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→Full Circle
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Above is the list of the keys from Cb to C#. Note that this is actually 15 tones. Since C# = Db, Cb = B, and F# = Gb, we can eliminate them, leaving with only the 12 distinct tones on the circle of fifths.
== Modulation ==
''Modulation'' is the practice of changing keys. The source and destination keys are important. Many composers only modulate into destination keys based on the 4th or 5th of the source key, as these are the most harmonic keys.
Below is a table to show the most interrelated keys.
{| class = "wikitable"
|2 || M7 || m2, d5
|}
== Minor Keys ==
So far I have always discussed the circle of fifth in terms of major keys. Since natural minor keys have the same notes as their relative major, the same rules apply. Other natural minor keys based on the 4th or 5th of the current natural minor key will have one note difference, and the 3 keys opposite the current key are the last related with 5 notes different.