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eE-------------------- bB-------------------- gG-----------------0-- dD-----------0--2----- aA-----0--3----------- eE--3----------------- G A C D E G
eE-------------------- bB-------------------- gG-----------------0-- dD-----------0--1----- aA--------3----------- eE--3--4-------------- G Ab C D Eb G
eE-------------------- bB--------------1--3-- gG--------0--2-------- dD--0--2-------------- aA-------------------- eE-------------------- D E G A C D
eE-----------------0-- bB-----------1--3----- gG-----0--2----------- dD--2----------------- aA-------------------- eE--------------------
A Double Harmonic eE-------------------------- bB-------------------------- gG--------------------1--2-- dD-----------0--2--3-------- aA--0--1--4----------------- eE-------------------------- A Bb C# D E F G# A
eE-------------------------- bB-------------------------- gG--------------------1--2-- dD-----------1--2--3-------- aA--0--2--3----------------- eE-------------------------- A B C D# E F G# A
A Whole-Half eE----------------------------- bB----------------------------- gG-----------------------1--2-- dD-----------0--1--3--4-------- aA--0--2--3-------------------- eE----------------------------- A B C D Eb F Gb Ab A
A Half-Whole eE----------------------------- bB----------------------------- gG-----------------------0--2-- dD--------------1--2--4-------- aA--0--1--3--4----------------- eE----------------------------- A Bb C Db Eb E Gb G A
A Whole Tone eE---------------------- bB---------------------- gG-----------------0--2- dD-----------1--3------- aA--0--2--4------------- eE---------------------- A B C# D# F G A
A Chromatic eE----------------------------------------- bB----------------------------------------- gG--------------------------------0--1--2-- dD-----------------0--1--2--3--4----------- aA--0--1--2--3--4-------------------------- eE----------------------------------------- A A# B C C# D D# E F F# G G# A
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G Yo Pentatonic
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G In Pentatonic
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R M2 P4 P5 m7 R
w + w + w
D Egyptian/Suspended Pentatonic
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E Minor Blues Pentatonic
E G A C D E
This is called the double harmonic scale due to its dual harmonic tetrachords (h + h). It has a very exotic feel due to the augmented 2nds, as well as containing both the m2 and M7 notes around the root. It is most easily arrived at by flattening the 2nd of the Harmonic Major scale. It is also a mode of Hungarian Minor.
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A Double Harmonic
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Consists simply of alternating whole and half steps, repeating 4 times before returing to the root note. There is no clear tonality here - it is a symmetric scale. You can change the root note of the scale to every other note and get the same exact notes and step-sequence. This is often referred to as the diminished scale, due to its inclusion of the m3, d5, and d7 intervals (M6 = d7), which make up the fully diminished chord.
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Basically the exact same as above, except the patterns are half then whole instead of whole then half. Every other observation about the whole-half applies to half-whole. It also contains all the notes from the fully diminished chord. Its a symmetric scale without any tonality. Every other note could be the root and you'd get the same notes. It is also a mode of the above whole-half scale.
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Although different from the augmented scale, it contains the M3 and a5 of an augmented triad. All of its diatonic chords are augmented triads. Every step in the scale is a whole tone, making it completely symmetric and atonal. It simply seems to wander around aimlessly.
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The chromatic scale consists of every note in the 12-tone scale, with its whole-half pattern consisting entirely of half steps. It has no tonality - every note in the scale has as much tension as any other note.
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