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Changes
m
→Minor/Major Seventh
| (R m3 P5 M7) || Rm Maj7 (R = Root Note) || Dm Maj7, (D F A C#)
|}
R m3 P5 M7
-m3- -M3- '''-M3-'''
----P5----
'''----a5----'''
'''-------M7-------'''
If you remove the root from this chord, you are left with an augmented triad. You can hear it inside this chord - it sounds unsettling, but it also sounds lost like there is no chord that can easily resolve it, other than to treat the M7 like a suspension and resolve it down to a m7, giving you a Minor 7th Chord. I like arpeggiating this chord. It's more stable (clearer root/tonality) than a simple augmented or diminished chord, but it shares their open-ended mysterious tone.
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