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HereIn the most basic sense, there are only 2 main kinds of profiles:* 's ''Amp Profile''' - a list profile designed to emulate the response, compression, basic EQ, and distortion of an amp. This kind of profile is created by all profiling processes. It may be modified by the different terms used for merging process.* '''Cab Profile''' - a profile designed to emulate the phase relationships and frequency response of a mic'ed cabinet (or the different kind general sound of some device). Generally, these are only created as part of profilesa Studio Profile, but it can also be created from a Direct Output profile. This can be modified by the merging process. Given the way the profile(s) are made, they are referred to by the following terms:
* '''Amp Profile''' - a profile designed to emulate the response, compression, basic EQ, and distortion of an amp. This kind of profile is created by all profiling processes. It may be modified by the merging process.
* '''Cab Profile''' - a profile designed to emulate the phase relationships and frequency response of a mic'ed cabinet (or the general sound of some device). Generally, these are only created as part of a Studio Profile, but it can also be created from a Direct Output profile. This can be modified by the merging process.
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This can be confusing when dealing with presets. Stomps presets are presets for all 4 effects in the Stomps section. Effects presets similarly include all 4 effects in the Effects section. Yet, the KPA's backups and formatted USB layout include a folder called "Effect" (in addition to "Effects"). The Effect folder stores all presets for individual effects, whether they are located in a Stomp slot or Effect slot.
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|Kemper KPA Terms#Stomp, Stomps, Effect, Effects|Stomps/Effects
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The big word in the Kemper world is '''profile''', which is a set of data that the KPA uses to reproduce the sound of a real rig. The profiling ''process'' sends a special signal from the KPA into the guitar amp (or device), and the signal from the mic'ed cab (or other output source) is sent back to the KPA, where it is analyzed and turned into a profile.
However, a couple key things stood out. A key part of the sound of a real rig (as well as Kemper profiles) are the ''interaction between the amp and cab'', which forms a unique impedance. Disabling the cab and using the same real cab as was used for the profile didn't quite get the same sound as the real amp and cab. So Kemper introduced a new profiling method in FW 3.0 to create another type of profile, called '''merged profiles''', which required making 2 profiles: one of the full rig (amp + cab) and one of just the amp (without cab) by using a DI box. The cab profile from the first gets copied onto the DI profile of just the amp, and the merge process is performed when the new [[#Rig|rig]] is saved. The merged profile uses the combined data to get a faithful reproduction of the profiled amp connected to the real cab used to profile, allowing identical sound while running simultaneously to a real cab and to a PA system.
* '''Studio''' - a set of amp and cab profiles created using the traditional profiling process
* '''Direct Amp''' (often called a '''DI Profile''') - an amp profile created by taking the feed from a DI box connected to the speaker output of an amp (with the speaker cab or a load box connected after the DI box) - this process does not create a corresponding cab profile
* '''Merged''' - a set of amp and cab profiles resulting from merging the cab profile of a Studio profile with a Direct Amp profile. This kind of profile faithfully recreates the sound of the amp attached to the profiled cab while the Cab block is disabled, allowing dual output for live situations
* '''Direct Output''' or '''Preamp Profile''' - can be a set of amp and cab profiles or just an amp profile after FW 3.0. This is a profile of an amp pre-amp, returning the output of the pre-amp (often the effects loop send) to the KPA.
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|Kemper KPA Terms#Stomp, Stomps, Effect, Effects|Stomps/Effects
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A '''Rig''' is essentially the same thing as a "patch" on other digital modelers or multi-fx units. It contains amp and cab profile data, as well as all the effects types and settings that were dialed in on the virtual signal chain. Even input settings can be saved per rig, if not globally locked. A KPA rig is designed to represent everything necessary to emulate a real-world "rig", from stompboxes to amp, cab, microphones, and outboard processors. Rigs can be saved and loaded inside the KPA's internal storage, backed up to USB, and exported/imported as .kipr files through the Rig Manager software. It contains amp/cab profiles, although these rarely may not contain any real data and/or be disabled. For example, after creating a Direct Amp profile, the cab block in the resulting rig has no data - you have to copy/paste a cab from another rig for the block to actually do anything.
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A '''Performance''' is similar to what many other devices call a "setlist". It is a group of 5 '''slots''', each containing a unique rigs/patches organized into specific banks and slots (1A, 3B, 8C, etc.)patch. This is useful for playing live, so that rigs can be organized in a way that makes the most sense for the gig. Each performance is easily set up for one song - so long as it requires 5 rigs or fewer. Then each performance can be organized to follow a set list. This follows the bank/slot layout of most MIDI controllers. Performances can be saved and loaded, allowing different rigs and organizations to be used depending on the gig. They can also be organized/ordered inside the KPA easily. For instance, one performance might be useful to demo different rigs at you could have 2-4 performances with generic core tones that you can load for practice, while another may be ordered to follow a setlist for . For a gig for an 80's rock cover band, while yet another may be you can order a simple grouping number of rigs useful for a jazz gigsong-based performances to follow the setlist.
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|Kemper KPA Terms#Stomp, Stomps, Effect, Effects|Stomps/Effects
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'''Pure Cab''' is a feature introduced in FW 3.1 that attempts to reduce comb filters and other issues introduced by close-mic'ing a cabinet, so that profiles sound more like the "amp in the room". It currently consists of a checkbox to enable/disable it and an amount value inside the Output block (which is global); however, there are plans to move this to the Cab block in the future in order to allow per-rig settings.
|Kemper KPA Terms#Stomp, Stomps, Effect, Effects|Stomps/Effects
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Kemper's virtual signal chain consists of 4 effect blocks in front of the amp and cab profiles. These are collectively known as '''"Stomps"''', while each of the individual blocks is called a '''"Stomp"'''. Similarly, there are 4 effects processed after the amp and cab profiles, known collectively as '''"Effects"''' and each individually as an '''"Effect"'''.
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|Kemper KPA Terms#Stomp, Stomps, Effect, Effects|Stomps/Effects
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Kemper officially uses the term '''OS''' (Operating System) for its firmware (FW) updates. The file used to update the KPA internal software is called kaos.bin (Kemper Amplifier Operating System). This makes sense from a technical point of view, but it is unconventional when referring to devices that are not computers or smart phones. This can be particularly confusing when discussing Rig Manager, which bridges a traditional Mac or Windows computer to the KPA; as Rig Manager versions are dependent on both the OS version of the computer and OS version of the KPA.
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== Soft Buttons /Knobs ==
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|Kemper KPA Terms#Profiles|Profiles
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The 4 buttons above the KPA's onboard display are known as '''soft buttons'''. This is because they have no default usage - instead their use is determined completely by software. When they can be used, you will see a text button directly below them on the display. They are most commonly used to flip switches for effects, but can also be used to change filter and sort options while in Browse mode.
Similarly, the 4 knobs below the display are called '''soft knobs''', with their function determined by software, and labeled on the LCD at the appropriate time. These typically control continuous parameters on effects such as Distortion Drive, Tone, Delay Feedback, Reverb Time, Mix, etc. By default they control the Bass, Mids, Treble, and Presence settings for the tonestack, similar to a real amp.
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