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→Diatonic Intervals
Let's look at the intervals from two different perspectives inside the key of C Major:
{||
{| class="wikitable"
|+ Intervals with Root Note of C
| C || B || 11 || {{M7|M7}} || Major 7th
|}
|
{| class="wikitable"
|+ Intervals with Root Note of A
| A || G || 10 || {{Mn7|m7}} || Minor 7th
|}
|}
Inside any particular major scale, every note has a different set of intervals for all the other notes in the same key. In C Major, C and A both have major 2nd, perfect 4th, perfect 5th intervals but have different 3rd, 6th, and 7ths. If we added a harmony line a 3rd above the melody, we'd have a major 3rd when the melody played C (C-E), but a minor third when the melody played A (A-C).
