Difference between revisions of "Modulation"
m (→Common Modulations) |
m (→Common Modulations) |
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| Line 18: | Line 18: | ||
| U || 7 || 4 || 5 | | U || 7 || 4 || 5 | ||
|- | |- | ||
| − | | m2 | + | | m2 || 2 || 3 || |
|- | |- | ||
| − | | M2 | + | | M2 || 5 || 6 || |
|- | |- | ||
| − | | m3 | + | | m3 || 4 || 2 || |
|- | |- | ||
| − | | M3 | + | | M3 || 3 || 6 || |
|- | |- | ||
| − | | P4 | + | | P4 || 6 || 3 || |
|- | |- | ||
| − | | tt | + | | tt || 2 || 4 || |
|- | |- | ||
| − | | P5 | + | | P5 || 6 || 5 || |
|- | |- | ||
| − | | m6 | + | | m6 || 3 || 2 || |
|- | |- | ||
| − | | M6 | + | | M6 || 4 || 7 || |
|- | |- | ||
| − | | m7 | + | | m7 || 5 || 2 || |
|- | |- | ||
| − | | M7 | + | | M7 || 2 || 5 || |
|- | |- | ||
!rowspan="13"| Minor | !rowspan="13"| Minor | ||
| Line 44: | Line 44: | ||
| U || 7 || 4 || 5 | | U || 7 || 4 || 5 | ||
|- | |- | ||
| − | | m2 | + | | m2 || || || |
|- | |- | ||
| − | | M2 | + | | M2 || || || |
|- | |- | ||
| − | | m3 | + | | m3 || || || |
|- | |- | ||
| − | | M3 | + | | M3 || || || |
|- | |- | ||
| − | | P4 | + | | P4 || || || |
|- | |- | ||
| − | | tt | + | | tt || || || |
|- | |- | ||
| − | | P5 | + | | P5 || || || |
|- | |- | ||
| − | | m6 | + | | m6 || || || |
|- | |- | ||
| − | | M6 | + | | M6 || || || |
|- | |- | ||
| − | | m7 | + | | m7 || || || |
|- | |- | ||
| − | | M7 | + | | M7 || || || |
|- | |- | ||
!rowspan="13"| Harmonic Minor | !rowspan="13"| Harmonic Minor | ||
| Line 70: | Line 70: | ||
| U || 7 || 4 || 5 | | U || 7 || 4 || 5 | ||
|- | |- | ||
| − | | m2 | + | | m2 || || || |
|- | |- | ||
| − | | M2 | + | | M2 || || || |
|- | |- | ||
| − | | m3 | + | | m3 || || || |
|- | |- | ||
| − | | M3 | + | | M3 || || || |
|- | |- | ||
| − | | P4 | + | | P4 || || || |
|- | |- | ||
| − | | tt | + | | tt || || || |
|- | |- | ||
| − | | P5 | + | | P5 || || || |
|- | |- | ||
| − | | m6 | + | | m6 || || || |
|- | |- | ||
| − | | M6 | + | | M6 || || || |
|- | |- | ||
| − | | m7 | + | | m7 || || || |
|- | |- | ||
| − | | M7 | + | | M7 || || || |
|} | |} | ||
Revision as of 16:28, 10 June 2014
Modulation is a the practice of changing keys inside of a composition. This can be done for a variety of reasons, but its basic purpose is to contrast or create tension against the previous (and possibly even prior) key(s). Typical modulations are found when themes or sections change. They can also be used to seemingly add energy to a prior theme/section.
PreReqs
Common Modulations
Modulations usually take place between highly-related keys (those with the most common notes). See the table below.
| Key 2 Type | ||||
|---|---|---|---|---|
| Key 1 Type | Key 2 Root's relation to Key 1 Root | Major | Minor | Harmonic Minor |
| Major | ||||
| U | 7 | 4 | 5 | |
| m2 | 2 | 3 | ||
| M2 | 5 | 6 | ||
| m3 | 4 | 2 | ||
| M3 | 3 | 6 | ||
| P4 | 6 | 3 | ||
| tt | 2 | 4 | ||
| P5 | 6 | 5 | ||
| m6 | 3 | 2 | ||
| M6 | 4 | 7 | ||
| m7 | 5 | 2 | ||
| M7 | 2 | 5 | ||
| Minor | ||||
| U | 7 | 4 | 5 | |
| m2 | ||||
| M2 | ||||
| m3 | ||||
| M3 | ||||
| P4 | ||||
| tt | ||||
| P5 | ||||
| m6 | ||||
| M6 | ||||
| m7 | ||||
| M7 | ||||
| Harmonic Minor | ||||
| U | 7 | 4 | 5 | |
| m2 | ||||
| M2 | ||||
| m3 | ||||
| M3 | ||||
| P4 | ||||
| tt | ||||
| P5 | ||||
| m6 | ||||
| M6 | ||||
| m7 | ||||
| M7 | ||||