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Difference between revisions of "Ref: Modes"

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|Ref: Common Scales|Scales
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|Ref: Circle of Fifths|Circle of 5ths
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|Ref: Fret Maps for all Keys|Fret Maps
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|Ref: CAGED Chord Charts|CAGED Charts
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|Ref: Diatonic Chords for all Keys|Diatonic Chords
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|Ref: Chord Fingerings/Voicings|Chord Fingerings
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|Ref: Chord Names/Notes/Spellings|Chord Naming
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|Ref: Common Chord Progressions|Progressions
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|Ref: Modes|Modes
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|Ref: Counting Rhythm|Counting Rhythm
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|Ref: Common Arpeggios|Arpeggios
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|Ref: Reading Tab|Reading Tab
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|Ref: Reading Chord Charts, Scale Maps, and Strumming Notation|Other Notation}}
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{| class = "wikitable"
 
{| class = "wikitable"
 
! Mode Name !! Maj. Scale<BR>Note !! whole/half pattern !! Uni !! m2 !! M2 !! m3 !! M3 !! P4 !! d5 !! P5 !! m6 !! M6 !! D7 !! M7 !! Oct
 
! Mode Name !! Maj. Scale<BR>Note !! whole/half pattern !! Uni !! m2 !! M2 !! m3 !! M3 !! P4 !! d5 !! P5 !! m6 !! M6 !! D7 !! M7 !! Oct
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| VII || rowspan="1" | diminished
 
| VII || rowspan="1" | diminished
 
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{{crumbs|red|9
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|Ref: Common Scales|Scales
 +
|Ref: Circle of Fifths|Circle of 5ths
 +
|Ref: Fret Maps for all Keys|Fret Maps
 +
|Ref: CAGED Chord Charts|CAGED Charts
 +
|Ref: Diatonic Chords for all Keys|Diatonic Chords
 +
|Ref: Chord Fingerings/Voicings|Chord Fingerings
 +
|Ref: Chord Names/Notes/Spellings|Chord Naming
 +
|Ref: Common Chord Progressions|Progressions
 +
|Ref: Modes|Modes
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|Ref: Counting Rhythm|Counting Rhythm
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|Ref: Common Arpeggios|Arpeggios
 +
|Ref: Reading Tab|Reading Tab
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|Ref: Reading Chord Charts, Scale Maps, and Strumming Notation|Other Notation}}
  
 
[[Category:Guitar]]
 
[[Category:Guitar]]

Revision as of 18:00, 16 February 2015

 
Mode Name Maj. Scale
Note
whole/half pattern Uni m2 M2 m3 M3 P4 d5 P5 m6 M6 D7 M7 Oct
Ionian I w-w-h-w-w-w-h x x x x x x x x
Dorian II w-h-w-w-w-h-w x x x x x x x x
Phrygian III h-w-w-w-h-w-w x x x x x x x x
Lydian IV w-w-w-h-w-w-h x x x x x x x x
Mixolydian V w-w-h-w-w-h-w x x x x x x x x
Aeolian VI w-h-w-w-h-w-w x x x x x x x x
Locrian VII h-w-w-h-w-w-w x x x x x x x x


Same table but arranged in fifths

Mode Name Maj. Scale
Note
whole/half pattern Uni m2 M2 m3 M3 P4 d5 P5 m6 M6 D7 M7 Oct
Lydian IV w-w-w-h-w-w-h x x x x x x x x
Ionian I w-w-h-w-w-w-h x x x x x x x x
Mixolydian V w-w-h-w-w-h-w x x x x x x x x
Dorian II w-h-w-w-w-h-w x x x x x x x x
Aeolian VI w-h-w-w-h-w-w x x x x x x x x
Phrygian III h-w-w-w-h-w-w x x x x x x x x
Locrian VII h-w-w-h-w-w-w x x x x x x x x


Mode Name Maj. Scale Note whole/half pattern 2nd 3rd 4th 5th 6th 7th
Ionian I w-w-h-w-w-w-h
Dorian II w-h-w-w-w-h-w
Phrygian III h-w-w-w-h-w-w
Lydian IV w-w-w-h-w-w-h
Mixolydian V w-w-h-w-w-h-w
Aeolian VI w-h-w-w-h-w-w
Locrian VII h-w-w-h-w-w-w


Same table but arranged in fifths

Mode Name Maj. Scale Note whole/half pattern 2nd 3rd 4th 5th 6th 7th
Lydian IV w-w-w-h-w-w-h
Ionian I w-w-h-w-w-w-h
Mixolydian V w-w-h-w-w-h-w
Dorian II w-h-w-w-w-h-w
Aeolian VI w-h-w-w-h-w-w
Phrygian III h-w-w-w-h-w-w
Locrian VII h-w-w-h-w-w-w



Mode Maj. Scale
note
Intervals with respect to the tonic
second third fourth fifth sixth seventh
Lydian IV major major augmented perfect major major
Ionian I perfect
Mixolydian V minor
Dorian II minor
Aeolian VI minor
Phrygian III minor
Locrian VII diminished