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<div class="item{{Top-wrap"><div class="trail red"><span class="text current">[[B Diminished|B dim]]</span><span class="text">[[Other Open String Chords|Open Chords]]</span><span class="text">[[Music Theory - Minor Keys|Minor Keys]]</span><span class="text">[[Harmonic Minor and Augmented Chords|Harmonic Min]]</span><span class="text">[[Barre ChordsLevel Crumbs|Barre Chords]]</span>1}}<span class="text">[[Suspended Chords{{Lesson Crumbs|Sus Chords]]</span>2}}<span class="text">[[Applying Rhythm to Chords{{Intermediate Lesson Crumbs|Rhythm]]</span><span class="text">[[Circle of Fifths|Circle of 5ths]]</span><span class="text">[[G Major and E Minor|G Maj and E Min]]</span><span class="text">[[5th Position|5th Pos]]</span><span class="text">[[Scales for all Positions|All Pos]]</span><span class="text">[[CAGED]]</span><span class="text">[[7th Chords]]</span></div></div>1}}
So we talked about all the diatonic C Major chords except for ''B 'DiminishedChords'''. Time to cover it now. <u>Diminished Chords</u> are comprised of a root, its minor third, and its diminished 5th. The distance between the minor third and the diminished fifth is another also minor third, so the chord is composed of 2 minor thirds and 1 diminished fifth (and their inverses). Diminished chords are often marked as using "dim" or {{dim}}, such as Bdim, B dim, or B{{dim}}.
<div class="item-wrap"><div class="trail {{crumbs|blue">|1<span class="text current">[[|B Diminished#Open Position B Diminished Triad|Open B dim]]</span><span class="text">[[|B Diminished#Harmonic Function: Leading Chord|Theory: Leading Chord]]</span> <span class="text">[[|B Diminished#Full Circle Progression|Circle Prog]]</span><span class="text">[[|B Diminished#Diminished Fifth Interval|Dim 5th Interval]]</span>}}</div></div>'''B Diminished''' is composed of (B D F). Here are the common voicings in or near open position:
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<div class="item-wrap"><div class="trail {{crumbs|blue">|2<span class="text">[[|B Diminished#Open Position B Diminished Triad|Open B dim]]</span><span class="text current">[[|B Diminished#Harmonic Function: Leading Chord|Theory: Leading Chord]]</span> <span class="text">[[|B Diminished#Full Circle Progression|Circle Prog]]</span><span class="text">[[|B Diminished#Diminished Fifth Interval|Dim 5th Interval}} B dim is diatonic to the key of C Major, using its 7th scale degree as the root note. Thus, it is called the '''vii{{dim}} chord''' (or vii or viio when the {{dim}} symbol cannot be made). The {{dim}} symbol indicates diminished, but you have to be careful - we are dealing with the diminished triad here, not the [[7th Chords#Half Diminished|diminished 7th]]</span></div></div>. The diminished 7th chord has two variations - half and full. Half is indicated with a slash through the {{dim}} symbol (B{{hdim}}{{7}}). Full uses the normal symbol (B{{dim}}{{7}}).
B dim is diatonic to the key of C Major, using its 7th scale degree as the root note. Thus, it is called the <u>vii</u> or <u>vii° chord</usmall>. The ° indicates diminished, but you have to be careful - we are dealing with the diminished triad here, not the diminished seventh. The Diminished 7th chord has two variations - half and full. Half is indicated with a slash through the ° symbol. ''Where the {{dim}} symbol cannot be made, such as on a standard keyboardwithout using special character codes, or to avoid ambiguity, you can use "dim" (ex. Bdim) to indicate the diminished quality of the chord. Then a half diminished 7th can be written as Bm7b5''.</small>
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<div class="item-wrap"><div class="trail {{crumbs|blue">|3<span class="text">[[|B Diminished#Open Position B Diminished Triad|Open B dim]]</span><span class="text">[[|B Diminished#Harmonic Function: Leading Chord|Theory: Leading Chord]]</span> <span class="text current">[[|B Diminished#Full Circle Progression|Circle Prog]]</span><span class="text">[[|B Diminished#Diminished Fifth Interval|Dim 5th Interval]]</span></div></div>}}
C F BNow that we know the vii{{dim}} Em Am Dm G chord, we can play the full circle progression in the key of C I IV vii{{dim}} iii vi ii V I E-0---1---1----0---0---1---3---0-- B-1---1---3----0---1---3---3---1-- G-0---2---x----0---2---2---0---0-- D-2---3---3----2---2---0---0---2-- A-3-------2----2---0-------2---3-- E--------------0-----------3------Major.
Now that we know the vii{{dim}} chord, we can play the full circle progression in the key of C Major. F Bdim Em Am Dm G C I IV viio iii vi ii V I E--0-----1-----1-----0-----0-----1-----3-----0-- B--1-----1-----3-----0-----1-----3-----3-----1-- G--0-----2-----x-----0-----2-----2-----0-----0-- D--2-----3-----3-----2-----2-----0-----0-----2-- A--3-----------2-----2-----0-----------2-----3-- E--------------------0-----------------3--------
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<div class="item-wrap"><div class="trail {{crumbs|blue">|4<span class="text">[[|B Diminished#Open Position B Diminished Triad|Open B dim]]</span><span class="text">[[|B Diminished#Harmonic Function: Leading Chord|Theory: Leading Chord]]</span> <span class="text">[[|B Diminished#Full Circle Progression|Circle Prog]]</span><span class="text current">[[|B Diminished#Diminished Fifth Interval|Dim 5th Interval]]</span></div></div>}}
Using As you notice, the denominator method of analyzing intervalsclosest to the root note or octave feature the larger integer numbers for their ratios and have the largest least common multiples. As we move away from the root/octave, we the ratios seem to get the following order from most more and more harmonic to least: P5, P4, M6, M3, m3, m6, 7, M2, M7, d5. The Yet, the d5 is a major departure from the least harmonic, and general trend - it's quite apparent when playing appears the B dim chordleast harmonious of all. This means the vii chord not only has tension (Even in the context of the tonality and an alternate tuning where its placement inside ratio is a progressionmore harmonic 7:5 variation, but it is also quite dissonant about as harmonious as the minor 3rd and tense in 6th, far from the perfect 4th and of itself5th. ) Typically, we don't see diminished triads As it serves as commonly as diminished 7th or other extended chords. With the additional note(s) replacement of the P5 in the this chord, this immediately makes the d5 interval is more diluted and the overall effect is less chord quite dissonant.
<div class="going-top">It's quite apparent when playing the B{{dim}} chord. This means the vii{{dim}} chord not only has tension in the context of the tonality and its placement inside a progression, but it is also quite dissonant and tense in and of itself. Typically, we don't see diminished triads as frequently as [[7th Chords|7th]] or other [[Extended Chords|extended chords]]. Its half diminished variety (diatonic to the major, natural minor, and harmonic minor scales) actually adds consonance, which we will cover [[7th Chords#topHalf Diminished|Toplater]] <i class. {{top}} == Homework =="fa fa* Know that the diminished chord is composed of root and the m3 and d5 above.* Know that B dim consists of (B D F).* Know that the vii{{dim}} chord of a scale is a diminished chord.* Know that the vii{{dim}} chord has a dominant harmonic function.* Practice fingering and strumming B dim in open position.** Be sure to mute the G string.* Practice the I -levelIV -up favii{{dim}} -fw"></i></div>I progression above.* Practice the full circle progression above.
<div class="item-wrap">{{top}}<div class="trail red"><span class="text current">[[B Diminished{{Intermediate Lesson Crumbs|B dim]]</span><span class="text">[[Other Open String Chords|Open Chords]]</span><span class="text">[[Music Theory - Minor Keys|Minor Keys]]</span><span class="text">[[Harmonic Minor and Augmented Chords|Harmonic Min]]</span><span class="text">[[Barre Chords|Barre Chords]]</span><span class="text">[[Suspended Chords|Sus Chords]]</span><span class="text">[[Applying Rhythm to Chords|Rhythm]]</span><span class="text">[[Circle of Fifths|Circle of 5ths]]</span><span class="text">[[G Major and E Minor|G Maj and E Min]]</span><span class="text">[[5th Position|5th Pos]]</span><span class="text">[[Scales for all Positions|All Pos]]</span><span class="text">[[CAGED]]</span><span class="text">[[7th Chords]]</span></div></div>1}}
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→Diminished Fifth Interval
In the [[Contents#Beginner|beginner lessons]] we talked about all the diatonic chords diatonic to C Major except ''B Diminished''. Time to cover it now.
== PreReqs ==
== Open Position B Diminished Triad ==
{|
! Root Open Pos. !! 2nd Pos.
|-
|
'''F''' ||-|-|r|-|
'''B''' ||-|m|-|-|
''' ''' ||-|-|-|-|
|
''' ''' ||-|-|-|-|
'''D''' ||-|-|r|-|
'''B''' ||-|-|-|p|
'''F''' ||-|-|m|-|
'''B''' ||-|i|-|-|
''' ''' ||-|-|-|-|
|}
Although B and D occur as open strings, the common open position voicing avoids using them. The G string is typically muted, as it offers no notes from the chord until the 4th fret, which pulls us out of open position. You'll need to use your ring finger to mute the 3rd string when you strum this chord, so you don't hear the open G string. Diminished triads tend to have pretty nasty shapes, and even vanilla B dim is no different. If it's difficult, you can drop the high F with the index finger. The 2nd position shape is also a bit strange, at least in comparison to the common major and minor chords; however, it may seem a bit simpler to finger than the full open position chord. Open position is generally preferred; however, as it includes a wider range of notes and retains open position alignment of the fingers to frets.
== Harmonic Function: Leading Chord ==
The vii chord is called the <u>Leading Chord</u>'''leading chord'''. Harmonically, it has a ''dominant'' function, sharing the leading tone and 2nd of the scale with the V chord (B and D in the key of C Major).
C F/C B{{dim}} Bdim C I IV vii{{dim}} viio I
E--0------1------1------0------
B--1------1------3------1------
E------------------------------
== Full Circle Progression ==
== Diminished Fifth Interval ==
The vii {{dim}} chord is the only diatonic chord in any major key to contain the diminished 5th interval. Remember that the most harmonic interval (other than an octave) is the perfect fifth, represented by the simple ratio of 3:2. By contrast, the diminished 5th has a ratio is 45:32. The smaller the denominator, the more harmonic the interval. Let's see all the intervalsagain:
{|class="wikitable"
! Interval Name !! Ratio
|-
| m2 || 16:15
|-
| M2 || 9:8
|-
| m3 || 6:5
|-
| M3 || 5:4
|-
| P4 || 4:3
|-
| '''d5 ''' || 7'''45:532'''
|-
| P5 || 3:2
|-
| m6 || 8:5
|-
| M6 || 5:3
|-
| m7 || 169:95
|-
| M7 || 15:8
|}
== Q & A ==
* [[Extended Chords]]
[[Category:Guitar]]
[[Category:Open Position]]
[[Category:Intervals]]