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{|! Sus2 !! Sus2 !! Sus4 |i|-|-|-|-| '''R |-|-|p|-|-| 2 ''' |i|-|-|-|-| R'''5''' |i|-|-|-|-| 5 '''x''' |i)|-|-|-|-| 5 '''2''' |i)|-|-|-|-p| '''5''' |)|-|-m|-|-| x '''R''' |)i|-|-|-|-| x |) '''2''' |-|r|-|-p| 4'''5''' |)i|-|-|-|p| 2 '''x''' |)|-|r|-|-| '''R ''' |)|-|r|-|-| R'''5''' |)|-|m|- '''R''' |-| 5 |)i|-|m|-|-| 5 '''R''' |)|-|ri|-|-| '''5''' |i|-|-| '''4''' |)|-|-r| '''R ''' |i)|-|-r| '''5''' |)|-|-r| '''R ''' |i|-|-|-|-| R}
sus2 sus4{|! Sus2 !! Sus4|-| '''5''' |i|-|-| '''2''' |i|-|-| 5 '''R''' |i)|-|-r| '''5''' |)|-|-r| 5'''R''' |i|-|-|- ''' ''' |-| 2 |)|-|-|p|-| 4'''5''' |)i|-|r|-|-| R '''4''' |)|-|r|-|-p| '''R''' |)|-|r|-|-| '''5 ''' |)|-|r|-|-| 5 |i|-|-|-|-| '''R ''' |i|-|-|-|-| R''' ''' |-|-|-|-|-| |-|-|-|-|-| }
sus2 sus4{|! Sus2 !! Sus4 |i|-|-|-|-| '''2 ''' |)i|-|-|p|-| 4'''R''' |)|-|-|p|-| R '''5''' |)|-|-|pr|-| '''R''' |)i|-|r|-|-| 5 ''' ''' |)-|-|r|-|-| 5''' ''' |i|-|-|-|-| R |i '''4''' |-)|-|-|-p| '''R''' |)|-|-|-p| '''5''' |-)|-| r|-|- '''R''' |i|-|-|-| ''' ''' |-|-|-|-|-| ''' ''' |-|-|-|-|-| }
→Common Shapes
== Common Shapes ==
===6 String===
These are basically the same shapes as our barre chords, but with a few small differences. Either of the sus2 shape requires muting the G string. I like to use my pinky in example 1 and ring finger in example 2.
===5 String===
===4 String===
Here we finally take advantage of that barre for the 4-string sus2 chord.