8,720
edits
Changes
m
→Half Diminished
| (R m3 d5 m7) || Rø7 (R = Root Note) || Bø7, (B D F A)
|}
R m3 d5 m7
-m3- -m3- '''-M3-'''
----d5----
'''----P5----'''
'''-------m7-------'''
The 7th here adds M3, P5, and m7 intervals to the chord, improving its consonance. I find the half-dimisished chords are also easier to finger and allow more strings to ring out than the diminished triad shapes.
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