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Difference between revisions of "Scales for all Positions"

m (→‎C Major Layout on Fretboard)
m (→‎C Major Layout on Fretboard)
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  |o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|
 
  |o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|
 
   0    3  5  7  9    12    15  17  19  21    24
 
   0    3  5  7  9    12    15  17  19  21    24
 +
  6------  3-------- 7-------- 4-------- 1--------
 +
        4-------- 1-------- 5--------  2--------
 +
    5-------- 2--------  6------  3--------

Revision as of 00:39, 27 May 2014

So we've looked at a few different scales in open and 5th position. Now let's put on our big boy shoes and learn how to play in any position.

PreReqs

Scale Maps

The Major and Natural Minor Scales can easily be reduced to 7 different shapes, that correspond to the player's position on the fretboard. The 7 positions are based on the position of the tonic note.

Major Scale Roots
1 2 3 4 5 6 7
Root Notes 
 |x|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|-|-|
 |-|-|x|-|-|
 |-|-|-|-|-|
 |x|-|-|-|-|

 |-|-|x|-|-|
 |-|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|-|x|
 |-|-|-|-|-|
 |-|-|x|-|-|

 |-|-|-|x|-|
 |-|-|-|-|-|
 |x|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|x|-|

 |-|-|-|-|-|
 |-|-|-|-|-|
 |-|-|x|-|-|
 |-|-|-|-|-|
 |x|-|-|-|-|
 |-|-|-|-|-|

 |-|-|-|-|-|
 |x|-|-|-|-|
 |-|-|-|-|x|
 |-|-|-|-|-|
 |-|-|x|-|-|
 |-|-|-|-|-|

 |-|-|-|-|-|
 |-|x|-|-|-|
 |-|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|x|-|
 |-|-|-|-|-|

 |-|-|-|-|-|
 |-|-|-|x|-|
 |-|-|-|-|-|
 |x|-|-|-|-|
 |-|-|-|-|-|
 |-|-|-|-|-|
All Notes
for Pos. 
 |x|-|o|-|o|
 |*|-|o|-|o|
 |-|o|o|-|o|
 |-|o|x|-|o|
 |o|-|o|-|o|
 |x|-|o|-|o|

 |-|o|x|-|o|
 |*|-|o|-|o|
 |-|o|-|o|o|
 |-|o|-|o|x|
 |-|o|o|-|o|
 |-|o|x|-|o|

 |o|-|o|x|-|
 |o|o|-|o|-|
 |x|-|o|-|*|
 |o|-|o|-|o|
 |o|-|o|o|-|
 |o|-|o|x|-|

 |o|-|o|-|o|
 |*|-|o|o|-|
 |-|o|x|-|o|
 |o|-|o|-|o|
 |x|-|o|-|o|
 |o|-|o|-|o|

 |o|-|o|-|o|
 |x|-|o|-|o|
 |-|o|-|o|*|
 |-|o|o|-|o|
 |-|o|x|-|o|
 |o|-|o|-|o|

 |o|o|-|o|-|
 |o|x|-|o|-|
 |o|-|o|-|*|
 |o|-|o|o|-|
 |o|-|o|x|-|
 |o|o|-|o|-|

 |o|-|o|o|-|
 |o|-|o|x|-|
 |o|-|o|-|*|
 |x|-|o|-|o|
 |o|-|o|-|o|
 |o|-|o|o|-|
Fingering
for Pos. 
 |i|-|m|-|p|
 |*|-|m|-|p|
 |-|i|m|-|p|
 |-|i|m|-|p|
 |i|-|m|-|p|
 |i|-|m|-|p|

 |-|i|m|-|p|
 |*|-|m|-|p|
 |-|i|-|r|p|
 |-|i|-|r|p|
 |-|i|m|-|p|
 |-|i|m|-|p|

 |i|-|r|p|-|
 |i|m|-|p|-|
 |i|-|r|-|*|
 |i|-|r|-|p|
 |i|-|r|p|-|
 |i|-|r|p|-|

 |i|-|m|-|p|
 |*|-|m|r|-|
 |-|i|m|-|p|
 |i|-|m|-|p|
 |i|-|m|-|p|
 |i|-|m|-|p|

 |i|-|m|-|p|
 |i|-|m|-|p|
 |-|i|-|r|*|
 |-|i|m|-|p|
 |-|i|m|-|p|
 |i|-|m|-|p|

 |i|m|-|p|-|
 |i|m|-|p|-|
 |i|-|r|-|*|
 |i|-|r|p|-|
 |i|-|r|p|-|
 |i|m|-|p|-|

 |i|-|r|p|-|
 |i|-|r|p|-|
 |i|-|r|-|*|
 |i|-|m|-|p|
 |i|-|m|-|p|
 |i|-|r|p|-|
Whole/Half
Patterns
  1. w-w
  2. w
  3. h-w
  4. h-w
  5. w-w
  6. w-w
  1. h-w
  2. w
  3. w-h
  4. w-h
  5. h-w
  6. h-w
  1. w-h
  2. h-w
  3. w
  4. w-w
  5. w-h
  6. w-h
  1. w-w
  2. h
  3. h-w
  4. w-w
  5. w-w
  6. w-w
  1. w-w
  2. w-w
  3. w
  4. h-w
  5. h-w
  6. w-w
  1. h-w
  2. h-w
  3. w
  4. w-h
  5. w-h
  6. h-w
  1. w-h
  2. w-h
  3. w
  4. w-w
  5. w-w
  6. w-h
* usually unplayed double notes

C Major Layout on Fretboard

|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|
|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|
|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|
|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|
|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|
|o|o|-|o|-|o|-|o|x|-|o|-|o|o|-|o|-|o|-|o|x|-|o|-|o|
 0     3   5   7   9     12    15  17  19  21    24
 6------   3-------- 7-------- 4-------- 1--------
       4-------- 1-------- 5--------   2--------
   5-------- 2--------   6------   3--------
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