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<span class="text">[[Guitar Parts and Functions|Parts]]</span>
<span class="text">[[Holding the Guitar and Pick|Playing]]</span>
==Open Position G Major Chord==
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<span class="text current">[[#Open Position G Major Chord|Open G]]</span>
<span class="text">[[#Harmonic Theory: Dominant Chord|Theory: Dominant]]</span>
<span class="text">[[#Strumming|Strumming]]</span>
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{|
! Rock !! Classical !! 1st Inv. !! 2nd Inv.
Also included are 1st and 2nd inversion.
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==Harmonic Theory: Dominant Chord==
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<span class="text">[[#Open Position G Major Chord|Open G]]</span>
<span class="text current">[[#Harmonic Theory: Dominant Chord|Theory: Dominant]]</span>
<span class="text">[[#Strumming|Strumming]]</span>
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The G is a perfect fifth interval above C. In the key of C Major, the G Major chord is thus called the ''V chord'' (that's the roman numeral five, not 'Vee'). It's notes are the perfect 5th, major 7th, and major 9th (2nd) above the tonic note of the key.
Given that any piece of music can have multiple ways to interpret the key and even which chords are being sounded, there is no one correct way to interpret the music. However, usually pieces tend to begin or end on the tonic note/chord. We can use that as a starting point, then analyze the harmonic movement we get. For the above example, if we were in the key of G Major, we'd have a I - IV transition, which is considered to build tension rather than relieve it. Using the key of C Major instead we have a V - I cadence, the strongest and most "satisfying" chord progression. So it makes more sense to assume we're in the key of C Major with a V - I chord progression.
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== Strumming ==
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<span class="text">[[#Open Position G Major Chord|Open G]]</span>
<span class="text">[[#Harmonic Theory: Dominant Chord|Theory: Dominant]]</span>
<span class="text current">[[#Strumming|Strumming]]</span>
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The above example is pretty boring, both to listen and to play. Let's get into strumming.
''NOTE: I'm saying quarter ''note'' and half ''note'', but really you are strumming multiple notes that make up the chord. Saying "quarter note" is really just short-hand for saying "each note of the chord is a quarter note in length".''
<div class="going-top">[[#top|Top]] <i class="fa fa-level-up fa-fw"></i></div> === SwingFeel ===<div class="item-wrap"><div class="trail green"> <span class="text current">[[#Swing Feel|Swing Feel ]]</span> <span class="text">[[#Bass/Strum|Bass/Strum]]</span> <span class=="text">[[#Inversion Bass/Strum|Inv Bass/Strum]]</span> </div> </div>
Sometimes to make simple rhythms a little more interesting, musicians employ a ''swing feel''. Basically, it takes two notes of equal duration and makes the first one a little longer and the second one shorter. The most typical rhythm uses a triplet, which we will cover [[Applying Rhythm to Chords|later]]. However, a swing feel does not have to be strict. For now, consider a swing feel as though two quarter notes sound more like a dotted quarter note and an eighth note. This creates an accented downbeat with a leading upbeat rhythm.
Similarly, sometimes musicians play ahead or behind the beat (even on the 1 and 3 beat, not just the 2 and 4). This means they are technically off-time, but if done very subtly, it sounds musical instead of sounding like a mistake.
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=== Bass/Strum ===
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<span class="text">[[#Swing Feel|Swing Feel]]</span>
<span class="text current">[[#Bass/Strum|Bass/Strum]]</span>
<span class="text">[[#Inversion Bass/Strum|Inv Bass/Strum]]</span>
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Another way to make simple chord progressions more interesting is to play a ''bass/strum pattern''. This is where you play the bass note on one beat, then strum the rest of (or whole) chord on the next.
This is quite a bit more engaging than straight strummed quarter note chords, eh?
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=== Inversion Bass/Strum ===
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<span class="text">[[#Swing Feel|Swing Feel]]</span>
<span class="text">[[#Bass/Strum|Bass/Strum]]</span>
<span class="text current">[[#Inversion Bass/Strum|Inv Bass/Strum]]</span>
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C C/G C C/G G G/B G G/B C
Also, notice the B in the bass of the 1st inversion G Major chord cleanly ascends one half-step to the bass note of the C Major chord. This is good voice leading and should seem quite natural - a bit easier on the ears than going from root position G Major to C Major.
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== Homework ==
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<span class="text">[[Guitar Parts and Functions|Parts]]</span>
<span class="text">[[Holding the Guitar and Pick|Playing]]</span>
[[Category:Open Position]]
[[Category:Rhythm]]
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