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Difference between revisions of "Ref: Chord Fingerings/Voicings"

m (Sevenths)
m (Elevenths)
Line 2,542: Line 2,542:
 
: '''''R - <nowiki>[3]</nowiki> - (5) - 7 - 9 - 11'''''
 
: '''''R - <nowiki>[3]</nowiki> - (5) - 7 - 9 - 11'''''
 
The 3rd is virtually always omitted due to its dissonant m9 (m2 above the octave) interval with the 11th.
 
The 3rd is virtually always omitted due to its dissonant m9 (m2 above the octave) interval with the 11th.
 +
  
 
== Dominant 11th ==
 
== Dominant 11th ==

Revision as of 18:54, 4 January 2015

Triads

R - 3 - 5


Major Triads

R - M3 - P5
All Notes for Arpeggios
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|3|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |-|1|-|-|
 |-|5|-|-|
 |-|-|3|-|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|-|
 |-|-|-|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|-|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|5|-|-|
 |-|-|-|3|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|-|
 |-|5|-|-|
 |3|-|-|5|
 |-|1|-|-|
 |5|-|-|-|
 |-|-|3|-|
 |-|-|-|1|
 |3|-|-|5|
 |-|-|3|-|-|
 |-|-|-|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
Root Position
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
1  |-|-|-|r|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
5  |-|-|m|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
1  |-|-|m|-|-|
5  |-|-|m|-|-|
3  |-|-|-|-|p|
   |-|-|-|-|-|
1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|r|-|-|-|
5  |-|m|-|-|-|
3  |-|-|-|p|-|
   |-|-|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
2nd Inversion
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
   |-|-|-|-|-|
5  |-|-|-|p|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
5  |-|-|m|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|

Minor Triads

R - m3 - P5
All Notes for Arpeggios
 |1|-|-|3|-|
 |5|-|-|-|-|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|1|-|-|3|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |5|-|-|-|
 |-|3|-|-|
 |-|-|1|-|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|3|-|-|
 |-|-|-|1|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|-|
 |-|3|-|-|
Root Position
   |-|-|-|-|-|
1  |-|r|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion
   |-|-|-|-|-|
   |-|-|-|-|-|
5  |-|m|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|-|p|
3  |i|-|-|-|-|
3  |i|-|-|-|-|
1  |-|-|p|-|-|
5  |-|m|-|-|-|
3  |-|-|r|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|r|-|-|-|
5  |-|m|-|-|-|
3  |-|-|p|-|-|
   |-|-|-|-|-|
1  |-|-|-|p|-|
5  |-|-|-|p|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|-|r|-|-|
5  |-|-|m|-|-|
3  |-|-|-|p|-|
   |-|-|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|m|-|-|-|
2nd Inversion
   |-|-|-|-|-|
1  |-|r|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
   |-|-|-|-|-|
5  |-|-|-|p|-|
1  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|

Diminished Triads

R - m3 - d5
All Notes for Arpeggios
 |1|-|-|3|
 |-|-|-|-|
 |3|-|-|5|
 |-|-|1|-|
 |-|5|-|-|
 |1|-|-|3|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|-|1|-|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|1|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|-|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|-|
 |-|5|-|-|-|
 |1|-|-|3|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |3|-|-|5|-|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
Root Position
  |-|-|-|-|-|
5 |-|m|-|-|-|
3 |-|-|p|-|-|
  |-|-|-|-|-|
3 |i|-|-|-|-|
1 |-|-|r|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|r|-|-|-|
  |-|-|-|-|-|
5 |-|-|p|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|-|m|-|-|
1 |-|-|-|-|p|
  |-|-|-|-|-|
1 |-|r|-|-|-|
5 |i|-|-|-|-|
3 |-|m|-|-|-|
1 |-|-|-|p|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|-|r|-|-|
1 |-|-|-|p|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
1st Inversion
2nd Inversion

Augmented Triads

R - M3 - A5

Augmented chords consist of root, major third, and augmented 5th. An augmented fifth is equivalent to two major thirds. An augmented fifth + a major third = an octave. Therefore, the distance between root and 3rd, 3rd and 5th, and 5th and octave are all the same - a major third.

There are no real 7th chords - augmented chords tend to be associated with the whole-tone scale, which only has 6, not 7 notes. In the 7-note scale, you have 1st (C), 3rd (E), 5th (G), 7th (B), 9th (D), 11th (F), and 13th (A) before you reach the 15th (C), which is 2 octaves above the 1st. In the 6-note scale, you have 1st (C), 3rd (E), 5th (G#), 7th (C). The 7th note is the octave, and the chord simply repeats.

There aren't distinct inversion shapes - the first inversion of C aug (C E G#) is (E G# C), which is equivalent to (E G# B#) or E aug. So the inversions are identical to using a different root note. In other words, the inversions' shapes are identical to the root position shapes below.

All Notes for Arpeggios
 |x|-|-|-|x|
 |-|x|-|-|-|
 |-|x|-|-|-|
 |-|-|x|-|-|
 |-|-|-|x|-|
 |x|-|-|-|x|
 |-|x|-|-|-|
 |-|-|x|-|-|
 |-|-|x|-|-|
 |-|-|-|x|-|
 |x|-|-|-|x|
 |-|x|-|-|-|
 |-|-|x|-|-|
 |-|-|-|x|-|
 |-|-|-|x|-|
 |x|-|-|-|x|
 |-|x|-|-|-|
 |-|-|x|-|-|
 |-|-|-|x|-|
 |x|-|-|-|x|
 |x|-|-|-|x|
 |-|x|-|-|-|
 |-|-|x|-|-|
 |-|-|-|x|-|
Root or Inverted
   |-|-|-|-|
3  |i|-|-|-|
1  |i|-|-|-|
5  |-|m|-|-|
3  |-|-|r|-|
1  |-|-|-|p|
1  |i|-|-|-|
5  |)|-|-|-|
3  |)|m|-|-|
1  |)|-|r|-|
5  |)|-|-|p|
1  |i|-|-|-|
1  |i|-|-|-|
5  |-|r|-|-|
3  |-|m|-|-|
1  |-|-|p|-|
   |-|-|-|-|
   |-|-|-|-|

Sevenths

R - 3 - 5 - 7


Major 7th

R - M3 - P5 - M7
All Notes for Arpeggios
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|3|-|-|5|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |7|1|-|-|
 |-|5|-|-|
 |-|-|3|-|
 |-|-|7|1|
 |3|-|-|5|
 |7|1|-|-|
 |-|-|7|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|1|-|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|5|-|-|
 |-|-|-|3|
 |-|-|7|1|
 |3|-|-|5|
 |7|1|-|-|
 |-|5|-|-|
 |3|-|-|5|
 |7|1|-|-|
 |5|-|-|-|
 |-|-|3|-|
 |-|-|7|1|
 |3|-|-|5|
 |-|-|3|-|-|
 |-|-|7|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
Root Position
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|-|p|-|-|
7  |)|m|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
5  |-|r|-|-|-|
   |-|-|-|-|-|
7  |-|-|p|-|-|
3  |m|-|-|-|-|
1  |-|i|-|-|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|r|-|-|-|
7  |)|m|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|
7  |i|-|-|-|-|
   |)|-|-|-|-|
3  |)|-|m|-|-|
1  |-|)|-|p|-|
5  |-|)|-|r|-|
1  |-|i|-|-|-|
barre acr frets
mute 2nd string
3  |-|-|r|-|-|
7  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |i|-|-|-|-|
5  |-|m|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|
1  |-|r|-|-|-|
5  |-|m|-|-|-|
   |-|-|-|-|-|
7  |-|-|p|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|-|r|-|-|
7  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|-|m|-|-|
7  |i|-|-|-|-|
5  |)|m|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|
2nd Inversion
3rd Inversion

Dominant 7th

R - M3 - P5 - m7
All Notes for Arpeggios
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |-|-|-|3|-|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|-|
 |-|7|-|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|-|3|-|-|
 |-|7|-|1|-|
 |5|-|-|7|-|
 |-|-|3|-|-|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |3|-|-|5|
 |-|1|-|-|
 |5|-|-|7|
 |-|-|3|-|
 |-|7|-|1|
 |3|-|-|5|
 |-|-|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|-|3|-|-|
Root Position
5  |-|p|-|-|-|
   |-|-|-|-|-|
7  |-|r|-|-|-|
3  |i|-|-|-|-|
1  |-|m|-|-|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|-|p|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
7  |-|-|-|p|-|
3  |-|-|r|-|-|
1  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
5  |-|p|-|-|-|
   |-|-|-|-|-|
7  |-|r|-|-|-|
3  |i|-|-|-|-|
1  |-|m|-|-|-|
7  |-|m|-|-|-|
5  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|r|-|-|-|
7  |i|-|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|
3  |-|-|p|-|-|
7  |-|m|-|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |i|-|-|-|-|
5  |-|-|m|-|-|
3  |-|-|-|r|-|
1  |-|-|-|-|p|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion
5  |-|-|-|p|-|
1  |-|m|-|-|-|
7  |-|-|-|r|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|p|-|-|-|
5  |-|r|-|-|-|
   |-|-|-|-|-|
7  |-|m|-|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |-|m|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|-|r|-|-|
7  |i|-|-|-|-|
5  |)|-|m|-|-|
3  |-|)|-|r|-|
1  |-|)|-|-|p|
3  |-|i|-|-|-|
   |-|-|-|-|-|
barre across frets

Minor 7th

R - m3 - P5 - m7
All Notes for Arpeggios
 |1|-|-|3|-|
 |5|-|-|7|-|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |-|1|-|-|3|
 |-|5|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |5|-|-|7|
 |-|3|-|-|
 |7|-|1|-|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|7|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|5|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |-|3|-|-|
 |-|7|-|1|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|7|
 |-|3|-|-|
Root Position
5  |-|-|p|-|-|
   |-|-|-|-|-|
7  |-|-|r|-|-|
3  |i|-|-|-|-|
1  |-|-|m|-|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|m|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
5  |-|-|p|-|-|
   |-|-|-|-|-|
7  |-|-|r|-|-|
3  |i|-|-|-|-|
1  |-|-|m|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|
3  |-|r|-|-|-|
7  |-|m|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |i|-|-|-|-|
5  |-|-|r|-|-|
3  |-|-|m|-|-|
1  |-|-|-|-|p|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|
7  |-|-|m|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |-|r|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|m|-|-|-|
7  |i|-|-|-|-|
5  |)|-|m|-|-|
   |)|-|-|-|-|
1  |)|-|-|-|p|
3  |i|-|-|-|-|
   |-|-|-|-|-|

Fully Diminished

R - m3 - d5 - M6
or
R - m3 - d5 - d7
All Notes for Arpeggios
 |-|x|-|-|x|
 |x|-|-|x|-|
 |-|x|-|-|-|
 |x|-|-|x|-|
 |-|-|x|-|-|
 |-|x|-|-|x|
 |-|-|x|-|-|
 |-|x|-|-|x|
 |-|-|x|-|-|
 |-|x|-|-|x|
 |x|-|-|x|-|
 |-|-|x|-|-|
Root Position
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |)|r|-|-|-|
7 |i|-|-|-|-|
  |-|-|-|-|-|
1 |-|m|-|-|-|
5 |i|-|-|-|-|
3 |)|-|p|-|-|
7 |i|-|-|-|-|
5 |-|-|r|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
3 |-|r|-|-|-|
7 |i|-|-|-|-|
5 |)|m|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Half Diminished

R - m3 - d5 - m7
All Notes for Arpeggios
 |1|-|-|3|
 |-|-|-|7|
 |3|-|-|5|
 |7|-|1|-|
 |-|5|-|-|
 |1|-|-|3|
 |7|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|5|-|
 |7|-|1|-|-|
 |-|-|7|-|1|
 |3|-|-|5|-|
 |-|1|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|7|
 |-|5|-|-|
 |1|-|-|3|
 |-|-|7|-|
 |3|-|-|5|
 |7|-|1|-|
 |-|5|-|-|
 |3|-|-|5|-|
 |7|-|1|-|-|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|5|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
Root Position
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|p|-|-|-|
7 |-|r|-|-|-|
  |-|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
3 |-|p|-|-|-|
7 |i|-|-|-|-|
5 |)|r|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
3 |-|r|-|-|-|
7 |-|r|-|-|-|
5 |-|r|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Minor/Major 7

R - m3 - P5 - M7
All Notes for Arpeggios
 |1|-|-|3|-|
 |5|-|-|-|7|
 |3|-|-|-|5|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|-|7|1|
 |3|-|-|-|5|
 |-|7|1|-|-|
 |-|-|-|7|1|
 |3|-|-|-|5|
 |7|1|-|-|3|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|7|1|
 |5|-|-|-|7|
 |-|3|-|-|-|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |5|-|-|-|7|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|-|7|1|
 |3|-|-|-|5|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |3|-|-|-|5|
 |-|7|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|7|1|
 |3|-|-|-|5|
 |-|3|-|-|-|
 |-|-|7|1|-|
 |-|-|5|-|-|
 |1|-|-|3|-|
 |5|-|-|-|7|
 |-|3|-|-|-|
Root Position
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |i|-|-|-|-|
7 |)|r|-|-|-|
  |)|-|-|-|-|
1 |i|-|-|-|-|
5 |i|-|-|-|-|
3 |)|r|-|-|-|
7 |)|m|-|-|-|
5 |)|-|p|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
3 |-|m|-|-|-|
7 |-|-|p|-|-|
5 |-|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Ninths

R - 3 - 5 - (7) - 9


Dominant 9th

R - M3 - P5 - m7 - M9
All Notes for Arpeggios
 |1|-|9|-|3|
 |5|-|-|7|-|
 |-|3|-|-|5|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |-|9|-|3|-|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|9|
 |-|7|-|1|-|
 |3|-|-|5|-|
 |1|-|9|-|3|
 |5|-|-|7|-|
 |9|-|3|-|-|
 |-|7|-|1|-|
 |5|-|-|7|-|
 |-|-|3|-|-|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|7|-|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |3|-|-|5|
 |-|1|-|9|
 |5|-|-|7|
 |9|-|3|-|
 |-|7|-|1|
 |3|-|-|5|
 |9|-|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|7|-|
 |9|-|3|-|-|
Root Position
5 |-|r|-|-|-| 
9 |-|r|-|-|-|
7 |-|r|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-| 
5 |-|p|-|-|-|
9 |i|-|-|-|-|
7 |)|r|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|

Dominant Minor 9th

R - M3 - (P5) - m7 - m9
All Notes for Arpeggios
 |1|9|-|-|3|
 |5|-|-|7|-|
 |-|3|-|-|5|
 |7|-|1|9|-|
 |-|-|5|-|-|
 |1|9|-|-|3|
 |7|-|1|9|-|
 |-|-|5|-|-|
 |9|-|-|3|-|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|9|-|
 |-|-|-|1|9|
 |3|-|-|5|-|
 |1|9|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|9|
 |5|-|-|7|-|
 |-|-|3|-|-|
 |7|-|1|9|-|
 |-|-|5|-|-|
 |1|9|-|-|3|
 |5|-|-|7|-|
 |-|-|5|-|-|
 |-|9|-|-|3|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|9|-|
 |-|-|5|-|-|
 |3|-|-|5|-|
 |-|1|9|-|-|
 |5|-|-|7|-|
 |-|-|3|-|-|
 |-|7|-|1|9|
 |3|-|-|5|-|
 |-|-|3|-|-|
 |-|7|-|1|9|
 |-|-|5|-|-|
 |1|9|-|-|3|
 |5|-|-|7|-|
 |-|-|3|-|-|
Root Position
5 |-|p|-|-|-| 
9 |i|-|-|-|-|
7 |)|r|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
9 |i|-|-|-|-| 
7 |)|-|r|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Major 9th

R - M3 - (P5) - M7 - M9
All Notes for Arpeggios
 |1|-|9|-|3|
 |5|-|-|-|7|
 |-|3|-|-|5|
 |-|7|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |-|7|1|-|9|
 |-|-|5|-|-|
 |9|-|3|-|-|
 |-|-|-|7|1|
 |-|3|-|-|5|
 |-|7|1|-|9|
 |-|-|7|1|-|
 |3|-|-|5|-|
 |1|-|9|-|3|
 |5|-|-|-|7|
 |9|-|3|-|-|
 |-|-|7|1|-|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|7|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|-|7|
 |-|5|-|-|
 |9|-|-|3|
 |-|-|7|1|
 |3|-|-|5|
 |7|1|-|9|
 |-|5|-|-|
 |3|-|-|5|-|
 |7|1|-|9|-|
 |5|-|-|-|7|
 |9|-|3|-|-|
 |-|-|7|1|-|
 |3|-|-|5|-|
 |9|-|3|-|-|
 |-|-|7|1|-|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|-|7|
 |9|-|3|-|-|
Root Position
  |-|-|-|-|-| 
9 |-|r|-|-|-|
7 |-|-|p|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
9 |-|r|-|-|-| 
7 |-|-|-|p|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Minor 9th

R - m3 - (P5) - m7 - M9
All Notes for Arpeggios
 |1|-|9|3|-|
 |5|-|-|7|-|
 |3|-|-|-|5|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|3|-|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |-|9|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|9|
 |-|7|-|1|
 |-|-|-|5|
 |1|-|9|3|
 |5|-|-|7|
 |9|3|-|-|
 |-|7|-|1|
 |5|-|-|7|-|
 |9|3|-|-|-|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|3|-|
 |5|-|-|7|-|
 |-|-|5|-|-|
 |1|-|9|3|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|9|
 |-|-|5|-|-|
 |3|-|-|-|5|
 |-|-|1|-|9|
 |-|5|-|-|7|
 |-|9|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |9|3|-|-|
 |-|7|-|1|
 |-|-|5|-|
 |1|-|9|3|
 |5|-|-|7|
 |9|3|-|-|
Root Position
5 |-|-|r|-|-| 
9 |-|-|r|-|-|
7 |-|-|r|-|-|
3 |i|-|-|-|-|
1 |-|-|m|-|-|
  |-|-|-|-|-|
9 |-|-|r|-|-| 
7 |-|-|-|p|-|
3 |i|-|-|-|-|
1 |-|-|m|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Augmented 9th

R - M3 - (P5) - m7 - A9
All Notes for Arpeggios
 |1|-|-|9|3|
 |5|-|-|7|-|
 |9|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|9|3|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |-|-|9|3|-|
 |-|-|7|-|1|
 |9|3|-|-|5|
 |7|-|1|-|-|
 |-|7|-|1|
 |3|-|-|5|
 |1|-|-|9|
 |5|-|-|7|
 |-|9|3|-|
 |-|7|-|1|
 |5|-|-|7|-|
 |-|9|3|-|-|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|9|3|
 |5|-|-|7|-|
 |-|-|5|-|-|
 |1|-|-|9|3|
 |-|-|7|-|1|
 |9|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |9|3|-|-|5|
 |-|-|1|-|-|
 |-|5|-|-|7|
 |-|-|9|3|-|
 |-|-|7|-|1|
 |9|3|-|-|5|
 |-|9|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |1|-|-|9|3|
 |5|-|-|7|-|
 |-|9|3|-|-|
Root Position
  |-|-|-|-| 
9 |-|-|p|-|
7 |-|r|-|-|
3 |i|-|-|-|
1 |-|m|-|-|
  |-|-|-|-|
9 |-|-|p|-| 
7 |-|-|r|-|
3 |i|-|-|-|
1 |-|m|-|-|
  |-|-|-|-|
  |-|-|-|-|

6/9

R - M3 - P5 - M6 - M9

This is the same set of notes as the Major Pentatonic Scale.

All Notes for Arpeggios
 |1|-|9|-|3|
 |5|-|6|-|-|
 |-|3|-|-|5|
 |-|-|1|-|9|
 |-|-|5|-|6|
 |1|-|9|-|3|
 |-|1|-|9|
 |-|5|-|6|
 |9|-|3|-|
 |6|-|-|1|
 |3|-|-|5|
 |-|1|-|9|
 |6|-|-|1|-|
 |3|-|-|5|-|
 |1|-|9|-|3|
 |5|-|6|-|-|
 |9|-|3|-|-|
 |6|-|-|1|-|
 |5|-|6|-|-|
 |-|-|3|-|-|
 |-|-|1|-|9|
 |-|-|5|-|6|
 |1|-|9|-|3|
 |5|-|6|-|-|
 |-|5|-|6|
 |-|9|-|3|
 |6|-|-|1|
 |3|-|-|5|
 |-|1|-|9|
 |-|5|-|6|
 |3|-|-|5|
 |-|1|-|9|
 |5|-|6|-|
 |9|-|3|-|
 |6|-|-|1|
 |3|-|-|5|
 |9|-|3|-|-|
 |6|-|-|1|-|
 |-|-|5|-|6|
 |1|-|9|-|3|
 |5|-|6|-|-|
 |9|-|3|-|-|
Root Position
5 |-|p|-|-|-|
9 |-|r|-|-|-|
6 |i|-|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
1 |-|p|-|-|-|
5 |-|r|-|-|-|
9 |i|-|-|-|-|
6 |i|-|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|

Major Added 9th

R - M3 - 5 - M9
All Notes for Arpeggios
 |1|-|9|-|3|
 |5|-|-|-|-|
 |-|3|-|-|5|
 |-|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |-|1|-|9|
 |-|5|-|-|
 |9|-|3|-|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|9|
 |-|-|-|1|-|
 |3|-|-|5|-|
 |1|-|9|-|3|
 |5|-|-|-|-|
 |9|-|3|-|-|
 |-|-|-|1|-|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|-|-|
 |-|5|-|-|
 |-|9|-|3|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|9|
 |-|5|-|-|
 |3|-|-|5|
 |-|1|-|9|
 |5|-|-|-|
 |9|-|3|-|
 |-|-|-|1|
 |3|-|-|5|
 |9|-|3|-|-|
 |-|-|-|1|-|
 |-|-|5|-|-|
 |1|-|9|-|3|
 |5|-|-|-|-|
 |9|-|3|-|-|
Root Position
1 |i|-|-|-|-| 
5 |i|-|-|-|-|
3 |)|m|-|-|-|
9 |)|-|-|-|p|
5 |)|-|r|-|-|
1 |i|-|-|-|-|
5 |-|p|-|-|-| 
9 |-|r|-|-|-|
  |-|-|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-| 
3 |)|-|r|-|-|
9 |)|-|-|-|p|
5 |)|-|m|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

Minor Added 9th

R - m3 - P5 - M9
All Notes for Arpeggios
 |1|-|9|3|-|
 |5|-|-|-|-|
 |3|-|-|-|5|
 |-|-|1|-|9|
 |-|-|5|-|-|
 |1|-|9|3|-|
 |-|-|1|-|9|
 |-|-|5|-|-|
 |-|9|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|9|
 |-|-|-|1|
 |-|-|-|5|
 |1|-|9|3|
 |5|-|-|-|
 |9|3|-|-|
 |-|-|-|1|
 |5|-|-|-|
 |9|3|-|-|
 |-|-|1|-|
 |-|-|5|-|
 |1|-|9|3|
 |5|-|-|-|
 |-|-|5|-|-|
 |1|-|9|3|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|9|
 |-|-|5|-|-|
 |3|-|-|-|5|
 |-|-|1|-|9|
 |-|5|-|-|-|
 |-|9|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |9|3|-|-|
 |-|-|-|1|
 |-|-|5|-|
 |1|-|9|3|
 |5|-|-|-|
 |9|3|-|-|
Root Position
1 |i|-|-|-|-| 
5 |i|-|-|-|-|
3 |i|-|-|-|-|
9 |)|-|-|-|p|
5 |)|-|m|-|-|
1 |i|-|-|-|-|
5 |-|-|p|-|-| 
9 |-|-|r|-|-|
  |-|-|-|-|-|
3 |i|-|-|-|-|
1 |-|-|m|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-| 
3 |)|m|-|-|-|
9 |)|-|-|-|p|
5 |)|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

Elevenths

R - [3] - (5) - 7 - 9 - 11

The 3rd is virtually always omitted due to its dissonant m9 (m2 above the octave) interval with the 11th.


Dominant 11th

R - [M3] - (P5) - m7 - M9 - A11
Root Position
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |i|-|-|-|-|
7  |-|r|-|-|-|
   |-|-|-|-|-|
1  |-|m|-|-|-|

Minor 11th

R - [m3] - (P5) - m7 - M9 - P11
Root Position
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |-|m|-|-|-|
7  |-|-|p|-|-|
   |-|-|-|-|-|
1  |-|-|r|-|-|

Major 11th

R - [M3] - (P5) - M7 - M9 - A11
Root Position
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |i|-|-|-|-|
7  |-|-|r|-|-|
   |-|-|-|-|-|
1  |-|m|-|-|-|

Thirteenths

R - 3 - (5) - 7 - (9) - (11) - 13

Dominant 13th

R - M3 - (P5) - m7 - (M9) - (P11) - M13
Root Position
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |-|r|-|-|-|
7  |m|-|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
13 |-|-|p|-|-| 
3  |-|-|r|-|-|
7  |i|-|-|-|-|
5  |)|-|m|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Minor 13th

R - m3 - (P5) - m7 - (M9) - (P11) - M13
Root Position
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
13 |-|-|p|-|-| 
3  |-|m|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Major 13th

R - M3 - (P5) - M7 - (M9) - (P11) - M13
Root Position
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |-|r|-|-|-|
7  |-|m|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
13 |-|-|p|-|-| 
3  |-|-|r|-|-|
7  |-|m|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Suspensions

R - M2/P4 - 5

Suspended 2nd

R - M2 - 5
Root Position
1 |i|-|-|-|-|   
5 |i|-|-|-|-|   
  |)|-|-|-|-|   
2 |)|-|-|-|p|   
5 |)|-|r|-|-|   
1 |i|-|-|-|-|   
mute 3rd string
5 |i|-|-|-|-|  
2 |i|-|-|-|-|  
1 |)|-|p|-|-|  
5 |)|-|r|-|-|  
1 |i|-|-|-|-|  
  |-|-|-|-|-|  
2 |i|-|-|-|-|
1 |)|-|-|p|-|
5 |)|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Suspended 4th

R - P4 - 5
Root Position
1 |i|-|-|-|-|   
5 |i|-|-|-|-|   
4 |)|-|p|-|-|   
1 |)|-|r|-|-|   
5 |)|-|m|-|-|   
1 |i|-|-|-|-|   
5 |i|-|-|-|-|  
4 |)|-|-|p|-|  
1 |)|-|r|-|-|  
5 |)|-|r|-|-|  
1 |i|-|-|-|-|  
  |-|-|-|-|-|  
4 |-|-|-|p|-|
1 |-|-|-|p|-|
5 |-|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Sixths

R - 3 - 5 - 6

The only real enharmonically unique 6th chords are more technically called add 6th chords, simply adding the 6th on a basic triad. Other chords have 6 in the name, but aren't unique. The Neapolitan 6th is simply a 1st inversion major triad. The 6/9 chord is covered above as a variant of a ninth chord.

3rd inversion actually is actually a half diminished or minor 7th chord, with R - m3 - d5/P5 - m7.

Major 6th

R - M3 - P5 - M6

Minor 6th

R - m3 - P5 - M6