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fig 22
--4--h6--h7-/(9)-p7-p6-\(4)--h6--h7-/(9)-p7--p6-\(4)--
--4--h5--h7-/(9)-p7-p5-\(4)--h5--h7-/(9)-p7--p5-\(4)--
--3--h5--h7-/(9)-p7-p5-\(3)--h5--h7-/(9)-p7--p5-\(3)--
--3--h5--h7-/(8)-p7-p5-\(3)--h5--h7-/(8)-p7--p5-\(3)--
Here's 4 exercises capturing two neighboring positions with 3 notes per position, played all with legato. Two hammer-ons, a slide-up, two pull-offs, and a slide down.
Notice the patterns:
* whole-half, half-whole
* half-whole, whole-whole
* whole-whole, whole-whole
* whole-whole, whole-half
Each higher position pattern matches the next exercise's lower position pattern. Let's put 'em all together!
-2-/(4)--h6--h7--/(9)--p6--h7--h9-/(11)--p7--h9-h11-/(13)--p9-h11-h13-/(14)-p11-h13-h14--
-----14-p13-p11--\(9)-h13-p11--p9--\(7)-h11--p9--p7--\(6)--h9--p7--p6--\(4)--h7--p6--p4--\(2)--
So that's a complete major scale on one string ascending and descending.
== Why Legato?==