Ref: Modes

Maj. Scale Note	Mode Name	whole/half pattern	Uni	m2	M2	m3	M3	P4	d5	P5	m6	M6	D7	M7	Oct
I	Ionian	w-w-h-w-w-w-h	x		x		x	x		x		x		x	x
II	Dorian	w-h-w-w-w-h-w	x		x	x		x		x		x	x		x
III	Pyrgian	h-w-w-w-h-w-w	x	x		x		x		x	x		x		x
IV	Lydian	w-w-w-h-w-w-h	x		x		x		x	x		x		x	x
V	Mixolydian	w-w-h-w-w-h-w	x		x		x	x		x		x	x		x
VI	Aeolian	w-h-w-w-h-w-w	x		x	x		x		x	x		x		x
VII	Locrian	h-w-w-h-w-w-w	x	x		x		x	x		x		x		x

Same table but arranged in fifths

Maj. Scale Note	Mode Name	whole/half pattern	Uni	m2	M2	m3	M3	P4	d5	P5	m6	M6	D7	M7	Oct
IV	Lydian	w-w-w-h-w-w-h	x		x		x		x	x		x		x	x
I	Ionian	w-w-h-w-w-w-h	x		x		x	x		x		x		x	x
V	Mixolydian	w-w-h-w-w-h-w	x		x		x	x		x		x	x		x
II	Dorian	w-h-w-w-w-h-w	x		x	x		x		x		x	x		x
VI	Aeolian	w-h-w-w-h-w-w	x		x	x		x		x	x		x		x
III	Pyrgian	h-w-w-w-h-w-w	x	x		x		x		x	x		x		x
VII	Locrian	h-w-w-h-w-w-w	x	x		x		x	x		x		x		x

Mode	White note	Intervals with respect to the tonic
		prime	second	third	fourth	fifth	sixth	seventh	octave
Lydian	F	perfect	major	major	augmented	perfect	major	major	perfect
Ionian	C				perfect
Mixolydian	G							minor
Dorian	D			minor
Aeolian	A						minor
Phrygian	E		minor
Locrian	B					diminished