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| 0 || Null/Empty
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!colspan="2"| Wah Wah
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| 1 || Wah Wah
| 3 || Wah High Pass
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| 4 || Wah Vowel Filter
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| 6 || Wah Phaser
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| 12 || Wah Formant Shift
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!colspan="2"| Shapers
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| 17 || Bit Shaper
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| 21 || Wave Shaper
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!colspan="2"| Distortion
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| 33 || Green Scream
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| 39 || Metal DS
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!colspan="2"| Boosters
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| 113 || Treble Booster
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| 116 || Wah Pedal Booster
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!colspan="2"| EQs
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| 97 || Graphic Equalizer
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| 101 || Stereo Widener
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!colspan="2"| Dynamics
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| 49 || Compressor
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| 58 || Gate 4:1
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!colspan="2"| Modulation
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| 65 || Vintage Chorus
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| 91 || Flanger Oneway
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!colspan="2"| Loops
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| 121 || Loop Mono
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| 123 || Loop Distortion
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!colspan="2"| Pitch
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| 129 || Transpose
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| 131 || Harmonic Pitch
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!colspan="2"| Delay
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| ? || Single Delay
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| ? || Dual Delay
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| ? || TwoTap Delay
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| ? || Serial TwoTap Delay
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| ? || Rhythm Delay
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| ? || Quad Delay
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| ? || Legacy Delay
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| ? || Crystal Delay
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| ? || Loop Pitch Delay
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| ? || Freq Shifter Delay
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| ? || Dual Chromatic Delay
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| ? || Dual Harmonic Delay
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| ? || Dual Crystal Delay
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| ? || Dual Loop Pitch Delay
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| ? || Melody Chromatic Delay
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| ? || Melody Harmonic Delay
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| ? || Quad Chromatic Delay
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| ? || Quad Harmonic Delay
|}
|}
Multiple (any or all) continuous parameters, including those in the Amp and Cab blocks can be assigned a morph value. While some view this feature as a multiple-parameter gimmick, if nothing else it allows continuous control over ''any'' continuous parameter, greatly expanding the out the box functionality of any expression pedal. Morph values can be set higher or lower than the base value. The expression pedal heel position corresponds to the base value, and the toe position the morphed value.
The morphing procedure with a "morph" pedal connected is to rock the pedal towards the toe position before changing a value. When you change the value, you'll see an "M" appear next to it, so you know this is the full morph value (toe position). If not using a pedal, tap the Rig button. It has a bottom LED and top LED - the LEDs switch when Rig is tapped. The bottom is the base value, and the top is the morphed. So press Rig until the bottom LED is on; set your base parameters; then press Rig so the top LED is on and set your morph parameters. That's all there is to it. The assigned morph pedals or switches will now control those parameters.
Morph settings are saved per rig. To erase a morph for a given parameter, either reset the morph value to match the base value, or sweep the base value through the range of the morph value (if base is 1.0 and morph is 4.0, sweeping the base value from < 1.0 to > 4.0 will clear the morph entirely).