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→Downpicked Palm Mutes
Although thrash was often focused on speed, many prefered to downpick all palm mutes to get them more of a repetitive and percussive sound. This didn't mean that tempos were lowered, but that large amounts of practice went into getting rhythmically-consistent, fast, consecutively-downpicked notes. This requirement was often relaxed for unmuted notes or subdivisions of the normal rhythm.
|d d d d d d d d |d u d d d d u d u | e-|0---0---0---0---0---0---0---0--|0-0-0---0---0---6---5---3---5---| |p p p p p p p p |p p p p p |