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--0-- = x Hz; --<5>-- = 4* x = 4* x
To demonstrate, the 6th string should be tuned to E, or 82.5 HZHz. Sounding the 4th harmonic would give us 4x that pitch. 4 * 82.5 Hz = 330Hz. The 5th string should be tuned to A or 110 HZHz. The 3rd harmonic is 3x that pitch. 3 x 110 Hz = 330Hz. So 6th string 4th harmonic = 5th string 3rd harmonic = 330 HZHz. 82.5 Hz (E) x 4/3 (4th interval) = 110 Hz (A).
--0-- = 110.0 Hz; --<7>-- = 3* 110.0 Hz = 330Hz --0-- = 82.5 Hz; --<5>-- = 4* 82.5 Hz = 330Hz
So if we sound the ''5th fret harmonic of the 6th string'' and the ''7th fret harmonic of the 5th string'', the same note should be ringing out. This frees up the left hand to rotate the tuners to achieve the same note. And like open strings, harmonics tend to sustain longer. This works on every pair of strings except the 2nd and 3rd strings. For these we can use the 5th harmonic of the 3rd string and the 3rd harmonic of the 1st string. That's the 3.9 or 8.8 fret harmonic on 3rd string and 7th fret harmonic on the 1st string.
3rd string G is 196 HZHz. 196 x 5 = 980. 1st string E is 330 HZHz. 330 x 3 = 990 HZHz. But wait - 980 != 990. Unfortunate, but close enough for our purposes. If we tune the 1st string 3rd harmonic to 980, that means the 1st string is now 326 and 2/3 HZHz. That's only 3 1/3 HZ Hz away from our target of 330 HZHz, and the human ear has trouble differentiating pitches within such a small window (approximately 1% off).
Once we've gotten the 1st and 3rd strings tuned together, we can use the previous 5th/7th fret harmonic technique to tune the 2nd string to the 1st string.