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- ...nd boosting volume. Since midrange is the most important part of a guitar signal, the devices have been referred to as nothing more than "tone sucks" that c BBE on the other hand claims the unit is compensating the signal for phase misalignment and timing delays between frequencies that is inhere7 KB (1,160 words) - 23:00, 7 October 2015
- ...qualization). They are used to a very large extent throughout most guitar signal chains, with tone knobs, stomp pedals, amps, mixing boards, and DAW's all p ...er frequencies, then amplify the resulting signal. All filters reduce the signal level relative to the noise floor, reducing SNR. Boosting a small range of9 KB (1,441 words) - 23:04, 7 October 2015
- In reference to a stereo signal, balance refers to the relative volume of the left vs. right fields. Turnin ...d-stop, or shelf EQ is centered. For a shelf, this is the point where the signal reaches half the desired attenuation.42 KB (6,976 words) - 22:50, 9 April 2016
- The complete signal chain for a typical rig is Every part of the chain has a significant impact on the tone, and each stage is joined by cables wh41 KB (7,001 words) - 22:02, 1 July 2015
- ...stly discusses what ways to expect a stage to breakup and how to alter the signal before reaching that stage to get the distortion you want. ...ifferent tones. For guitar, this is helpful, because we can alter a guitar signal before it hits a distortion stage, by using EQ, other distortion effects, m24 KB (4,066 words) - 02:44, 17 November 2015
- ...ar for recording guitar tracks using amps or amp modelers - the raw guitar signal is sent back through an amp to re-record, which is where the name reamp com ...g attributed to inconsistent performances. You record one take with a dry signal and re-amp it for each demo clip, eliminating any possible performance vari13 KB (2,349 words) - 01:50, 21 February 2016
- ...rmine the proportion of the dry (unprocessed) signal vs. the phase-altered signal. ...lar sound to phasers, but use delay and comb filters to create nulls. The signal is split into 2 lines, with one line being delayed by a variable amount. W8 KB (1,305 words) - 23:10, 7 October 2015
- ...a wide range of simultaneous effects, MIDI send/receive, and configurable signal routing. Some are also in a foot controller form factor, allowing control ...analog amplifier (with a volume control) for the analog outputs, after the signal is converted back to analog. This allows you to gain stage it with other g16 KB (2,797 words) - 22:13, 12 February 2016
- ...e gates typically feature a fixed, high '''expansion ratio''', causing any signal level below the threshold to be silenced. ...''compressed'', and/or ''amplified'' create fairly loud noise relative to signal volume. In [[Rock]] and [[Djent]], where the guitars are often highly dist8 KB (1,408 words) - 00:02, 12 June 2015
- '''Compression''' reduces the dynamic range of a signal. In audio production, compression is often used to limit the peaks on tran * '''Threshold''' - the volume level that the signal needs to reach before the compressor actually does anything.3 KB (439 words) - 20:34, 7 July 2015
- ...s the guitar tone on a certain range of the harmonics of the direct guitar signal. When used in front of distortion, it not only produces the characteristic ...r guitar/pickups, your amp/distortion, and additional items in your signal chain that may affect the frequency response. Some amps respond differently to c3 KB (555 words) - 23:33, 12 April 2015
- Most amps feature some form of EQ, with it more than likely acting on the signal after any pre-amp distortion. (The big exception is the Mesa/Boogie Mark s ...rporate similar EQ features, occupying effects slots in the virtual signal chain. These allow you to save EQ settings as a patch, just like in a multi-FX u13 KB (2,337 words) - 02:20, 1 February 2016
- * [[Line 6 Pod HD Setup|Setup/Signal Chain]]2 KB (291 words) - 23:50, 21 February 2016
- ...vely flat response with little distortion. Sending a guitar amp (or model) signal directly into such speakers is going to sound very harsh and buzzy. Even if |Line 6 Pod HD Setup#Internal Signal Routing|Interal Routing56 KB (9,894 words) - 20:57, 23 February 2016
- |Line 6 Pod HD Quick Guide#Single Lines .3D Stereo Signals|Signal Lines |Line 6 Pod HD Quick Guide#Signal Routing|Routing79 KB (14,365 words) - 01:31, 25 February 2016
- ...ible impact on other effects independent of where it occurs in the effects chain, such as a pitch shifter. ...when you are not playing. It has the most impact on tone at the end of the chain but can lead to unnatural sounding cut-off on notes. An interesting place f4 KB (668 words) - 22:21, 11 June 2015
- ...itself, it won't get you to high-gain territory; you'll need to boost the signal (such as with an overdrive pedal, distortion effect, or simple boosted EQ) ...itself, it won't get you to high-gain territory; you'll need to boost the signal (such as with an overdrive pedal, distortion effect, or simple boosted EQ)86 KB (15,454 words) - 23:42, 25 February 2016
- ...out frequencies than to try to dial them in and to start with the cleanest signal possible and EQ or otherwise adjust it. ...s high-end. Even if you use the same mic on both cabs, it doesn't mean the signal isn't delayed more in one than the other. This could be a result of how the85 KB (16,112 words) - 23:47, 25 February 2016
- ...ertain frequency range to boost/cut. This can be useful to make the entire signal brighter or darker, add a slight or dramatic mids cut/boost, add a touch of ...n around 60%, they actually form a resonance peak that slightly boosts the signal before rolling off above or below that point. At 100%, the boost is quite s26 KB (4,628 words) - 23:47, 23 February 2016
- ...ng on/off, order your switches in the order that the effects appear in the chain. This is easier to remember, and if you have to guess, at least it's an edu ...effects order in the Edit software the same as the order they occur in the chain just to keep things simple. If I later want to move things around, I'll tak61 KB (10,924 words) - 23:09, 25 February 2016