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• Legato (Hammer-on, Pull-off)
  By effectively removing the transient from the attack of the sound, legato effectively sounds different than pick
  20 KB (3,404 words) - 22:58, 20 June 2015
• Transients
  '''Transient''' is the term used to describe the initial part of the sound created when ...e an accented note, where you can dig in with the pick to get a noticeable transient to help accentuate the note.
  2 KB (315 words) - 21:01, 25 June 2015
• EQ or Filters
  ...l over exactly how you EQ the sound, it can also lead to artifacts such as transient-smearing, depending on exactly how the EQ operates.
  9 KB (1,441 words) - 23:04, 7 October 2015
• Glossary
  ==== Transient ==== ...ell as the note itself. Good technique can minimize the audibility of the transient portion relative to the note itself.
  42 KB (6,976 words) - 22:50, 9 April 2016
• Swells
  ...you go too quickly right after sounding the note, you may get some of the transient. You can diminish this by using [[Touch, Dynamics, and Accents|cleaner pic ...e sound of using a bow on a guitar, similar to violin. It avoids a sharp, transient-laden attack you get from a playing with a pick. The downside is still tha
  4 KB (619 words) - 00:13, 28 November 2015
• Boost
  ...ols. Some switches may alter dynamics, such as using compression to lower transient noise or increase sustain.
  3 KB (533 words) - 02:08, 1 June 2016
• Kemper KPA Core Tone Tweaking
  * '''Pick''' - Boosts or cuts the transient in the pick attack
  22 KB (3,913 words) - 01:08, 22 February 2016
• Kemper KPA Effects
  ...have the same great feature set, with two different kinds of modulation, (transient) smearing, attack swelling, reversing, hold/infinite feedback, crystal/shim
  19 KB (3,177 words) - 19:57, 8 March 2017
• Mixing Boards/Consoles
  ...me fader. Yellow indicates that there is a danger of clipping on a strong transient.
  18 KB (2,791 words) - 23:49, 10 June 2016