Exotic Scales
Contents
Pentatonic
Eastern Pentatonic - Yo
R M2 P4 P5 M6 w + w w +
Eastern Pentatonic - In
R m2 P4 P5 m6 h * w h *
Egyptian/Suspended Pentatonic
R M2 P4 P5 m7 w + w + w
Pentatonic - Minor Blues
R m3 P4 m6 m7 + w + w w
Heptatonic
Double Harmonic
R m2 M3 P4 P5 m6 M7 h + h w h + h
Hungarian Minor
R M2 m3 a4 P5 m6 M7 w h + h h + h
Octatonic
Whole-Half
R M2 m3 P4 d5 m6 M6 M7 w h w h w h w h
Half-Whole
R m2 m3 d4 d5 P5 M6 m7 h w h w h w h w
Hexatonic
Whole Tone
R M2 M3 a4 a5 a6 = R M2 M3 d5 m6 m7 w w w w w w
Augmented
R m3 M3 a5 m6 M7 + h + h + h
Prometheus
R M2 M3 tt M6 m7 w w w + h w
Tritone
R m2 m3 a4 P5 m7 h w + h + w
Chromatic
R m2 M2 m3 M3 P4 d5 P5 m6 M6 m7 M7 h h h h h h h h h h h h
- Chopin
- Petrucci
Symmetric Scales
Symmetric Scales are scales that divide an octave into 2 or more equal parts. In other words, the whole/half pattern of notes for each piece will be identical and there are no leftover notes. Here is an example of a symmetric scale I am just inventing:
R m2 P4 d5 m6 M7 h * h h * h
We can divide this into two equal parts:
R m2 P4 d5 d5 m6 M7 R h * h
The most symmetric scale is the chromatic scale:
R m2 M2 m3 M3 P4 d5 P5 m6 M6 m7 M7 R h h h h h h h h h h h h
Which can be represented as follows:
R m2 M2 m3 M3 P4 d5 d5 P5 m6 M6 m7 M7 R h h h h h h
R m2 M2 m3 M3 M3 P4 d5 P5 m6 m6 M6 m7 M7 R h h h h
R m2 M2 m3 m3 M3 P4 d5 d5 P5 m6 M6 M6 m7 M7 R h h h
R m2 M2 M2 m3 M3 M3 P4 d5 d5 P5 m6 m6 M6 m7 m7 M7 R h h
R m2 m2 M2 M2 m3 m3 M3 M3 P4 P4 d5 d5 P5 P5 m6 m6 M6 M6 m7 m7 M7 M7 R h
- If the scale is symmetric by dividing the octave into halves, it must have the a4/tt/d5 note.
- Pentatonic and Hexatonic scales cannot be symmetric as 5 and 7 are prime numbers that cannot be subdivided into 2 or more groups of equal notes
Common symmetric scales include:
- Whole Tone
- Octatonic (Whole-Half and Half-Whole)
- Chromatic
- Augmented
Synthetic Scales
Synthetic Scales are formed by lowering or raising a single note of an existing scale by a half-step.
