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| − | == Table with fifths from C to Cb and C# w/ full major scales ==
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| − | {| class="wikitable"
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| − | |-
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| − | ! !!Cb !! Gb !! Db !! Ab !! Eb !! Bb !! F !! C !! G !! D !! A !! E !! B !! F# !! C#
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| − | |-
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| − | | ||7 b's||6 b's || 5 b's || 4 b's || 3 b's || 2 b's || 1 b's || 0 b/#'s || 1 #'s || 2 #'s || 3 #'s || 4 #'s || 5 #'s || 6 #'s || 7 #'s
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| − | |-
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| − | ! Unison ||Cb || Gb || Db || Ab || Eb || Bb || F || C || G || D || A || E || B || F# || C#
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| − | |-
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| − | | 2nd ||Db || Ab|| Eb || Bb || F || C || G || D || A || E|| B || F#|| C# || G# || D#
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| − | |-
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| − | | 3rd ||Eb || Bb || F || C || G || D || A || E || B || F# || C# || G#|| D# || A# || E#
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| − | |-
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| − | ! 4th ||Fb || Cb || Gb || Db || Ab || Eb || Bb || F || C || G || D || A|| E || B || F#
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| − | |-
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| − | | 5th ||Gb || Db || Ab || Eb || Bb || F || C || G || D || A || E|| B|| F# || C# || G#
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| − | |-
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| − | | 6th ||Ab || Eb || Bb || F || C || G || D || A || E || B || F#|| C#|| G# || D# || A#
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| − | |-
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| − | ! 7th ||Bb || F || C || G || D || A || E || B || F# || C# || G#|| D#|| A# || E# || B#
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| − | |-
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| − | | Oct ||Cb || Gb || Db || Ab || Eb || Bb || F || C || G || D || A|| E|| B || F# || C#
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| − | |}
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| | | | |
| − | Notice the 4ths and 7ths - this is where the notes flatten/sharpen when shifting keys up/down a fifth (or down/up a fourth).
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| − |
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| − | == Fifths and equivalents ==
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| − | All columns are equivalent pitches. Each cell is a perfect fifth above the cell to its left.
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| − | {| class="wikitable"
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| − | |-
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| − | | Dbb || Abb || Ebb || Bbb || Fb || Cb || Gb || Db || Ab || Eb || Bb || F || C
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| − | |-
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| − | | C || G || D || A || E || B || F# || C# || G# || D# || A# || E# || B#
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| − | |-
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| − | | B# || F## || C## || G## || D## || A## || E## || B## || F### || C### || G### || D### || A###
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| − | |}
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| − |
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| − | == Rules and Guidelines ==
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| − | The 1.____ scale a perfect fifth 2.____ the current scale contains the same notes but the 3.___ in the current scale is 4.____ to become the 5.____ of the new scale.
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| − |
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| − | {| class = "wikitable"
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| − | |-
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| − | ! 1 !! 2 !! 3 !! 4 !! 5
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| − | |-
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| − | | major || above || P4 || sharped || M7
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| − | |-
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| − | | minor || above || M6 || sharped || M2
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| − | |-
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| − | | major || below || M7 || flattened || P4
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| − | |-
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| − | | minor || below || M2 || flattened || m6
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| − | |}
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| − |
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| − | == Equivalent Pitches for Scales Below/Above by Interval ==
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| − | Modulating from any major scale to a new major scale that is ___ interval above/below the original key has ___ same pitches and #/b per note:
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| − | {| class="wikitable"
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| − | |-
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| − | |Example Key || C || C# || D || D# || E || F || F# || G || G# || A || A# || B
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| − | |-
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| − | | Interval Above Root || Uni || m2 || M2 || m3 || M3 || P4 || d5 || P5 || m6 || M6 || D7 || M7
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| − | |-
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| − | | Interval Below Root || Uni || M7 || D7 || M6 || m6 || P5 || d5 || P4 || M3 || m3 || M2 || m2
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| − | |-
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| − | |Number of Common Pitches || 7 || 2 || 5 || 4 || 3 || 6 || 2 || 6 || 3 || 4 || 5 || 2
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| − | |}
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| − |
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| − |
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| − | Which means the most harmonic key changes are:
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| − | {| class = "wikitable"
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| − | |-
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| − | !Common Notes !! Diatonic Keys !! Non-Diatonic Keys
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| − | |-
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| − | |6 || P4, P5 ||
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| − | |-
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| − | |5 || M2 || D7
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| − | |-
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| − | |4 || M6 || m3
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| − | |-
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| − | |3 || M3 || m6
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| − | |-
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| − | |2 || M7 || m2, d5
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| − | |}
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| − | <nowiki>*</nowiki> Note: All intervals in above table are ''above'' the root note
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