Difference between revisions of "Choosing Cables"
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=== Length === | === Length === | ||
There's generally 3 ranges of sizes for cables: | There's generally 3 ranges of sizes for cables: | ||
| − | * | + | * <u>Patch</u> - 1-24" cables for daisy chaining pedals or other close proximity gear |
| − | * | + | * <u>Midrange</u> - 2-8' cables for longer gear interconnections and connecting to guitar for practice/bedroom situations |
| − | * | + | * <u>Stage</u> - 8'+ cables to run across a stage, to connect a pedal-board to your amps and to gain freedom of movement on stage with your guitar |
=== Type === | === Type === | ||
Revision as of 17:25, 15 December 2014
Material
I like braided (cloth) cables over rubber cables. The rubber ones tend to pick up all the sticky gunk on random floors, which then gets covered in dirt and other crud.
Brand
I like Dimarzio and Horizon cables the best. They have performed very well over a long period of time, and none of them have failed me. Every other brand of cable I've owned, including lots of bargain ones, have failed.
Warranty
Many cables come with a lifetime warranty. That's great to hear, but it's not very practical to honor, and many times some no-name brand will be defunct before you need to honor it. I find it's best to get cables that last. If you want the assurance of a warranty, be sure to choose a brand that is reputable and successful and provides a clear, cheap (time and money-wise) method of honoring the warranty.
Length
There's generally 3 ranges of sizes for cables:
- Patch - 1-24" cables for daisy chaining pedals or other close proximity gear
- Midrange - 2-8' cables for longer gear interconnections and connecting to guitar for practice/bedroom situations
- Stage - 8'+ cables to run across a stage, to connect a pedal-board to your amps and to gain freedom of movement on stage with your guitar
Type
Analog
Most analog cables are mono, unbalanced, with 1/4" male TS (Tip/Sleeve) jacks.
- Instrument Level - for connecting instruments, which can be very low, delicate signals.
- Line Level - for connecting various audio gear to transmit a signal generally more powerful than instrument level.
- Speaker Level - for connecting power amplifiers to speakers, carrying a very powerful signal.
- Balanced vs. Unbalanced - balanced cables feature 3 lines, 2 carrying signals and one neutral. The 2 signals are inverted, so that any interference picked up in the cable run can be canceled out by inverting the signals again and mixing them together at the destination device. That is their main benefit - they are less prone to interference and noise. If the source/destination devices do not use a balanced line connection, there is no benefit to using this type of cable over a 2 line unbalanced signal.
- Connectors - most common in analog cables are 1/4" TS, 1/4" TRS, and XLR connectors.
Digital
- USB
- Firewire
- AES
- S/PDIF