8,720
edits
Changes
m
→Fingering
'''Your common picking motion should come from either your wrist or elbow, ''not'' your finger/thumb joints'''. As your technique develops, you may be able to add inflection and accents using your fingers, but as a beginner, you don't want to get in the habit of using them exclusively. This can lead to difficulty crossing strings, strumming, and speed, as well as leading to injury.
The picking motion is similar to waving hello to someone. You are "chopping", not "slapping" or "flapping". The relative distance from your hand to the guitar body should not change much during your picking motion. You want to "push through" the string, applying greater and greater pressure against the string until it slides off the tip of the pick. You do ''not'' want to apply some tension to the string then move the pick from the body, which I call "pecking", like a bird trying to eat a worm. The motion you use to play a single string should also work for multiple strings by simply continuing it (if you are "pecking" it will require a pecking motion for each string).
The pick should also remain "pointing" at or perpendicular to the guitar face, so it is equally easy to pick [[#Downstrokes and Upstrokes|downstrokes]] as well as [[#Downstrokes and Upstrokes|upstrokes]] through the string. As you push on the string, it will push back on the natural give of your pick and your grip, until the pick is angled enough to allow the string to slide off its tip.
|Basic Technique#Manipulating Tone|Tone}}
The location on the pick where it should initiate contact is very near initially touches the string will be relatively close to the tip; however. Depending on your [[Choosing a Pick|pick choice]] and how you grip it, this there will be a certain amount of pick surface you apply to the string where you can pick comfortably and with sufficient control over dynamic range. This will vary depending on the desired dynamic level you want to achieve. For loud, aggressive playing, you will really want to "dig in", using more of the pick. Similarly, how tight you hold the pick will also determine how far from equillibrium you displace the string before it begins to slide and snaps off the tip of the pick. Both of these variables should be kept within a comfortable rangeas you develop as a player. You don't want to use either method to the point of discomfort without trying to incorporate some of the other method first. Eventually, it will become very natural to vary both the amount of pick used and right hand tension at the same time without even thinking about it.
{{top}}
You would use your '''i'''ndex finger on the first fret, then your '''m'''iddle finger on 2nd fret, '''r'''ing on 3rd, '''p'''inky on 4th. Note that you can hold down any frets behind the one you are playing without any real impact on tone. This can somtimes improve economy of motion. For example, look at the following tab:
p
r------
m------------
