8,720
edits
Changes
m
→Phrase
A E A D Em
A:I V I D:I ii
E-------------------------|-------------------... B-------------------------|-------------------... G-------------------------|-------2--0--------... D-----------0--2----------|-0-----------4--2--... A--0--2--4----------0-----|-------------------... E-------------------------|-------------------...
Notice how we end the key of A with a strong authentic cadence; but immediately use a phrase with G instead of G{{s}}, to differentiate between the keys of A and D Major. We also use an E in the first measure, but Em in the second. This emphasizes the modulation, with separation between phrases, even though the 2 keys share 6 of their 7 notes.