Difference between revisions of "Ref: Chord Fingerings/Voicings"
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Revision as of 15:39, 17 May 2014
Contents
Triads
- R - 3 - 5
Major Triads
- R - M3 - P5
| Root Position |
3 |i|-|-|-|-| 1 |)|m|-|-|-| 5 |i|-|-|-|-| 3 |-|-|r|-|-| 1 |-|-|-|p|-| |-|-|-|-|-| |
5 |i|-|-|-|-| 3 |)|-|r|-|-| 1 |)|-|r|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
1 |-|-|-|p|-| 3 |i|-|-|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|-|m|-|-| 1 |-|-|-|r|-| |
1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |)|m|-|-|-| 1 |)|-|p|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |
3 |-|-|r|-|-| 1 |-|-|-|p|-| 5 |-|-|m|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
|---|
| 1st Inversion |
3 |i|-|-|-|-| 1 |)|m|-|-|-| 5 |i|-|-|-|-| 3 |)|-|r|-|-| 1 |)|-|-|p|-| 3 |i|-|-|-|-| |
5 |i|-|-|-|-| 3 |-|-|m|-|-| 1 |-|-|m|-|-| 5 |-|-|m|-|-| 3 |-|-|-|-|p| |-|-|-|-|-| |
1 |-|-|-|p|-| 3 |i|-|-|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|-|m|-|-| |-|-|-|-|-| |
|-|-|-|-|-| |-|-|-|-|-| 3 |i|-|-|-|-| 1 |-|r|-|-|-| 5 |-|m|-|-|-| 3 |-|-|-|p|-| |
|-|-|-|-|-| 1 |-|-|-|p|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| 3 |-|-|m|-|-| |
|---|
| 2nd Inversion |
3 |i|-|-|-|-| 1 |)|m|-|-|-| 5 |i|-|-|-|-| 3 |-|-|r|-|-| |-|-|-|-|-| 5 |-|-|-|p|-| |
5 |i|-|-|-|-| 3 |)|-|r|-|-| 1 |)|-|r|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| |
1 |-|-|-|p|-| 3 |i|-|-|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| 1 |-|-|p|-|-| 5 |-|-|r|-|-| |-|-|-|-|-| |
3 |-|-|r|-|-| 1 |-|-|-|p|-| 5 |-|-|m|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| |-|-|-|-|-| |
|---|
Minor Triads
- R - m3 - P5
| Root Position |
|-|-|-|-|-| 1 |-|r|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| 1 |-|-|-|p|-| |-|-|-|-|-| |
5 |i|-|-|-|-| 3 |)|m|-|-|-| 1 |)|-|p|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
|-|-|-|-|-| |-|-|-|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| 1 |-|-|-|p|-| |
1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |i|-|-|-|-| 1 |)|-|p|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |
3 |-|m|-|-|-| 1 |-|-|-|p|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
|---|
| 1st Inversion |
|-|-|-|-|-| |-|-|-|-|-| 5 |i|-|-|-|-| 3 |)|m|-|-|-| 1 |)|-|-|p|-| 3 |i|-|-|-|-| |
3 |i|-|-|-|-| 1 |-|-|p|-|-| 5 |-|m|-|-|-| 3 |-|-|r|-|-| |-|-|-|-|-| |-|-|-|-|-| |
|-|-|-|-|-| 3 |i|-|-|-|-| 1 |-|r|-|-|-| 5 |-|m|-|-|-| 3 |-|-|p|-|-| |-|-|-|-|-| |
1 |-|-|-|p|-| 5 |-|-|-|r|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| |-|-|-|-|-| |
|-|-|-|-|-| |-|-|-|-|-| 3 |i|-|-|-|-| 1 |-|-|r|-|-| 5 |-|-|m|-|-| 3 |-|-|-|p|-| |
|-|-|-|-|-| 1 |-|-|-|p|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| 3 |-|m|-|-|-| |
|---|
| 2nd Inversion |
|-|-|-|-|-| 1 |-|r|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| |-|-|-|-|-| 5 |-|-|-|p|-| |
1 |i|-|-|-|-| 3 |)|m|-|-|-| 1 |)|-|r|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| |
1 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |i|-|-|-|-| 1 |-|-|p|-|-| 5 |-|-|r|-|-| |-|-|-|-|-| |
3 |-|m|-|-|-| 1 |-|-|-|p|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| 5 |i|-|-|-|-| |-|-|-|-|-| |
|---|
Diminished Triad
| Root Position |
|-|-|-|-|-| 5 |-|m|-|-|-| 3 |-|-|p|-|-| |-|-|-|-|-| 3 |i|-|-|-|-| 1 |-|-|r|-|-| |
|-|-|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| |-|-|-|-|-| 5 |-|-|p|-|-| 1 |-|r|-|-|-| |
|-|-|-|-|-| |-|-|-|-|-| 5 |i|-|-|-|-| 3 |-|-|m|-|-| 1 |-|-|-|-|p| |-|-|-|-|-| |
1 |-|r|-|-|-| 5 |i|-|-|-|-| 3 |-|m|-|-|-| 1 |-|-|-|p|-| |-|-|-|-|-| |-|-|-|-|-| |
5 |i|-|-|-|-| 3 |-|-|r|-|-| 1 |-|-|-|p|-| |-|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
|---|
| 1st Inversion |
|---|
| 2nd Inversion |
|---|
Sevenths
- R - 3 - 5 - 7
Major 7th
- R - M3 - P5 - M7
| Root Position |
3 |i|-|-|-|-| 7 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |-|-|r|-|-| 1 |-|-|-|p|-| - |-|-|-|-|-| |
5 |i|-|-|-|-| 3 |)|-|p|-|-| 7 |)|m|-|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| - |-|-|-|-|-| |
- |-|-|-|-|-| 5 |-|r|-|-|-| - |-|-|-|-|-| 7 |-|-|p|-|-| 3 |m|-|-|-|-| 1 |-|i|-|-|-| |
- |-|-|-|-|-| 5 |i|-|-|-|-| 3 |)|r|-|-|-| 7 |)|m|-|-|-| 5 |)|-|p|-|-| 1 |i|-|-|-|-| |
7 |i|-|-|-|-| - |)|-|-|-|-| 3 |)|-|m|-|-| 1 |-|)|-|p|-| 5 |-|)|-|r|-| 1 |-|i|-|-|-| barre acr frets mute 2nd string |
3 |-|-|r|-|-| 7 |-|-|r|-|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| - |-|-|-|-|-| - |-|-|-|-|-| |
7 |i|-|-|-|-| 5 |-|m|-|-|-| 3 |-|-|r|-|-| 1 |-|-|-|p|-| - |-|-|-|-|-| - |-|-|-|-|-| |
|---|
| 1st Inversion |
3 |i|-|-|-|-| 7 |i|-|-|-|-| 5 |i|-|-|-|-| 3 |)|-|r|-|-| 1 |)|-|-|p|-| 3 |i|-|-|-|-| |
1 |-|r|-|-|-| 5 |-|m|-|-|-| - |-|-|-|-|-| 7 |-|-|p|-|-| 3 |i|-|-|-|-| - |-|-|-|-|-| |
3 |-|-|r|-|-| 7 |-|-|r|-|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| - |-|-|-|-|-| 3 |-|-|m|-|-| |
7 |i|-|-|-|-| 5 |)|m|-|-|-| 3 |)|-|r|-|-| 1 |)|-|-|p|-| 3 |i|-|-|-|-| - |-|-|-|-|-| |
|---|
| 2nd Inversion |
|---|
| 3rd Inversion |
|---|
Dominant 7th
- R - M3 - P5 - m7
Root Position
1st Inversion
2nd Inversion
3rd Inversion
Minor 7th
- R - m3 - P5 - m7
Root Position
1st Inversion
2nd Inversion
3rd Inversion
Ninths
- R - 3 - 5 - 7 - 9
Major 9th
- R - M3 - P5 - M7 - M2
Root Position
1st Inversion
2nd Inversion
3rd Inversion
4th Inversion
Minor 9th
Root Position
1st Inversion
2nd Inversion
3rd Inversion
4th Inversion
Elevenths
- R - 3 - (5) - 7 - 9 - 11
Thirteenths
- R - 3 - (5) - 7 - 9 - 11 - 13
Major 13th
Minor 13th
Suspensions
- R - M2/P4 - 5
Suspended 2nd
1 |i|-|-|-|-| 5 |i|-|-|-|-| |)|-|-|-|-| 2 |)|-|-|-|p| 5 |)|-|r|-|-| 1 |i|-|-|-|-| mute 3rd string |
5 |i|-|-|-|-| 2 |i|-|-|-|-| 1 |)|-|p|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
2 |i|-|-|-|-| 1 |)|-|-|p|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
Suspended 4th
1 |i|-|-|-|-| 5 |i|-|-|-|-| 4 |)|-|p|-|-| 1 |)|-|r|-|-| 5 |)|-|m|-|-| 1 |i|-|-|-|-| |
5 |i|-|-|-|-| 4 |)|-|-|p|-| 1 |)|-|r|-|-| 5 |)|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
4 |-|-|-|p|-| 1 |-|-|-|p|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
Sixth
- R - 3 - 5 - 6
Major 6th
Minor 6th
Augmented
- R - M3 - A5
Augmented
Augmented chords consist of root, major third, and augmented 5th. An augmented fifth is equivalent to two major thirds. An augmented fifth + a major third = an octave. Therefore, the distance between root and 3rd, 3rd and 5th, and 5th and octave are all the same - a major third.
There are no real 7th chords - augmented chords tend to be associated with the whole-tone scale, which only has 6, not 7 notes. In the 7-note scale, you have 1st (C), 3rd (E), 5th (G), 7th (B), 9th (D), 11th (F), and 13th (A) before you reach the 15th (C), which is 2 octaves above the 1st. In the 6-note scale, you have 1st (C), 3rd (E), 5th (G#), 7th (C). The 7th note is the octave, and the chord simply repeats.
There aren't distinct inversion shapes - the first inversion of C aug (C E G#) is (E G# C), which is equivalent to (E G# B#) or E aug. So the inversions are identical to using a different root note. In other words, the inversions' shapes are identical to the root position shapes below.
- |-|-|-|-| 3 |i|-|-|-| 1 |i|-|-|-| 5 |-|m|-|-| 3 |-|-|r|-| 1 |-|-|-|p| |
1 |i|-|-|-| 5 |)|m|-|-| 3 |)|m|-|-| 1 |)|-|r|-| 5 |)|-|-|p| 1 |i|-|-|-| |
1 |i|-|-|-| 5 |-|r|-|-| 3 |-|m|-|-| 1 |-|-|p|-| - |-|-|-|-| - |-|-|-|-| |
Diminished
- R - m3 - d5 - (7)
- R - m3 - 5 - M7
Diminished - Fully Diminished
Root Position
|-|-|-|-|-| 5 |i|-|-|-|-| 3 |)|r|-|-|-| 7 |i|-|-|-|-| |-|-|-|-|-| 1 |-|m|-|-|-| |
5 |i|-|-|-|-| 3 |)|-|p|-|-| 7 |i|-|-|-|-| 5 |-|-|r|-|-| 1 |-|m|-|-|-| |-|-|-|-|-| |
3 |-|r|-|-|-| 7 |i|-|-|-|-| 5 |)|m|-|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
1st Inversion
2nd Inversion
3rd Inversion
Diminished - Half Diminished
Root Position
|-|-|-|-|-| 5 |i|-|-|-|-| 3 |-|p|-|-|-| 7 |-|r|-|-|-| |-|-|-|-|-| 1 |-|m|-|-|-| |
|-|-|-|-|-| 3 |-|p|-|-|-| 7 |i|-|-|-|-| 5 |)|r|-|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
3 |-|p|-|-|-| 7 |-|r|-|-|-| 5 |-|m|-|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |
1st Inversion
2nd Inversion
3rd Inversion
Diminished - Minor/Major 7
Root Position
|-|-|-|-|-| 5 |i|-|-|-|-| 3 |i|-|-|-|-| 7 |)|r|-|-|-| |)|-|-|-|-| 1 |i|-|-|-|-| |
5 |i|-|-|-|-| 3 |)|r|-|-|-| 7 |)|m|-|-|-| 5 |)|-|p|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |
3 |-|m|-|-|-| 7 |-|-|p|-|-| 5 |-|-|r|-|-| 1 |i|-|-|-|-| |-|-|-|-|-| |-|-|-|-|-| |