Difference between revisions of "Ref: Modes"

Revision as of 16:56, 9 April 2014

Maj. Scale Note	Mode Name	whole/half pattern	Uni	m2	M2	m3	M3	P4	d5	P5	m6	M6	D7	M7	Oct
I	Ionian	w-w-h-w-w-w-h	x		x		x	x		x		x		x	x
II	Dorian	w-h-w-w-w-h-w	x		x	x		x		x		x	x		x
III	Pyrgian	h-w-w-w-h-w-w	x	x		x		x		x	x		x		x
IV	Lydian	w-w-w-h-w-w-h	x		x		x		x	x		x		x	x
V	Mixolydian	w-w-h-w-w-h-w	x		x		x	x		x		x	x		x
VI	Aeolian	w-h-w-w-h-w-w	x		x	x		x		x	x		x		x
VII	Locrian	h-w-w-h-w-w-w	x	x		x		x	x		x		x		x

Mode	White note	Intervals with respect to the tonic
Mode	White note	prime	second	third	fourth	fifth	sixth	seventh	octave
Lydian	F	perfect	major	major	augmented	perfect	major	major	perfect
Ionian	C				perfect			major
Mixolydian	G							minor
Dorian	D			minor
Aeolian	A						minor
Phrygian	E		minor
Locrian	B		minor			diminished

@@ Line 15: / Line 15: @@
 |-
 | VII || Locrian || h-w-w-h-w-w-w || x || x ||   || x ||   || x  || x ||   || x ||   || x ||   || x
+|}
+{| class="wikitable" style="text-align: center"
+! rowspan="2"| Mode || rowspan="2"| White<br />note || colspan="8" | [[Interval (music)|Intervals]] with respect to the tonic
+|-
+! style="width: 5em"| prime
+! style="width: 5em"| second
+! style="width: 5em"| third
+! style="width: 5em"| fourth
+! style="width: 5em"| fifth
+! style="width: 5em"| sixth
+! style="width: 5em"| seventh
+! style="width: 5em"| octave
+|-
+! style="text-align: left"| Lydian
+| F
+| rowspan="7"| perfect
+| rowspan="5"| major
+| rowspan="3"| major
+| rowspan="1"| augmented
+| rowspan="6"| perfect
+| rowspan="4"| major
+| rowspan="2"| major
+| rowspan="7"| perfect
+|-
+! style="text-align: left"| Ionian
+| C || rowspan="6" | perfect
+|-
+! style="text-align: left"| Mixolydian
+| G || rowspan="5" | minor
+|-
+! style="text-align: left"| Dorian
+| D || rowspan="4" | minor
+|-
+! style="text-align: left"| Aeolian
+| A || rowspan="3" | minor
+|-
+! style="text-align: left"| Phrygian
+| E || rowspan="2" | minor
+|-
+! style="text-align: left"| Locrian
+| B || rowspan="1" | diminished
 |}