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Difference between revisions of "Ref: Chord Fingerings/Voicings"

m (→‎Fully Diminished)
m (→‎Half Diminished)
Line 1,062: Line 1,062:
 
== Half Diminished ==
 
== Half Diminished ==
 
: '''''R - m3 - d5 - m7'''''
 
: '''''R - m3 - d5 - m7'''''
 +
 +
{|
 +
! '''All Notes for<br>Arpeggios'''
 +
|
 +
<pre>
 +
|1|-|-|3|
 +
|-|-|-|7|
 +
|3|-|-|5|
 +
|7|-|1|-|
 +
|-|5|-|-|
 +
|1|-|-|3|
 +
</pre>
 +
|
 +
<pre>
 +
|7|-|1|-|-|
 +
|-|5|-|-|-|
 +
|-|-|3|-|-|
 +
|-|-|7|-|1|
 +
|3|-|-|5|-|
 +
|7|-|1|-|-|
 +
</pre>
 +
|
 +
<pre>
 +
|-|-|7|-|1|
 +
|3|-|-|5|-|
 +
|-|1|-|-|3|
 +
|5|-|-|-|7|
 +
|-|-|3|-|-|
 +
|-|-|7|-|1|
 +
</pre>
 +
|
 +
<pre>
 +
|5|-|-|-|7|
 +
|-|-|3|-|-|
 +
|-|7|-|1|-|
 +
|-|-|5|-|-|
 +
|-|1|-|-|3|
 +
|5|-|-|-|7|
 +
</pre>
 +
|
 +
<pre>
 +
|-|5|-|-|
 +
|1|-|-|3|
 +
|-|-|7|-|
 +
|3|-|-|5|
 +
|7|-|1|-|
 +
|-|5|-|-|
 +
</pre>
 +
|
 +
<pre>
 +
|3|-|-|5|-|
 +
|7|-|1|-|-|
 +
|5|-|-|-|7|
 +
|-|-|3|-|-|
 +
|-|-|7|-|1|
 +
|3|-|-|5|-|
 +
</pre>
 +
|
 +
<pre>
 +
|-|-|3|-|-|
 +
|-|-|7|-|1|
 +
|-|-|5|-|-|
 +
|-|1|-|-|3|
 +
|5|-|-|-|7|
 +
|-|-|3|-|-|
 +
</pre>
 +
|}
 +
 
{|
 
{|
 
! '''Root Position'''
 
! '''Root Position'''

Revision as of 15:19, 2 August 2014

Triads

R - 3 - 5

Major Triads

R - M3 - P5
All Notes for
Arpeggios 
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|3|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|

 |-|1|-|-|
 |-|5|-|-|
 |-|-|3|-|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|-|

 |-|-|-|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|-|

 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|-|

 |-|5|-|-|
 |-|-|-|3|
 |-|-|-|1|
 |3|-|-|5|
 |-|1|-|-|
 |-|5|-|-|

 |3|-|-|5|
 |-|1|-|-|
 |5|-|-|-|
 |-|-|3|-|
 |-|-|-|1|
 |3|-|-|5|

 |-|-|3|-|-|
 |-|-|-|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
Root Position 
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|

5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
1  |-|-|-|r|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|

3  |-|-|r|-|-|
1  |-|-|-|p|-|
5  |-|-|m|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion 
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|

5  |i|-|-|-|-|
3  |-|-|m|-|-|
1  |-|-|m|-|-|
5  |-|-|m|-|-|
3  |-|-|-|-|p|
   |-|-|-|-|-|

1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|r|-|-|-|
5  |-|m|-|-|-|
3  |-|-|-|p|-|

   |-|-|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|m|-|-|
2nd Inversion 
3  |i|-|-|-|-|
1  |)|m|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
   |-|-|-|-|-|
5  |-|-|-|p|-|

5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|

1  |-|-|-|p|-|
3  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|

3  |-|-|r|-|-|
1  |-|-|-|p|-|
5  |-|-|m|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|

Minor Triads

R - m3 - P5
All Notes for
Arpeggios 
 |1|-|-|3|-|
 |5|-|-|-|-|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|

 |-|-|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|-|

 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|1|-|-|3|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|

 |5|-|-|-|
 |-|3|-|-|
 |-|-|1|-|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|-|

 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|-|-|1|
 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|-|5|-|-|

 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|-|5|

 |-|3|-|-|
 |-|-|-|1|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|-|
 |-|3|-|-|
Root Position 
   |-|-|-|-|-|
1  |-|r|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|

5  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
1  |-|-|-|p|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
1  |)|-|p|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|

3  |-|m|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion 
   |-|-|-|-|-|
   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|

3  |i|-|-|-|-|
1  |-|-|p|-|-|
5  |-|m|-|-|-|
3  |-|-|r|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|r|-|-|-|
5  |-|m|-|-|-|
3  |-|-|p|-|-|
   |-|-|-|-|-|

1  |-|-|-|p|-|
5  |-|-|-|r|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|
1  |-|-|r|-|-|
5  |-|-|m|-|-|
3  |-|-|-|p|-|

   |-|-|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|m|-|-|-|
2nd Inversion 
   |-|-|-|-|-|
1  |-|r|-|-|-|
5  |i|-|-|-|-|
3  |-|m|-|-|-|
   |-|-|-|-|-|
5  |-|-|-|p|-|

1  |i|-|-|-|-|
3  |)|m|-|-|-|
1  |)|-|r|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|

3  |-|m|-|-|-|
1  |-|-|-|p|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
   |-|-|-|-|-|

Diminished Triad

R - m3 - d5
All Notes for
Arpeggios 
 |1|-|-|3|
 |-|-|-|-|
 |3|-|-|5|
 |-|-|1|-|
 |-|5|-|-|
 |1|-|-|3|

 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|-|1|-|-|

 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|1|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|

 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|-|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|-|

 |-|5|-|-|-|
 |1|-|-|3|-|
 |-|-|-|-|1|
 |3|-|-|5|-|
 |-|-|1|-|-|
 |-|5|-|-|-|

 |3|-|-|-|5|
 |-|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|-|-|1|
 |3|-|-|5|-|

 |-|-|3|-|-|
 |-|-|-|-|1|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
Root Position 
  |-|-|-|-|-|
5 |-|m|-|-|-|
3 |-|-|p|-|-|
  |-|-|-|-|-|
3 |i|-|-|-|-|
1 |-|-|r|-|-|

  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|m|-|-|-|
  |-|-|-|-|-|
5 |-|-|p|-|-|
1 |-|r|-|-|-|

  |-|-|-|-|-|
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|-|m|-|-|
1 |-|-|-|-|p|
  |-|-|-|-|-|

1 |-|r|-|-|-|
5 |i|-|-|-|-|
3 |-|m|-|-|-|
1 |-|-|-|p|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

5 |i|-|-|-|-|
3 |-|-|r|-|-|
1 |-|-|-|p|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|
1st Inversion
2nd Inversion

Augmented

R - M3 - A5

Augmented chords consist of root, major third, and augmented 5th. An augmented fifth is equivalent to two major thirds. An augmented fifth + a major third = an octave. Therefore, the distance between root and 3rd, 3rd and 5th, and 5th and octave are all the same - a major third.

There are no real 7th chords - augmented chords tend to be associated with the whole-tone scale, which only has 6, not 7 notes. In the 7-note scale, you have 1st (C), 3rd (E), 5th (G), 7th (B), 9th (D), 11th (F), and 13th (A) before you reach the 15th (C), which is 2 octaves above the 1st. In the 6-note scale, you have 1st (C), 3rd (E), 5th (G#), 7th (C). The 7th note is the octave, and the chord simply repeats.

There aren't distinct inversion shapes - the first inversion of C aug (C E G#) is (E G# C), which is equivalent to (E G# B#) or E aug. So the inversions are identical to using a different root note. In other words, the inversions' shapes are identical to the root position shapes below. 

   |-|-|-|-|
3  |i|-|-|-|
1  |i|-|-|-|
5  |-|m|-|-|
3  |-|-|r|-|
1  |-|-|-|p|

1  |i|-|-|-|
5  |)|m|-|-|
3  |)|m|-|-|
1  |)|-|r|-|
5  |)|-|-|p|
1  |i|-|-|-|

1  |i|-|-|-|
5  |-|r|-|-|
3  |-|m|-|-|
1  |-|-|p|-|
   |-|-|-|-|
   |-|-|-|-|

Sevenths

R - 3 - 5 - 7

Major 7th

R - M3 - P5 - M7
All Notes for
Arpeggios 
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|3|-|-|5|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|

 |7|1|-|-|
 |-|5|-|-|
 |-|-|3|-|
 |-|-|7|1|
 |3|-|-|5|
 |7|1|-|-|

 |-|-|7|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|1|-|

 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|7|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|7|

 |-|5|-|-|
 |-|-|-|3|
 |-|-|7|1|
 |3|-|-|5|
 |7|1|-|-|
 |-|5|-|-|

 |3|-|-|5|
 |7|1|-|-|
 |5|-|-|-|
 |-|-|3|-|
 |-|-|7|1|
 |3|-|-|5|

 |-|-|3|-|-|
 |-|-|7|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
Root Position 
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|

5  |i|-|-|-|-|
3  |)|-|p|-|-|
7  |)|m|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
5  |-|r|-|-|-|
   |-|-|-|-|-|
7  |-|-|p|-|-|
3  |m|-|-|-|-|
1  |-|i|-|-|-|

   |-|-|-|-|-|
5  |i|-|-|-|-|
3  |)|r|-|-|-|
7  |)|m|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|

7  |i|-|-|-|-|
   |)|-|-|-|-|
3  |)|-|m|-|-|
1  |-|)|-|p|-|
5  |-|)|-|r|-|
1  |-|i|-|-|-|
barre acr frets
mute 2nd string

3  |-|-|r|-|-|
7  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|

7  |i|-|-|-|-|
5  |-|m|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion 
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|

1  |-|r|-|-|-|
5  |-|m|-|-|-|
   |-|-|-|-|-|
7  |-|-|p|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|

3  |-|-|r|-|-|
7  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|-|m|-|-|

7  |i|-|-|-|-|
5  |)|m|-|-|-|
3  |)|-|r|-|-|
1  |)|-|-|p|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|
2nd Inversion
3rd Inversion

Dominant 7th

R - M3 - P5 - m7
All Notes for
Arpeggios 
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|

 |7|-|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|-|

 |-|-|-|1|-|
 |3|-|-|5|-|
 |1|-|-|-|3|
 |5|-|-|-|-|
 |-|-|3|-|-|
 |-|-|-|1|-|

 |5|-|-|7|-|
 |-|-|3|-|-|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|7|-|

 |-|-|5|-|-|
 |-|-|-|-|3|
 |-|-|7|-|1|
 |-|3|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|

 |3|-|-|5|
 |-|1|-|-|
 |5|-|-|7|
 |-|-|3|-|
 |-|7|-|1|
 |3|-|-|5|

 |-|-|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |1|-|-|-|3|
 |5|-|-|7|-|
 |-|-|3|-|-|
Root Position 
5  |-|p|-|-|-|
   |-|-|-|-|-|
7  |-|r|-|-|-|
3  |i|-|-|-|-|
1  |-|m|-|-|-|
   |-|-|-|-|-|

5  |i|-|-|-|-|
3  |)|-|p|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

7  |-|-|-|p|-|
3  |-|-|r|-|-|
1  |-|-|r|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
5  |-|p|-|-|-|
   |-|-|-|-|-|
7  |-|r|-|-|-|
3  |i|-|-|-|-|
1  |-|m|-|-|-|

7  |-|m|-|-|-|
5  |i|-|-|-|-|
1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |-|-|r|-|-|
1  |-|-|-|p|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |)|r|-|-|-|
7  |i|-|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|

3  |-|-|p|-|-|
7  |-|m|-|-|-|
5  |-|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|

7  |i|-|-|-|-|
5  |-|-|m|-|-|
3  |-|-|-|r|-|
1  |-|-|-|-|p|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion 
5  |-|-|-|p|-|
1  |-|m|-|-|-|
7  |-|-|-|r|-|
   |-|-|-|-|-|
   |-|-|-|-|-|
3  |i|-|-|-|-|

1  |-|p|-|-|-|
5  |-|r|-|-|-|
   |-|-|-|-|-|
7  |-|m|-|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
7  |-|m|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|-|r|-|-|

7  |i|-|-|-|-|
5  |)|-|m|-|-|
3  |-|)|-|r|-|
1  |-|)|-|-|p|
3  |-|i|-|-|-|
   |-|-|-|-|-|
barre across frets

Minor 7th

R - m3 - P5 - m7
All Notes for
Arpeggios 
 |1|-|-|3|-|
 |5|-|-|7|-|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|
 |1|-|-|3|-|

 |7|-|1|-|-|
 |-|-|5|-|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|-|

 |-|-|7|-|1|
 |3|-|-|-|5|
 |-|1|-|-|3|
 |-|5|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|

 |5|-|-|7|
 |-|3|-|-|
 |7|-|1|-|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|7|

 |-|-|5|-|-|
 |1|-|-|3|-|
 |-|-|7|-|1|
 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|-|5|-|-|

 |3|-|-|-|5|
 |7|-|1|-|-|
 |-|5|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|-|5|

 |-|3|-|-|
 |-|7|-|1|
 |-|-|5|-|
 |1|-|-|3|
 |5|-|-|7|
 |-|3|-|-|
Root Position 
5  |-|-|p|-|-|
   |-|-|-|-|-|
7  |-|-|r|-|-|
3  |i|-|-|-|-|
1  |-|-|m|-|-|
   |-|-|-|-|-|

5  |i|-|-|-|-|
3  |)|m|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
5  |-|-|p|-|-|
   |-|-|-|-|-|
7  |-|-|r|-|-|
3  |i|-|-|-|-|
1  |-|-|m|-|-|

1  |i|-|-|-|-|
5  |i|-|-|-|-|
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|p|-|-|
1  |i|-|-|-|-|

3  |-|r|-|-|-|
7  |-|m|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
   |-|-|-|-|-|

7  |i|-|-|-|-|
5  |-|-|r|-|-|
3  |-|-|m|-|-|
1  |-|-|-|-|p|
   |-|-|-|-|-|
   |-|-|-|-|-|
1st Inversion 
   |-|-|-|-|-|
   |-|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
3  |-|m|-|-|-|

1  |-|-|p|-|-|
5  |-|-|r|-|-|
   |-|-|-|-|-|
7  |-|-|m|-|-|
3  |i|-|-|-|-|
   |-|-|-|-|-|

   |-|-|-|-|-|
7  |-|r|-|-|-|
5  |-|-|p|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|
3  |-|m|-|-|-|

7  |i|-|-|-|-|
5  |)|-|m|-|-|
   |)|-|-|-|-|
1  |)|-|-|-|p|
3  |i|-|-|-|-|
   |-|-|-|-|-|

Fully Diminished

R - m3 - d5 - M6
or
R - m3 - d5 - d7
All Notes for
Arpeggios 
 |-|x|-|-|x|
 |x|-|-|x|-|
 |-|x|-|-|-|
 |x|-|-|x|-|
 |-|-|x|-|-|
 |-|x|-|-|x|

 |-|-|x|-|-|
 |-|x|-|-|x|
 |-|-|x|-|-|
 |-|x|-|-|x|
 |x|-|-|x|-|
 |-|-|x|-|-|
Root Position 
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |)|r|-|-|-|
7 |i|-|-|-|-|
  |-|-|-|-|-|
1 |-|m|-|-|-|

5 |i|-|-|-|-|
3 |)|-|p|-|-|
7 |i|-|-|-|-|
5 |-|-|r|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|

3 |-|r|-|-|-|
7 |i|-|-|-|-|
5 |)|m|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Half Diminished

R - m3 - d5 - m7
All Notes for
Arpeggios 
 |1|-|-|3|
 |-|-|-|7|
 |3|-|-|5|
 |7|-|1|-|
 |-|5|-|-|
 |1|-|-|3|

 |7|-|1|-|-|
 |-|5|-|-|-|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|5|-|
 |7|-|1|-|-|

 |-|-|7|-|1|
 |3|-|-|5|-|
 |-|1|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|

 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|7|-|1|-|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|7|

 |-|5|-|-|
 |1|-|-|3|
 |-|-|7|-|
 |3|-|-|5|
 |7|-|1|-|
 |-|5|-|-|

 |3|-|-|5|-|
 |7|-|1|-|-|
 |5|-|-|-|7|
 |-|-|3|-|-|
 |-|-|7|-|1|
 |3|-|-|5|-|

 |-|-|3|-|-|
 |-|-|7|-|1|
 |-|-|5|-|-|
 |-|1|-|-|3|
 |5|-|-|-|7|
 |-|-|3|-|-|
Root Position 
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |-|p|-|-|-|
7 |-|r|-|-|-|
  |-|-|-|-|-|
1 |-|m|-|-|-|

  |-|-|-|-|-|
3 |-|p|-|-|-|
7 |i|-|-|-|-|
5 |)|r|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

3 |-|p|-|-|-|
7 |-|r|-|-|-|
5 |-|m|-|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Minor/Major 7

R - m3 - P5 - M7
Root Position 
  |-|-|-|-|-|
5 |i|-|-|-|-|
3 |i|-|-|-|-|
7 |)|r|-|-|-|
  |)|-|-|-|-|
1 |i|-|-|-|-|

5 |i|-|-|-|-|
3 |)|r|-|-|-|
7 |)|m|-|-|-|
5 |)|-|p|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

3 |-|m|-|-|-|
7 |-|-|p|-|-|
5 |-|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Ninths

R - 3 - 5 - (7) - 9

Dominant 9th

R - M3 - P5 - m7 - M9
Root Position 
5 |-|r|-|-|-| 
9 |-|r|-|-|-|
7 |-|r|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|

Dominant Minor 9th

R - M3 - (P5) - m7 - m9
Root Position 
5 |-|p|-|-|-| 
9 |i|-|-|-|-|
7 |)|r|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|

9 |-|m|-|-|-| 
7 |-|-|-|p|-|
3 |i|-|-|-|-|
1 |-|-|r|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Major 9th

R - M3 - (P5) - M7 - M9
Root Position 
  |-|-|-|-|-| 
9 |-|r|-|-|-|
7 |-|-|p|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|

9 |-|r|-|-|-| 
7 |-|-|-|p|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Minor 9th

R - m3 - (P5) - m7 - M9
Root Position 
5 |-|-|r|-|-| 
9 |-|-|r|-|-|
7 |-|-|r|-|-|
3 |i|-|-|-|-|
1 |-|-|m|-|-|
  |-|-|-|-|-|

6/9

R - M3 - P5 - M6 - M9

This is the same set of notes as the Major Pentatonic Scale.

Root Position 
5 |-|p|-|-|-|
9 |-|r|-|-|-|
6 |i|-|-|-|-|
3 |i|-|-|-|-|
1 |-|m|-|-|-|
  |-|-|-|-|-|

Major Added 9th

R - M3 - 5 - M9
Root Position 
1 |i|-|-|-|-| 
5 |i|-|-|-|-|
3 |)|m|-|-|-|
9 |)|-|-|-|p|
5 |)|-|r|-|-|
1 |i|-|-|-|-|

5 |i|-|-|-|-| 
3 |)|-|r|-|-|
9 |)|-|-|-|p|
5 |)|-|m|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

Minor Added 9th

R - m3 - P5 - M9
Root Position 
1 |i|-|-|-|-| 
5 |i|-|-|-|-|
3 |i|-|-|-|-|
9 |)|-|-|-|p|
5 |)|-|m|-|-|
1 |i|-|-|-|-|

5 |i|-|-|-|-| 
3 |)|m|-|-|-|
9 |)|-|-|-|p|
5 |)|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|

Elevenths

R - [3] - (5) - 7 - 9 - 11

The 3rd is virtually always omitted due to its dissonant m9 (m2 above the octave) interval with the 11th.

Dominant 11th

R - [M3] - (P5) - m7 - M9 - A11
Root Position 
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |i|-|-|-|-|
7  |-|r|-|-|-|
   |-|-|-|-|-|
1  |-|m|-|-|-|

Minor 11th

R - [m3] - (P5) - m7 - M9 - P11
Root Position 
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |-|m|-|-|-|
7  |-|-|p|-|-|
   |-|-|-|-|-|
1  |-|-|r|-|-|

Major 11th

R - [M3] - (P5) - M7 - M9 - A11
Root Position 
   |-|-|-|-|-| 
11 |i|-|-|-|-|
9  |i|-|-|-|-|
7  |-|-|r|-|-|
   |-|-|-|-|-|
1  |-|m|-|-|-|

Thirteenths

R - 3 - (5) - 7 - (9) - (11) - 13

Dominant 13th

R - M3 - (P5) - m7 - (M9) - (P11) - M13
Root Position 
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |-|r|-|-|-|
7  |m|-|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|

13 |-|-|p|-|-| 
3  |-|-|r|-|-|
7  |i|-|-|-|-|
5  |)|-|m|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Minor 13th

R - m3 - (P5) - m7 - (M9) - (P11) - M13
Root Position 
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |i|-|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|

13 |-|-|p|-|-| 
3  |-|m|-|-|-|
7  |i|-|-|-|-|
5  |)|-|r|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Major 13th

R - M3 - (P5) - M7 - (M9) - (P11) - M13
Root Position 
   |-|-|-|-|-| 
13 |-|-|p|-|-|
3  |-|r|-|-|-|
7  |-|m|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|

13 |-|-|p|-|-| 
3  |-|-|r|-|-|
7  |-|m|-|-|-|
   |-|-|-|-|-|
1  |i|-|-|-|-|
   |-|-|-|-|-|

Suspensions

R - M2/P4 - 5

Suspended 2nd

1 |i|-|-|-|-|   
5 |i|-|-|-|-|   
  |)|-|-|-|-|   
2 |)|-|-|-|p|   
5 |)|-|r|-|-|   
1 |i|-|-|-|-|   
mute 3rd string

5 |i|-|-|-|-|  
2 |i|-|-|-|-|  
1 |)|-|p|-|-|  
5 |)|-|r|-|-|  
1 |i|-|-|-|-|  
  |-|-|-|-|-|  

2 |i|-|-|-|-|
1 |)|-|-|p|-|
5 |)|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Suspended 4th

1 |i|-|-|-|-|   
5 |i|-|-|-|-|   
4 |)|-|p|-|-|   
1 |)|-|r|-|-|   
5 |)|-|m|-|-|   
1 |i|-|-|-|-|   

5 |i|-|-|-|-|  
4 |)|-|-|p|-|  
1 |)|-|r|-|-|  
5 |)|-|r|-|-|  
1 |i|-|-|-|-|  
  |-|-|-|-|-|  

4 |-|-|-|p|-|
1 |-|-|-|p|-|
5 |-|-|r|-|-|
1 |i|-|-|-|-|
  |-|-|-|-|-|
  |-|-|-|-|-|

Sixth

R - 3 - 5 - 6

The only real unique 6th chords are more technically called add 6th chords, simply adding the 6th on a basic triad. Other chords have 6 in the name, but aren't unique. The Neapolitan 6th is simply a 1st inversion major triad. The 6/9 chord is covered above as a variant of a ninth chord.

3rd inversion actually is actually a half diminished or minor 7th chord, with R - m3 - d5/P5 - m7.

Major 6th

R - M3 - P5 - M6

Minor 6th

R - m3 - P5 - M6
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