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''Transient'' is the term used to describe the initial part of the sound created when an instrument starts sounding a note. It often contains non{{Top-periodic oscillations and higher frequencies than the harmonic content of the ensuing note.Level Crumbs|7}}{{Sound Crumbs|1}}

For guitar, depending on one's [[Touch, Dynamics, and Accents|playing style]], guitar setup, and means of sounding the strings, there can be very noticeable transients on the beginning of notes. The transients will be more apparent when playing loudly, using a pick, and using a setup with low action. A [[slapping|''slappingTransient''']] technique will also prominently feature transients. On is the other hand, playing softly using finger picking will reduce term used to describe the relative presence initial part of transients compared to the sound of created when an instrument starts sounding a note. It often contains non-periodic oscillations (noise rather than resonant pitches) and higher frequencies than the fundamental and harmonic frequencies content of the string's resonanceensuing note.

Transients are neither good nor bad in generalFor guitar, depending on one's [[Touch, Dynamics, and Accents|playing style]], but as a player you should be aware [[Setup/Adjustments|guitar setup]], and means of them and attempt to master using them to increase your expressivenesssounding the strings (plectrum vs. For example[[Finger Picking|fingers]])), you don't want every note you play to have there can be very noticeable transients on the same level beginning of notes. The transientswill be more apparent when playing loudly, using a pick, especially if you are and using high levels of a setup with low action. A [[slapping|slapping]] technique will also prominently feature transients - this may sound overly percussive and noisy. RatherOn the other hand, you should ease back on your playing softly using finger picking strength or use some legato techniques to will reduce the relative presence of transients until you have an accented note, where you can dig in with compared to the sound of the pick to get a noticeable transient to help accentuate fundamental and harmonic frequencies of the notestring's resonance.

Transients are ''neither good nor bad'' in general, but as a player you should be aware of them and attempt to master using them to increase your expressiveness. For example, you don't want every note you play to have the same level of transients, especially if you are using high levels of transients - this may sound overly percussive and noisy. Rather, you should ease back on your picking strength or use some legato techniques to reduce the transients until you have an accented note, where you can dig in with the pick to get a noticeable transient to help accentuate the note. Also, there are devices such as the [http://www.ebow.com/home.php ''E-bow''] or [http://www.sustainiac.com/ ''Sustainiac''] or as well as [[Swells|volume swell techniques]] that allow the strings to swell into volume, either containing no transient, or effectively muting that portion of the sound. You can also use [[Compression|compression]] to limit the relative volume of transients. {{top}}{{Sound Crumbs|1}} [[Category: Sound]][[Category: Transient]][[Category: Dynamics]][[Category: Tone]]