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Have a * A dual Parametric EQ without the "lows" or "highs". * Include the EQ from the XT/X3 - two shelves, and two peak/valleys, all with adjustable gain and frequencies. If 8 parameters is not possible, do two shelves and one peak/valley. Include a * A Mesa Mark Series graphic EQ: 80, 240, 750, 2200, 5500 HZ. Include a * A notch EQ: 3 sets of frequency and gain to dial out narrow ugly spots in the frequency spectrum. * Always display frequency in HZHz, not %. Similarly, display gain in db, not %. Include a global EQ (possibly as mentioned in the Output Modes section above). ''Note: a global Global EQ has been implemented in FW 12.6features Hz/db.'' Include a )* A Fletcher Munson switch/dial to compensate for the varying frequency sensitivity the human ear has as different volumes. Include a * A view in HD Edit and possibly in the Pod itself to sum the various EQ effects and display the resulting EQ curve dialed in, similar to how it was done in Gearbox. * Increase the headroom in the Parametric EQ (and Graphic and Mid-Focus EQ's), so it doesn't clip on hot input. Its headroom should be as high as the Pod's digital resolution. Top of Page
→EQ's
== EQ's ==
== Footswitches/controls/Midi ==