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Difference between revisions of "Ref: Circle of Fifths"

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{{crumbs|red|2
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{{Top-Level Crumbs|3}}
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|Ref: Common Scales|Scales
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|Ref: Circle of Fifths|Circle of 5ths
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{{Reference Crumbs|3}}
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|Ref: Fret Maps for all Keys|Fret Maps
 
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|Ref: CAGED Chord Charts|CAGED Charts
 
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|Ref: Diatonic Chords for all Keys|Diatonic Chords
 
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|Ref: Chord Fingerings/Voicings|Chord Fingerings
 
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|Ref: Chord Names/Notes/Spellings|Chord Naming
 
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|Ref: Common Chord Progressions|Progressions
 
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|Ref: Modes|Modes
 
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|Ref: Counting Rhythm|Counting Rhythm
 
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|Ref: Common Arpeggios|Arpeggios
 
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|Ref: Reading Tab|Reading Tab
 
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|Ref: Reading Chord Charts, Scale Maps, and Strumming Notation|Other Notation}}
 
  
 
== Clock Visualization ==
 
== Clock Visualization ==
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So assuming C is "12 o'Clock", our circle of fifths looks like this:
 
So assuming C is "12 o'Clock", our circle of fifths looks like this:
−
{|class="mycellpadding"
+
{|
 +
|-
 +
|
 +
{|
 
| || F || C || G ||  
 
| || F || C || G ||  
 
|-
 
|-
−
| B{{f}} || || || || D
+
| B{{b}} || || || || D
 
|-
 
|-
−
| E{{f}} || || || || A
+
| E{{b}} || || || || A
 
|-
 
|-
−
| A{{f}} || || || || E
+
| A{{b}} || || || || E
 
|-
 
|-
−
| || D{{f}} || G{{f}} || B ||  
+
| || D{{b}} || G{{b}} || B ||  
 +
|}
 +
|
 +
[[File:P5_CW_Circle_of_5ths.png]]
 
|}
 
|}
  
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Moving only clockwise and using strict naming for each P5, we require to start using sharps once we hit 6 o'clock.  Notice that the sharp keys are enharmonic to the flat keys above.  Here's the same visualization using sharp keys instead of flats:
 
Moving only clockwise and using strict naming for each P5, we require to start using sharps once we hit 6 o'clock.  Notice that the sharp keys are enharmonic to the flat keys above.  Here's the same visualization using sharp keys instead of flats:
  
−
{|class="mycellpadding"
+
{|
 +
|-
 +
|
 +
{|
 
| || E{{s}} || C || G ||  
 
| || E{{s}} || C || G ||  
 
|-
 
|-
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|-
 
|-
 
| || C{{s}} || F{{s}} || B ||  
 
| || C{{s}} || F{{s}} || B ||  
 +
|}
 +
|
 +
[[File:P5_CW_Circle_of_5ths.png]]
 
|}
 
|}
  
 
If we kept going, B{{s}} would be the next P5 we reach at 12 o'clock, enharmonic to C.  We could keep going around and start using double, then triple sharps, and so on.  On the other hand, if we move strict P4's going clockwise, we get the following:
 
If we kept going, B{{s}} would be the next P5 we reach at 12 o'clock, enharmonic to C.  We could keep going around and start using double, then triple sharps, and so on.  On the other hand, if we move strict P4's going clockwise, we get the following:
  
−
{|class="mycellpadding"
+
{|
−
| || F || C || A{{f}}{{f}} ||  
+
|-
 +
|
 +
{|
 +
| || F || C || A{{db}} ||  
 
|-
 
|-
−
| B{{f}} || || || || E{{f}}{{f}}
+
| B{{b}} || || || || E{{db}}
 
|-
 
|-
−
| E{{f}} || || || || B{{f}}{{f}}
+
| E{{b}} || || || || B{{db}}
 
|-
 
|-
−
| A{{f}} || || || || F{{f}}
+
| A{{b}} || || || || F{{b}}
 
|-
 
|-
−
| || D{{f}} || G{{f}} || C{{f}} ||  
+
| || D{{b}} || G{{b}} || C{{b}} ||  
 +
|}
 +
|
 +
[[File:P4_CCW_Circle_of_5ths.png]]
 
|}
 
|}
  
−
If we kept going, 12 o'clock would be D{{f}}{{f}}, and again, we'd be venturing into double and triple flats and beyond.
+
If we kept going, 12 o'clock would be D{{db}}, and again, we'd be venturing into double and triple flats and beyond.
  
 
And if 12 o'clock is the root, the interval between root and each note is as follows:
 
And if 12 o'clock is the root, the interval between root and each note is as follows:
−
{|class="mycellpadding"
+
 
−
| || P4 || U || P5 ||  
+
:{|
 +
| || {{P4|P4}} || {{U|R}} || {{P5|P5}} ||  
 
|-
 
|-
−
| m7 || || || || M2
+
| {{Mn7|m7}} || || || || {{M2|M2}}
 
|-
 
|-
−
| m3 || || || || M6
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| {{Mn3|m3}} || || || || {{M6|M6}}
 
|-
 
|-
−
| m6 || || || || M3
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| {{Mn6|m6}} || || || || {{M3|M3}}
 
|-
 
|-
−
| || m2 || tt || M7 ||  
+
| || {{Mn2|m2}} || {{tt|tt}} || {{M7|M7}} ||  
 
|}
 
|}
  
−
Notice the 2 intervals of equal distance from the root are inversions of each other (P4 - P5, m7 - M2, m3 - M6, m6 - M3, m2 - M7).
+
Notice the 2 intervals of equal distance from the root are inversions of each other ({{P4|P4}} - {{P5|P5}}, {{Mn7|m7}} - {{M2|M2}}, {{Mn3|m3}} - {{M6|M6}}, {{Mn6|m6}} - {{M3|M3}}, {{Mn2|m2}} - {{M7|M7}}).
  
 
{{top}}
 
{{top}}
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== Tables of fifths w/ scales ==
 
== Tables of fifths w/ scales ==
  
−
===Major - C{{f}} to C{{s}}===
+
===Major - C{{b}} to C{{s}}===
 
{{crumbs|blue|2
 
{{crumbs|blue|2
 
|Ref: Circle of Fifths#Clock Visualization|Circle
 
|Ref: Circle of Fifths#Clock Visualization|Circle
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|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
 
|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
  
−
{{crumbs|green|1
+
{{crumbs|blue2|1
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
 
|Ref: Circle of Fifths#Harmonic Minor - A.E2.99.AD to A.E2.99.AF|Harmonic Minor}}
 
|Ref: Circle of Fifths#Harmonic Minor - A.E2.99.AD to A.E2.99.AF|Harmonic Minor}}
  
−
{| class="wikitable"
+
{| class="wikitable" cellpadding="10px"
 
|-
 
|-
−
! Key !!C{{f}} !! G{{f}} !! D{{f}} !! A{{f}} !! E{{f}} !! B{{f}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}}
+
! Key !!C{{b}} !! G{{b}} !! D{{b}} !! A{{b}} !! E{{b}} !! B{{b}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}}
 
|-
 
|-
−
| Flats/<br>Sharps||7 {{f}}'s||6 {{f}}'s || 5 {{f}}'s || 4 {{f}}'s || 3 {{f}}'s || 2 {{f}}'s || 1 {{f}}'s || 0 {{f}}/{{s}}'s || 1 {{s}}'s || 2 {{s}}'s || 3 {{s}}'s || 4 {{s}}'s || 5 {{s}}'s || 6 {{s}}'s || 7 {{s}}'s
+
| Flats/<br>Sharps||7 {{b}}||6 {{b}} || 5 {{b}} || 4 {{b}} || 3 {{b}} || 2 {{b}} || 1 {{b}} || 0 {{b}}/{{s}} || 1 {{s}} || 2 {{s}} || 3 {{s}} || 4 {{s}} || 5 {{s}} || 6 {{s}} || 7 {{s}}
 
|-
 
|-
−
| Uni ||C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}}
+
| Uni ||C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}}
 
|-
 
|-
−
| 2nd ||D{{f}} || A{{f}}|| E{{f}} || B{{f}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
+
| 2nd ||D{{b}} || A{{b}}|| E{{b}} || B{{b}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
 
|-
 
|-
−
| 3rd ||E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
+
| 3rd ||E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
 
|-
 
|-
−
| 4th ||F{{f}} || C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E || B || F{{s}}
+
| 4th ||F{{b}} || C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E || B || F{{s}}
 
|-
 
|-
−
| 5th ||G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E|| B|| F{{s}} || C{{s}} || G{{s}}
+
| 5th ||G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E|| B|| F{{s}} || C{{s}} || G{{s}}
 
|-
 
|-
−
| 6th ||A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
+
| 6th ||A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
 
|-
 
|-
−
| 7th ||B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
+
| 7th ||B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
 
|-
 
|-
−
| Oct ||C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
+
| Oct ||C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
 
|}
 
|}
−
Notice the 4ths and 7ths - this is where the notes flatten/sharpen when shifting keys up/down a fifth (or down/up a fourth).
+
Notice the 4ths and 7ths - this is where the notes flatted/sharped when shifting keys up/down a fifth (or down/up a fourth).
  
 
{{top}}
 
{{top}}
  
−
===Natural Minor - A{{f}} to A{{s}}===
+
===Natural Minor - A{{b}} to A{{s}}===
 
{{crumbs|blue|2
 
{{crumbs|blue|2
 
|Ref: Circle of Fifths#Clock Visualization|Circle
 
|Ref: Circle of Fifths#Clock Visualization|Circle
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|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
 
|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
  
−
{{crumbs|green|2
+
{{crumbs|blue2|2
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
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{| class="wikitable"
 
{| class="wikitable"
 
|-
 
|-
−
! Key !!A{{f}} !! E{{f}} !! B{{f}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}} !! A{{s}}
+
! Key !!A{{b}} !! E{{b}} !! B{{b}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}} !! A{{s}}
 
|-
 
|-
−
| Flats/<br>Sharps||7 {{f}}'s||6 {{f}}'s || 5 {{f}}'s || 4 {{f}}'s || 3 {{f}}'s || 2 {{f}}'s || 1 {{f}}'s || 0 {{f}}/{{s}}'s || 1 {{s}}'s || 2 {{s}}'s || 3 {{s}}'s || 4 {{s}}'s || 5 {{s}}'s || 6 {{s}}'s || 7 {{s}}'s
+
| Flats/<br>Sharps||7 {{b}}||6 {{b}} || 5 {{b}} || 4 {{b}} || 3 {{b}} || 2 {{b}} || 1 {{b}} || 0 {{b}}/{{s}} || 1 {{s}} || 2 {{s}} || 3 {{s}} || 4 {{s}} || 5 {{s}} || 6 {{s}} || 7 {{s}}
 
|-
 
|-
−
| Uni ||A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
+
| Uni ||A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
 
|-
 
|-
−
| 2nd ||B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
+
| 2nd ||B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
 
|-
 
|-
−
| 3rd ||C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
+
| 3rd ||C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
 
|-
 
|-
−
| 4nd ||D{{f}} || A{{f}}|| E{{f}} || B{{f}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
+
| 4nd ||D{{b}} || A{{b}}|| E{{b}} || B{{b}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
 
|-
 
|-
−
| 5rd ||E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
+
| 5rd ||E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
 
|-
 
|-
−
| 6th ||F{{f}} || C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E || B || F{{s}}
+
| 6th ||F{{b}} || C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E || B || F{{s}}
 
|-
 
|-
−
| 7th ||G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E|| B|| F{{s}} || C{{s}} || G{{s}}
+
| 7th ||G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E|| B|| F{{s}} || C{{s}} || G{{s}}
 
|-
 
|-
−
| Oct ||A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
+
| Oct ||A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
 
|}
 
|}
  
−
Notice the 2nds and 6ths - this is where the notes flatten/sharpen when shifting keys up/down a fifth (or down/up a fourth).
+
Notice the 2nds and 6ths - this is where the notes flatted/sharped when shifting keys up/down a fifth (or down/up a fourth).
  
 
{{top}}
 
{{top}}
  
−
===Harmonic Minor - A{{f}} to A{{s}}===
+
===Harmonic Minor - A{{b}} to A{{s}}===
 
{{crumbs|blue|2
 
{{crumbs|blue|2
 
|Ref: Circle of Fifths#Clock Visualization|Circle
 
|Ref: Circle of Fifths#Clock Visualization|Circle
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|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
 
|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
  
−
{{crumbs|green|3
+
{{crumbs|blue2|3
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Major_-_C.E2.99.AD_to_C.E2.99.AF|Major
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
 
|Ref: Circle of Fifths#Natural Minor - A.E2.99.AD to A.E2.99.AF|Natural Minor
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{| class="wikitable"
 
{| class="wikitable"
 
|-
 
|-
−
! Key !!A{{f}} !! E{{f}} !! B{{f}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}} !! A{{s}}
+
! Key !!A{{b}} !! E{{b}} !! B{{b}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}} !! A{{s}}
 
|-
 
|-
−
| Uni ||A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
+
| Uni ||A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
 
|-
 
|-
−
| 2nd ||B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
+
| 2nd ||B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}}|| A{{s}} || E{{s}} || B{{s}}
 
|-
 
|-
−
| 3rd ||C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
+
| 3rd ||C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E|| B || F{{s}} || C{{s}}
 
|-
 
|-
−
| 4nd ||D{{f}} || A{{f}}|| E{{f}} || B{{f}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
+
| 4nd ||D{{b}} || A{{b}}|| E{{b}} || B{{b}} || F || C || G || D || A || E|| B || F{{s}}|| C{{s}} || G{{s}} || D{{s}}
 
|-
 
|-
−
| 5rd ||E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
+
| 5rd ||E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}}|| D{{s}} || A{{s}} || E{{s}}
 
|-
 
|-
−
| 6th ||F{{f}} || C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A|| E || B || F{{s}}
+
| 6th ||F{{b}} || C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A|| E || B || F{{s}}
 
|-
 
|-
−
| 7th ||G  || D  || A  || E  || B  || F{{s}} || C{{s}} || G{{s}} || D{{s}} || A{{s}} || E{{s}}|| B{{s}}|| F{{s}}{{s}} || C{{s}}{{s}} || G{{s}}{{s}}
+
| 7th ||G  || D  || A  || E  || B  || F{{s}} || C{{s}} || G{{s}} || D{{s}} || A{{s}} || E{{s}}|| B{{s}}|| F{{ds}} || C{{ds}} || G{{ds}}
 
|-
 
|-
−
| Oct ||A{{f}} || E{{f}} || B{{f}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
+
| Oct ||A{{b}} || E{{b}} || B{{b}} || F || C || G || D || A || E || B || F{{s}}|| C{{s}}|| G{{s}} || D{{s}} || A{{s}}
 
|}
 
|}
  
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{| class="wikitable"
 
{| class="wikitable"
 
|-
 
|-
−
| E{{f}}{{f}}{{f}}{{f}} || B{{f}}{{f}}{{f}}{{f}} || F{{f}}{{f}}{{f}} || C{{f}}{{f}}{{f}} || G{{f}}{{f}}{{f}} || D{{f}}{{f}}{{f}} || A{{f}}{{f}}{{f}} || E{{f}}{{f}}{{f}} || B{{f}}{{f}}{{f}} || F{{f}}{{f}} || C{{f}}{{f}} || G{{f}}{{f}} || D{{f}}{{f}}
+
| E{{db}}{{db}} || B{{db}}{{db}} || F{{db}}{{b}} || C{{db}}{{b}} || G{{db}}{{b}} || D{{db}}{{b}} || A{{db}}{{b}} || E{{db}}{{b}} || B{{db}}{{b}} || F{{db}} || C{{db}} || G{{db}} || D{{db}}
 
|-
 
|-
−
| D{{f}}{{f}} || A{{f}}{{f}} || E{{f}}{{f}} || B{{f}}{{f}} || F{{f}} || C{{f}} || G{{f}} || D{{f}} || A{{f}} || E{{f}} || B{{f}} || F || C
+
| D{{db}} || A{{db}} || E{{db}} || B{{db}} || F{{b}} || C{{b}} || G{{b}} || D{{b}} || A{{b}} || E{{b}} || B{{b}} || F || C
 
|-
 
|-
 
| C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}} || D{{s}} || A{{s}} || E{{s}} || B{{s}}
 
| C || G || D || A || E || B || F{{s}} || C{{s}} || G{{s}} || D{{s}} || A{{s}} || E{{s}} || B{{s}}
 
|-
 
|-
−
| B{{s}} || F{{s}}{{s}} || C{{s}}{{s}} || G{{s}}{{s}} || D{{s}}{{s}} || A{{s}}{{s}} || E{{s}}{{s}} || B{{s}}{{s}} || F{{s}}{{s}}{{s}} || C{{s}}{{s}}{{s}} || G{{s}}{{s}}{{s}} || D{{s}}{{s}}{{s}} || A{{s}}{{s}}{{s}}
+
| B{{s}} || F{{ds}} || C{{ds}} || G{{ds}} || D{{ds}} || A{{ds}} || E{{ds}} || B{{ds}} || F{{ds}}{{s}} || C{{ds}}{{s}} || G{{ds}}{{s}} || D{{ds}}{{s}} || A{{ds}}{{s}}
 
|-
 
|-
−
| A{{s}}{{s}}{{s}} || E{{s}}{{s}}{{s}} || B{{s}}{{s}}{{s}} || F{{s}}{{s}}{{s}}{{s}} || C{{s}}{{s}}{{s}}{{s}} || G{{s}}{{s}}{{s}}{{s}} || D{{s}}{{s}}{{s}}{{s}} || A{{s}}{{s}}{{s}}{{s}} || E{{s}}{{s}}{{s}}{{s}} || B{{s}}{{s}}{{s}}{{s}} || F{{s}}{{s}}{{s}}{{s}}{{s}} || C{{s}}{{s}}{{s}}{{s}}{{s}} || G{{s}}{{s}}{{s}}{{s}}{{s}}  
+
| A{{ds}}{{s}} || E{{ds}}{{s}} || B{{ds}}{{s}} || F{{ds}}{{ds}} || C{{ds}}{{ds}} || G{{ds}}{{ds}} || D{{ds}}{{ds}} || A{{ds}}{{ds}} || E{{ds}}{{ds}} || B{{ds}}{{ds}} || F{{ds}}{{ds}}{{s}} || C{{ds}}{{ds}}{{s}} || G{{ds}}{{ds}}{{s}}  
  
 
|}
 
|}
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! 1 !! 2 !! 3 !! 4 !! 5
 
! 1 !! 2 !! 3 !! 4 !! 5
 
|-
 
|-
−
| major || above || P4 || sharped || M7
+
| major || above || {{P4|P4}} || sharped || {{M7|M7}}
 
|-
 
|-
−
| minor || above || m6 || sharped || M2
+
| minor || above || {{Mn6|m6}} || sharped || {{M2|M2}}
 
|-
 
|-
−
| major || below || M7 || flattened || P4
+
| major || below || {{M7|M7}} || flatted || {{P4|P4}}
 
|-
 
|-
−
| minor || below || M2 || flattened || m6
+
| minor || below || {{M2|M2}} || flatted || {{Mn6|m6}}
 
|}
 
|}
  
Line 266: Line 274:
 
|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
 
|Ref: Circle of Fifths#Harmony between Keys|Harmony b/t Keys}}
  
−
Modulating from any major scale to a new major scale that is ___ interval above/below the original key has ___ same pitches and {{s}}/{{f}} per note:
+
Modulating from any major scale to a new major scale that is ___ interval above/below the original key has ___ same pitches and {{s}}/{{b}} per note:
 
{| class="wikitable"
 
{| class="wikitable"
 
|-  
 
|-  
 
! Interval Above Root  
 
! Interval Above Root  
−
|  Uni || m2 || M2 || m3 || M3 || P4 || d5 || P5 || m6 || M6 || m7 || M7
+
|  {{U|Uni}} || {{Mn2|m2}} || {{M2|M2}} || {{Mn3|m3}} || {{M3|M3}} || {{P4|P4}} || {{tt|tt}} || {{P5|P5}} || {{Mn6|m6}} || {{M6|M6}} || {{Mn7|m7}} || {{M7|M7}}
 
|-
 
|-
 
! Interval Below Root  
 
! Interval Below Root  
−
| Uni || M7 || m7 || M6 || m6 || P5 || d5 || P4 || M3 || m3 || M2 || m2
+
| {{U|Uni}} || {{M7|M7}} || {{Mn7|m7}} || {{M6|M6}} || {{Mn6|m6}} || {{P5|P5}} || {{tt|tt}} || {{P4|P4}} || {{M3|M3}} || {{Mn3|m3}} || {{M2|M2}} || {{Mn2|m2}}
 
|-  
 
|-  
 
!Example Major Key vs C Major
 
!Example Major Key vs C Major
Line 300: Line 308:
 
|3 || M3 || m6
 
|3 || M3 || m6
 
|-
 
|-
−
|2 || M7 || m2, d5
+
|2 || M7 || m2, tt
 
|}
 
|}
 
<nowiki>*</nowiki> Note: All intervals in above table are ''above'' the root note
 
<nowiki>*</nowiki> Note: All intervals in above table are ''above'' the root note
Line 309: Line 317:
 
{| class = "wikitable"
 
{| class = "wikitable"
 
|-
 
|-
−
! Key !! E{{f}} !! B{{f}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}}
+
! Key !! E{{b}} !! B{{b}} !! F !! C !! G !! D !! A !! E !! B !! F{{s}} !! C{{s}} !! G{{s}} !! D{{s}}
 
|-
 
|-
 
! Notes in<br />common w/ Ahm
 
! Notes in<br />common w/ Ahm
Line 357: Line 365:
  
 
==== to Major ====
 
==== to Major ====
−
{{crumbs|green|1
+
{{crumbs|blue2|1
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|1
+
{{crumbs|blue3|1
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
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==== to Minor ====
 
==== to Minor ====
−
{{crumbs|green|1
+
{{crumbs|blue2|1
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|2
+
{{crumbs|blue3|2
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
Line 420: Line 428:
 
|-
 
|-
 
!2  
 
!2  
−
|  || m6, m7, m3 || C -> A{{f}}m
+
|  || m6, m7, m3 || C -> A{{b}}m
 
|}
 
|}
  
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==== to Harmonic Minor ====
 
==== to Harmonic Minor ====
−
{{crumbs|green|1
+
{{crumbs|blue2|1
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|3
+
{{crumbs|blue3|3
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Major|to Major
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
 
|Ref: Circle of Fifths#to Minor|to Nat Minor
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==== to Major ====
 
==== to Major ====
−
{{crumbs|green|2
+
{{crumbs|blue2|2
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|1
+
{{crumbs|blue3|1
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
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==== to Minor ====
 
==== to Minor ====
−
{{crumbs|green|2
+
{{crumbs|blue2|2
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|2
+
{{crumbs|blue3|2
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
Line 521: Line 529:
 
|-
 
|-
 
!2  
 
!2  
−
| || m2, d5, M7 || Am -> E{{f}}m
+
| || m2, d5, M7 || Am -> E{{b}}m
 
|}
 
|}
  
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==== to Harmonic Minor ====
 
==== to Harmonic Minor ====
−
{{crumbs|green|2
+
{{crumbs|blue2|2
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
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|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|3
+
{{crumbs|blue3|3
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Major_2|to Major
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_2|to Nat Minor
Line 559: Line 567:
  
 
==== to Major ====
 
==== to Major ====
−
{{crumbs|green|4
+
{{crumbs|blue2|4
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
Line 565: Line 573:
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|1
+
{{crumbs|blue3|1
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
Line 589: Line 597:
  
 
==== to Minor ====
 
==== to Minor ====
−
{{crumbs|green|3
+
{{crumbs|blue2|3
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
Line 595: Line 603:
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|2
+
{{crumbs|blue3|2
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
Line 619: Line 627:
  
 
==== to Harmonic Minor ====
 
==== to Harmonic Minor ====
−
{{crumbs|green|3
+
{{crumbs|blue2|3
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
Line 625: Line 633:
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
−
{{crumbs|orange|3
+
{{crumbs|blue3|3
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Major_3|to Major
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
 
|Ref: Circle of Fifths#to Minor_3|to Nat Minor
Line 645: Line 653:
  
 
=== Common Notes Table ===
 
=== Common Notes Table ===
−
{{crumbs|green|4
+
{{crumbs|blue2|4
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Major|From Major
 
|Ref: Circle of Fifths#From Minor|From Minor
 
|Ref: Circle of Fifths#From Minor|From Minor
Line 651: Line 659:
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
 
|Ref: Circle of Fifths#Common Notes Table|Common Notes}}
  
 +
{|
 +
|-
 +
|
 
{|class="wikitable"
 
{|class="wikitable"
 +
|+ Ordered by Half-Steps
 
!colspan="2"|
 
!colspan="2"|
 
!colspan="3"| Key 2 Type
 
!colspan="3"| Key 2 Type
Line 661: Line 673:
 
!rowspan="13"| Major
 
!rowspan="13"| Major
 
|-
 
|-
−
| '''U''' || '''7''' || 4 || 5
+
| {{U|'''U'''}} || '''7''' || 4 || 5
 
|-
 
|-
−
| m2 || 2 || 3 || 3
+
| {{Mn2|m2}} || 2 || 3 || 3
 
|-
 
|-
−
| '''M2''' || 5 || '''6''' || 5
+
| '''{{M2|M2}}''' || 5 || '''6''' || 5
 
|-
 
|-
−
| m3 || 4 || 2 || 3
+
| {{Mn3|m3}} || 4 || 2 || 3
 
|-
 
|-
−
| '''M3''' || 3 || '''6''' || 5
+
| '''{{M3|M3}}''' || 3 || '''6''' || 5
 
|-
 
|-
−
| '''P4''' || '''6''' || 3 || 3
+
| '''{{P4|P4}}''' || '''6''' || 3 || 3
 
|-
 
|-
−
| tt || 2 || 4 || 4
+
| {{tt|tt}} || 2 || 4 || 4
 
|-
 
|-
−
| '''P5''' || '''6''' || 5 || 3
+
| '''{{P5|P5}}''' || '''6''' || 5 || 3
 
|-
 
|-
−
| m6 || 3 || 2 || 3
+
| {{Mn6|m6}} || 3 || 2 || 3
 
|-
 
|-
−
| '''M6''' || 4 || '''7''' || '''6'''
+
| '''{{M6|M6}}''' || 4 || '''7''' || '''6'''
 
|-
 
|-
−
| m7 || 5 || 2 || 4
+
| {{Mn7|m7}} || 5 || 2 || 4
 
|-
 
|-
−
| '''M7''' || 2 || 5 || 4
+
| '''{{M7|M7}}''' || 2 || 5 || 4
 
|-
 
|-
 
!rowspan="13"| Minor
 
!rowspan="13"| Minor
 
|-
 
|-
−
| '''U'''  || 4 || '''7''' || '''6'''
+
| {{U|'''U'''}} || 4 || '''7''' || '''6'''
 
|-                 
 
|-                 
−
| m2 || 5 || 2 || 4
+
| {{Mn2|m2}} || 5 || 2 || 4
 
|-                 
 
|-                 
−
| '''M2''' || 2 || 5 || 4
+
| '''{{M2|M2}}''' || 2 || 5 || 4
 
|-
 
|-
−
| '''m3''' || '''7''' || 4 || 5
+
| '''{{Mn3|m3}}''' || '''7''' || 4 || 5
 
|-                 
 
|-                 
−
| M3 || 2 || 3 || 3
+
| {{M3|M3}} || 2 || 3 || 3
 
|-                 
 
|-                 
−
| '''P4''' || 5 || '''6''' || 5
+
| '''{{P4|P4}}''' || 5 || '''6''' || 5
 
|-                 
 
|-                 
−
| tt || 4 || 2 || 3
+
| {{tt|tt}} || 4 || 2 || 3
 
|-                 
 
|-                 
−
| '''P5''' || 3 || '''6''' || 5
+
| '''{{P5|P5}}''' || 3 || '''6''' || 5
 
|-                 
 
|-                 
−
| '''m6''' || '''6''' || 3 || 3
+
| '''{{Mn6|m6}}''' || '''6''' || 3 || 3
 
|-                 
 
|-                 
−
| M6 || 2 || 4 || 4
+
| {{M6|M6}} || 2 || 4 || 4
 
|-                 
 
|-                 
−
| '''m7''' || '''6''' || 5 || 3
+
| '''{{Mn7|m7}}''' || '''6''' || 5 || 3
 
|-                 
 
|-                 
−
| M7 || 3 || 2 || 3
+
| {{M7|M7}} || 3 || 2 || 3
 
|-
 
|-
 
!rowspan="13"| Harmonic Minor
 
!rowspan="13"| Harmonic Minor
 
|-
 
|-
−
| '''U''' || 4 || '''6''' || '''7'''
+
| {{U|'''U'''}} || 4 || '''6''' || '''7'''
 
|-
 
|-
−
| m2 || 4 || 3 || 3
+
| {{Mn2|m2}} || 4 || 3 || 3
 
|-
 
|-
−
| '''M2''' || 4 || 3 || 3
+
| '''{{M2|M2}}''' || 4 || 3 || 3
 
|-
 
|-
−
| '''m3''' || '''6''' || 4 || 4
+
| '''{{Mn3|m3}}''' || '''6''' || 4 || 4
 
|-
 
|-
−
| M3 || 3 || 3 || 4
+
| {{M3|M3}} || 3 || 3 || 4
 
|-
 
|-
−
| '''P4''' || 3 || '''5''' || 4
+
| '''{{P4|P4}}''' || 3 || '''5''' || 4
 
|-
 
|-
−
| tt || 4 || 3 || 4
+
| {{tt|tt}} || 4 || 3 || 4
 
|-
 
|-
−
| '''P5''' || 3 || '''5''' || 4
+
| '''{{P5|P5}}''' || 3 || '''5''' || 4
 
|-
 
|-
−
| '''m6''' || '''5''' || 3 || 4
+
| '''{{Mn6|m6}}''' || '''5''' || 3 || 4
 
|-
 
|-
−
| M6 || 3 || 4 || 4
+
| {{M6|M6}} || 3 || 4 || 4
 
|-
 
|-
−
| m7 || '''5''' || 4 || 3
+
| {{Mn7|m7}} || '''5''' || 4 || 3
 
|-
 
|-
−
| '''M7''' || 3 || 3 || 3
+
| '''{{M7|M7}}''' || 3 || 3 || 3
 
|}
 
|}
−
 
+
|
−
 
 
 
{|class="wikitable"
 
{|class="wikitable"
 
|+ Ordered by 5ths
 
|+ Ordered by 5ths
Line 750: Line 761:
 
!rowspan="13"| Major
 
!rowspan="13"| Major
 
|-
 
|-
−
| '''U''' || '''7''' || 4 || 5
+
| {{U|'''U'''}} || '''7''' || 4 || 5
 
|-
 
|-
−
| '''P5''' || '''6''' || 5 || 3
+
| '''{{P5|P5}}''' || '''6''' || 5 || 3
 
|-
 
|-
−
| '''M2''' || 5 || '''6''' || 5
+
| '''{{M2|M2}}''' || 5 || '''6''' || 5
 
|-
 
|-
−
| '''M6''' || 4 || '''7''' || '''6'''
+
| '''{{M6|M6}}''' || 4 || '''7''' || '''6'''
 
|-
 
|-
−
| '''M3''' || 3 || '''6''' || 5
+
| '''{{M3|M3}}''' || 3 || '''6''' || 5
 
|-
 
|-
−
| '''M7''' || 2 || 5 || 4
+
| '''{{M7|M7}}''' || 2 || 5 || 4
 
|-
 
|-
−
| tt || 2 || 4 || 4
+
| {{tt|tt}} || 2 || 4 || 4
 
|-
 
|-
−
| m2 || 2 || 3 || 3
+
| {{Mn2|m2}} || 2 || 3 || 3
 
|-
 
|-
−
| m6 || 3 || 2 || 3
+
| {{Mn6|m6}} || 3 || 2 || 3
 
|-
 
|-
−
| m3 || 4 || 2 || 3
+
| {{Mn3|m3}} || 4 || 2 || 3
 
|-
 
|-
−
| m7 || 5 || 2 || 4
+
| {{Mn7|m7}} || 5 || 2 || 4
 
|-
 
|-
−
| '''P4''' || '''6''' || 3 || 3
+
| '''{{P4|P4}}''' || '''6''' || 3 || 3
 
|-
 
|-
 
!rowspan="13"| Minor
 
!rowspan="13"| Minor
 
|-
 
|-
−
| '''U'''  || 4 || '''7''' || '''6'''
+
| {{U|'''U'''}} || 4 || '''7''' || '''6'''
 
|-                 
 
|-                 
−
| '''P5''' || 3 || '''6''' || 5
+
| '''{{P5|P5}}''' || 3 || '''6''' || 5
 
|-                 
 
|-                 
−
| '''M2''' || 2 || 5 || 4
+
| '''{{M2|M2}}''' || 2 || 5 || 4
 
|-                 
 
|-                 
−
| M6 || 2 || 4 || 4
+
| {{M6|M6}} || 2 || 4 || 4
 
|-                 
 
|-                 
−
| M3 || 2 || 3 || 3
+
| {{M3|M3}} || 2 || 3 || 3
 
|-                 
 
|-                 
−
| M7 || 3 || 2 || 3
+
| {{M7|M7}} || 3 || 2 || 3
 
|-                 
 
|-                 
−
| tt || 4 || 2 || 3
+
| {{tt|tt}} || 4 || 2 || 3
 
|-                 
 
|-                 
−
| m2 || 5 || 2 || 4
+
| {{Mn2|m2}} || 5 || 2 || 4
 
|-                 
 
|-                 
−
| '''m6''' || '''6''' || 3 || 3
+
| '''{{Mn6|m6}}''' || '''6''' || 3 || 3
 
|-
 
|-
−
| '''m3''' || '''7''' || 4 || 5
+
| '''{{Mn3|m3}}''' || '''7''' || 4 || 5
 
|-                 
 
|-                 
−
| '''m7''' || '''6''' || 5 || 3
+
| '''{{Mn7|m7}}''' || '''6''' || 5 || 3
 
|-                 
 
|-                 
−
| '''P4''' || 5 || '''6''' || 5
+
| '''{{P4|P4}}''' || 5 || '''6''' || 5
 
|-
 
|-
 
!rowspan="13"| Harmonic Minor
 
!rowspan="13"| Harmonic Minor
 
|-
 
|-
−
| '''U''' || 4 || '''6''' || '''7'''
+
| {{U|'''U'''}} || 4 || '''6''' || '''7'''
 
|-
 
|-
−
| '''P5''' || 3 || '''5''' || 4
+
| '''{{P5|P5}}''' || 3 || '''5''' || 4
 
|-
 
|-
−
| '''M2''' || 4 || 3 || 3
+
| '''{{M2|M2}}''' || 4 || 3 || 3
 
|-
 
|-
−
| M6 || 3 || 4 || 4
+
| {{M6|M6}} || 3 || 4 || 4
 
|-
 
|-
−
| M3 || 3 || 3 || 4
+
| {{M3|M3}} || 3 || 3 || 4
 
|-
 
|-
−
| '''M7''' || 3 || 3 || 3
+
| '''{{M7|M7}}''' || 3 || 3 || 3
 
|-
 
|-
−
| tt || 4 || 3 || 4
+
| {{tt|tt}} || 4 || 3 || 4
 
|-
 
|-
−
| m2 || 4 || 3 || 3
+
| {{Mn2|m2}} || 4 || 3 || 3
 
|-
 
|-
−
| '''m6''' || '''5''' || 3 || 4
+
| '''{{Mn6|m6}}''' || '''5''' || 3 || 4
 
|-
 
|-
−
| '''m3''' || '''6''' || 4 || 4
+
| '''{{Mn3|m3}}''' || '''6''' || 4 || 4
 
|-
 
|-
−
| m7 || '''5''' || 4 || 3
+
| {{Mn7|m7}} || '''5''' || 4 || 3
 
|-
 
|-
−
| '''P4''' || 3 || '''5''' || 4
+
| '''{{P4|P4}}''' || 3 || '''5''' || 4
 +
|}
 
|}
 
|}
  
−
{{crumbs|red|2
+
{{top}}
−
|Ref: Common Scales|Scales
+
 
−
|Ref: Circle of Fifths|Circle of 5ths
+
{{Reference Crumbs|3}}
−
|Ref: Fret Maps for all Keys|Fret Maps
 
−
|Ref: CAGED Chord Charts|CAGED Charts
 
−
|Ref: Diatonic Chords for all Keys|Diatonic Chords
 
−
|Ref: Chord Fingerings/Voicings|Chord Fingerings
 
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|Ref: Chord Names/Notes/Spellings|Chord Naming
 
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|Ref: Common Chord Progressions|Progressions
 
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|Ref: Modes|Modes
 
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|Ref: Counting Rhythm|Counting Rhythm
 
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|Ref: Common Arpeggios|Arpeggios
 
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|Ref: Reading Tab|Reading Tab
 
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|Ref: Reading Chord Charts, Scale Maps, and Strumming Notation|Other Notation}}
 
  
 
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Latest revision as of 23:59, 24 August 2015

Intervals Scales Circle of 5ths Fret Maps CAGED Charts Diatonic Chords Diatonic Keys Chord Fingerings Chord Naming Progressions Modes Counting Rhythm Arpeggios Reading Tab Other Notation Injury
 

Clock Visualization

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 

So assuming C is "12 o'Clock", our circle of fifths looks like this:

F C G
B♭ D
E♭ A
A♭ E
D♭ G♭ B

P5 CW Circle of 5ths.png

Since the standard Western chromatic scale is composed of 12 notes, they match up to the 12 hours of an analog clock. Closely-related keys are adjacent, both clockwise and counter-clockwise, while the distantly-related keys are opposite (6 fifths (or "hours") apart).

Moving only clockwise and using strict naming for each P5, we require to start using sharps once we hit 6 o'clock. Notice that the sharp keys are enharmonic to the flat keys above. Here's the same visualization using sharp keys instead of flats:

E♯ C G
A♯ D
D♯ A
G♯ E
C♯ F♯ B

P5 CW Circle of 5ths.png

If we kept going, B♯ would be the next P5 we reach at 12 o'clock, enharmonic to C. We could keep going around and start using double, then triple sharps, and so on. On the other hand, if we move strict P4's going clockwise, we get the following:

F C A16x16px
B♭ E16x16px
E♭ B16x16px
A♭ F♭
D♭ G♭ C♭

P4 CCW Circle of 5ths.png

If we kept going, 12 o'clock would be D16x16px, and again, we'd be venturing into double and triple flats and beyond.

And if 12 o'clock is the root, the interval between root and each note is as follows:

P4 R P5
m7 M2
m3 M6
m6 M3
m2 tt M7

Notice the 2 intervals of equal distance from the root are inversions of each other (P4 - P5, m7 - M2, m3 - M6, m6 - M3, m2 - M7).

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Tables of fifths w/ scales

Major - C♭ to C♯

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 
Major Natural Minor Harmonic Minor
 
Key C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯
Flats/
Sharps		 7 ♭ 6 ♭ 5 ♭ 4 ♭ 3 ♭ 2 ♭ 1 ♭ 0 ♭/♯ 1 ♯ 2 ♯ 3 ♯ 4 ♯ 5 ♯ 6 ♯ 7 ♯
Uni C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯
2nd D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯
3rd E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯
4th F♭ C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯
5th G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯
6th A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
7th B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯ B♯
Oct C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯

Notice the 4ths and 7ths - this is where the notes flatted/sharped when shifting keys up/down a fifth (or down/up a fourth).

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Natural Minor - A♭ to A♯

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 
Major Natural Minor Harmonic Minor
 
Key A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
Flats/
Sharps		 7 ♭ 6 ♭ 5 ♭ 4 ♭ 3 ♭ 2 ♭ 1 ♭ 0 ♭/♯ 1 ♯ 2 ♯ 3 ♯ 4 ♯ 5 ♯ 6 ♯ 7 ♯
Uni A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
2nd B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯ B♯
3rd C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯
4nd D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯
5rd E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯
6th F♭ C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯
7th G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯
Oct A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯

Notice the 2nds and 6ths - this is where the notes flatted/sharped when shifting keys up/down a fifth (or down/up a fourth).

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Harmonic Minor - A♭ to A♯

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 
Major Natural Minor Harmonic Minor
 
Key A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
Uni A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
2nd B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯ B♯
3rd C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯
4nd D♭ A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯
5rd E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯ E♯
6th F♭ C♭ G♭ D♭ A♭ E♭ B♭ F C G D A E B F♯
7th G D A E B F♯ C♯ G♯ D♯ A♯ E♯ B♯ F10x10px C10x10px G10x10px
Oct A♭ E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯ A♯
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Fifths and equivalents

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 

All columns are equivalent pitches. Each cell is a perfect fifth above the cell to its left.

E16x16px16x16px B16x16px16x16px F16x16px♭ C16x16px♭ G16x16px♭ D16x16px♭ A16x16px♭ E16x16px♭ B16x16px♭ F16x16px C16x16px G16x16px D16x16px
D16x16px A16x16px E16x16px B16x16px F♭ C♭ G♭ D♭ A♭ E♭ B♭ F C
C G D A E B F♯ C♯ G♯ D♯ A♯ E♯ B♯
B♯ F10x10px C10x10px G10x10px D10x10px A10x10px E10x10px B10x10px F10x10px♯ C10x10px♯ G10x10px♯ D10x10px♯ A10x10px♯
A10x10px♯ E10x10px♯ B10x10px♯ F10x10px10x10px C10x10px10x10px G10x10px10x10px D10x10px10x10px A10x10px10x10px E10x10px10x10px B10x10px10x10px F10x10px10x10px♯ C10x10px10x10px♯ G10x10px10x10px♯
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Rules and Guidelines

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 

The 1.____ scale a perfect fifth 2.____ the current scale contains the same notes but the 3.___ in the current scale is 4.____ to become the 5.____ of the new scale.

1 2 3 4 5
major above P4 sharped M7
minor above m6 sharped M2
major below M7 flatted P4
minor below M2 flatted m6
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Equivalent Pitches for Scales Below/Above by Interval

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 

Modulating from any major scale to a new major scale that is ___ interval above/below the original key has ___ same pitches and ♯/♭ per note:

Interval Above Root Uni m2 M2 m3 M3 P4 tt P5 m6 M6 m7 M7
Interval Below Root Uni M7 m7 M6 m6 P5 tt P4 M3 m3 M2 m2
Example Major Key vs C Major C C♯ D D♯ E F F♯ G G♯ A A♯ B
Number of Common Pitches 7 2 5 4 3 6 2 6 3 4 5 2

Which means the most harmonic key changes are:

Common Notes Diatonic Keys Non-Diatonic Keys
6 P4, P5
5 M2 m7
4 M6 m3
3 M3 m6
2 M7 m2, tt

* Note: All intervals in above table are above the root note

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Harmonic Minor

Key E♭ B♭ F C G D A E B F♯ C♯ G♯ D♯
Notes in
common w/ Ahm 		4 3 4 4 3 4 7 4 3 4 4 3 4
Interval Above Root Uni m2 M2 m3 M3 P4 d5 P5 m6 M6 m7 M7
Interval Below Root Uni M7 m7 M6 m6 P5 d5 P4 M3 m3 M2 m2
Example Harm Minor Key vs A Harm Minor A A♯ B C C♯ D D♯ E F F♯ G G♯
Number of Common Pitches 7 3 3 4 4 4 4 4 4 4 3 3
Common Notes Diatonic Keys Non-Diatonic Keys
4 m3, P4, P5, m6 M3, d5, M6
3 M2, M7 m2, m7
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Harmony between Keys

Circle Scales Grid Enharmonic 5ths Note Changes Common Notes b/t Keys Harmony b/t Keys
 

From Major

to Major

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 P4, P5 C -> G
5 M2 m7 C -> D
4 M6 m3 C -> A
3 M3 m6 C -> E
2 M7 m2, d5 C -> B
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to Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
7 M6 C -> Am
6 M2, M3 C -> Dm
5 P5, M7 C -> Gm
4 U d5 C -> Cm
3 P4 m2 C -> Fm
2 m6, m7, m3 C -> A♭m
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to Harmonic Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 M6 C -> Ahm
5 U, M2, M3 C -> Dhm
4 M7 d5, m7 C -> Bhm
3 P4, P5 m2, m3, m6 C -> Ghm
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From Minor

to Major

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
7 m3 Am -> C
6 m7, m6 Am -> G
5 P4 m2 Am -> D
4 U d5 Am -> A
3 P5 M7 Am -> E
2 M2 M3, M6 Am -> B
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to Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 P4, P5 Am -> Em
5 M2, m7 Am -> Bm
4 m3 M6 Am -> Cm
3 m6 M3 Am -> Fm
2 m2, d5, M7 Am -> E♭m
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to Harmonic Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 U Am -> Ahm
5 P4, P5 Am -> Dhm
4 m3, M2 M6, m2 Am -> Chm
3 m6, m7 M3, d5, M7 Am -> Fhm
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From Harmonic Minor

to Major

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 m3 Ahm -> C
5 m6 m7 Ahm -> F
4 U, M2 m2, d5 Ahm -> A
3 P4, P5, M7 M6, M3 Ahm -> D
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to Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
6 U Ahm -> Am
5 P4, P5 Ahm -> Dm
4 m3 M6, m7, m2 Ahm -> Cm
3 m6, M2 M3, d5, m2 Ahm -> Fm
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to Harmonic Minor

From Major From Minor From Harm Minor Common Notes
 
to Major to Nat Minor to Harm Minor
 
Common Notes Diatonic Keys Non-Diatonic Keys Example
4 m3, P4, P5, m6 M3, d5, M6 Ahm -> Chm
3 M2, M7 m2, m7 Ahm -> Bhm
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Common Notes Table

From Major From Minor From Harm Minor Common Notes
 
Ordered by Half-Steps
Key 2 Type
Key 1 Type Key 2 Root's
relation to
Key 1 Root 		Major Minor Harmonic
Minor
Major
U 7 4 5
m2 2 3 3
M2 5 6 5
m3 4 2 3
M3 3 6 5
P4 6 3 3
tt 2 4 4
P5 6 5 3
m6 3 2 3
M6 4 7 6
m7 5 2 4
M7 2 5 4
Minor
U 4 7 6
m2 5 2 4
M2 2 5 4
m3 7 4 5
M3 2 3 3
P4 5 6 5
tt 4 2 3
P5 3 6 5
m6 6 3 3
M6 2 4 4
m7 6 5 3
M7 3 2 3
Harmonic Minor
U 4 6 7
m2 4 3 3
M2 4 3 3
m3 6 4 4
M3 3 3 4
P4 3 5 4
tt 4 3 4
P5 3 5 4
m6 5 3 4
M6 3 4 4
m7 5 4 3
M7 3 3 3
Ordered by 5ths
Key 2 Type
Key 1 Type Key 2 Root's
relation to
Key 1 Root 		Major Minor Harmonic
Minor
Major
U 7 4 5
P5 6 5 3
M2 5 6 5
M6 4 7 6
M3 3 6 5
M7 2 5 4
tt 2 4 4
m2 2 3 3
m6 3 2 3
m3 4 2 3
m7 5 2 4
P4 6 3 3
Minor
U 4 7 6
P5 3 6 5
M2 2 5 4
M6 2 4 4
M3 2 3 3
M7 3 2 3
tt 4 2 3
m2 5 2 4
m6 6 3 3
m3 7 4 5
m7 6 5 3
P4 5 6 5
Harmonic Minor
U 4 6 7
P5 3 5 4
M2 4 3 3
M6 3 4 4
M3 3 3 4
M7 3 3 3
tt 4 3 4
m2 4 3 3
m6 5 3 4
m3 6 4 4
m7 5 4 3
P4 3 5 4
Top
Intervals Scales Circle of 5ths Fret Maps CAGED Charts Diatonic Chords Diatonic Keys Chord Fingerings Chord Naming Progressions Modes Counting Rhythm Arpeggios Reading Tab Other Notation Injury
 
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