8,720
edits
Changes
m
--3--h5--h7-/(8)--p7--p5-\(3)--h5--h7-/(8)--p7--p5-\(3)-- i m p p m i i m p p m i i
* whole-whole, whole-half
-----14-p13-p11--\(9)-h13-p11--p9--\(7)-h11--p9--p7--\(6)--h9--p7--p6--\(4)--h7--p6--p4--\(2)-- p r i i p m i i p m i i p m i i p r i i
→Advanced Exercises
fig 22
--3--h5--h7-/(8)--p7--p5-\(3)--h5--h7-/(8)--p7--p5-\(3)--
i m p p r i i m p p r i i
--4--h6--h7-/(9)--p7--p6-\(4)--h6--h7-/(9)--p7--p6-\(4)--
i r p p m i i r p p m i i
--4--h5--h7-/(9)--p7--p5-\(4)--h5--h7-/(9)--p7--p5-\(4)--
i m p p m i i m p p m i i
--3--h5--h7-/(9)--p7--p5-\(3)--h5--h7-/(9)--p7--p5-\(3)--
Here's 4 exercises capturing two neighboring positions with 3 notes per position, played all with legato. Two hammer-ons, a slide-up, two pull-offs, and a slide down.
Notice the patterns:
* whole-whole, whole-half
* whole-half, half-whole
* half-whole, whole-whole
* whole-whole, whole-whole
Each higher position pattern matches the next exercise's lower position pattern. Let's put 'em all together!
--2--h4--h6--/(47)--p4--h6--h7--/(9)--p6--h7--h9-/(11)--p7--h9-h11-/(13)--p9-h11-h13-/(14)-p11-h13-h14-- i m p p i r p p i m p p i m p p i m p p
So that's a complete major scale on one string ascending and descendingin groups of 4.
== Why Legato?==