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→Equipment Checklist
== Equipment Checklist ==
* '''Extra Strings'''
** At least 2 extra strings for each string you commonly break, for each guitar
** At least 1 extra full set of strings for each guitar
* '''All Cables you need for your rig'''
** Instrument cable (make sure it's long enough for a stage setting)
** Pedalboard patch cables
** At least 2 backup patch cables
** At least 1 backup speaker cable
* '''Power cables/adapters for all gear'''
* Extra batteries
* '''Guitars'''
* '''Lots of Picks'''
* Guitar cases/gig bags
* Guitar Stand(s) (optional)
* Slide, if you play slide
* Capo, if needed
* Whammy Bar, if needed
* Wireless Transmitter and Receiver (and backups)
* '''Power Conditioner or Power strip(s) w/ surge protection'''* '''Tuner'''
* Noise Gate
* Overdrive
* Dirt/Distortion
* Delay
* Reverb
* Additional effects
* Lots of Picks'''Amp'''* Guitar cases/gig bagsBackup Amp* Guitar StandCabinet(s) , if not running direct to PA* Microphones, and stands/mounts* Microphone cables* '''Allen wrenches for Floyd style locking nut and trem, if needed'''* Wire Cutters (optional)- for excess of new strings* SlideOutlet adapters - if touring overseas*I've put everything that is an absolute necessity in bold. Everything else is somewhat optional, but highly recommended. Basically, you have to assume that any piece of gear you have will break or have down-time during a gig. That doesn't necessarily mean you need a backup, unless its a vital piece of gear. Just have a contingency plan in case any piece of gear goes out. Your backup amp might be a cheap piece of crap compared to your main amp, but if it's enough to get you through the gig, that's all that matters. Many venues will provide '''monitors''' for you. You may prefer your own, and its possible to run them straight from your gear outside the house PA. Maybe you like in-ear monitors; I assure you those will ''not'' be provided. In some cases, the venue might not provide a '''PA''' or '''mixer'''. You'll need to bring your own. Often they'll provide '''stage mics''' and stands, but not necessarily cabinet mics/stands - or they won't be the ones you like to use. At some venues you can get away with using your guitar amp/cab to transmit sound to the audience. This is ''not'' ideal, due to the directionality of guitar speakers - it will be impossible to get a consistent sound across the floor. In fact, it's best to have your cab backstage or aimed offstage, mic'ed and run through the PA. Usually those full stacks you see onstage aren't even outputting any sound, but they look badass. In any case, it's best to bring your own mics and cables just in case.
== At the Venue before the Gig ==