Ref: Circle of Fifths - Revision history

Meambobbo: /* Common Notes Table */

2015-08-25T03:59:39Z

‎Common Notes Table

2015-08-25T03:57:28Z

‎Common Notes Table

2015-08-25T03:53:59Z

‎Equivalent Pitches for Scales Below/Above by Interval

2015-08-25T03:51:31Z

‎Equivalent Pitches for Scales Below/Above by Interval

2015-08-25T03:46:36Z

‎Rules and Guidelines

2015-08-24T04:45:30Z

‎Clock Visualization

2015-08-24T04:44:01Z

‎Clock Visualization

2015-08-24T04:40:50Z

2015-08-24T04:20:11Z

‎Clock Visualization

2015-08-24T03:44:36Z

‎Clock Visualization

@@ Line 673: / Line 673: @@
 !rowspan="13"| Major
 |-
-| '''U''' || '''7''' || 4 || 5
+| {{U|'''U'''}} || '''7''' || 4 || 5
 |-
 | {{Mn2|m2}} || 2 || 3 || 3
@@ Line 699: / Line 699: @@
 !rowspan="13"| Minor
 |-
-| '''U'''  || 4 || '''7''' || '''6'''
+| {{U|'''U'''}}  || 4 || '''7''' || '''6'''
 |-
 | {{Mn2|m2}} || 5 || 2 || 4
@@ Line 725: / Line 725: @@
 !rowspan="13"| Harmonic Minor
 |-
-| '''U''' || 4 || '''6''' || '''7'''
+| {{U|'''U'''}} || 4 || '''6''' || '''7'''
 |-
 | {{Mn2|m2}} || 4 || 3 || 3
@@ Line 761: / Line 761: @@
 !rowspan="13"| Major
 |-
-| '''U''' || '''7''' || 4 || 5
+| {{U|'''U'''}} || '''7''' || 4 || 5
 |-
 | '''{{P5|P5}}''' || '''6''' || 5 || 3
@@ Line 787: / Line 787: @@
 !rowspan="13"| Minor
 |-
-| '''U'''  || 4 || '''7''' || '''6'''
+| {{U|'''U'''}}  || 4 || '''7''' || '''6'''
 |-
 | '''{{P5|P5}}''' || 3 || '''6''' || 5
@@ Line 813: / Line 813: @@
 !rowspan="13"| Harmonic Minor
 |-
-| '''U''' || 4 || '''6''' || '''7'''
+| {{U|'''U'''}} || 4 || '''6''' || '''7'''
 |-
 | '''{{P5|P5}}''' || 3 || '''5''' || 4

@@ Line 300: / Line 300: @@
 !Common Notes !! Diatonic Keys !! Non-Diatonic Keys
 |-
-|6 || {{P4|P4}}, {{P5|P5}} ||
+|6 || P4, P5 ||
 |-
-|5 || {{M2|M2}} || {{Mn7|m7}}
+|5 || M2 || m7
 |-
-|4 || {{M6|M6}} || {{Mn3|m3}}
+|4 || M6 || m3
 |-
-|3 || {{M3|M3}} || {{Mn6|m6}}
+|3 || M3 || m6
 |-
-|2 || {{M7|M7}} || {{Mn2|m2}}, {{tt|tt}}
+|2 || M7 || m2, tt
 |}
 <nowiki>*</nowiki> Note: All intervals in above table are ''above'' the root note

@@ Line 278: / Line 278: @@
 |-
 ! Interval Above Root
-|  Uni || m2 || M2 || m3 || M3 || P4 || d5 || P5 || m6 || M6 || m7 || M7
+|  {{U|Uni}} || {{Mn2|m2}} || {{M2|M2}} || {{Mn3|m3}} || {{M3|M3}} || {{P4|P4}} || {{tt|tt}} || {{P5|P5}} || {{Mn6|m6}} || {{M6|M6}} || {{Mn7|m7}} || {{M7|M7}}
 |-
 ! Interval Below Root
-| Uni || M7 || m7 || M6 || m6 || P5 || d5 || P4 || M3 || m3 || M2 || m2
+| {{U|Uni}} || {{M7|M7}} || {{Mn7|m7}} || {{M6|M6}} || {{Mn6|m6}} || {{P5|P5}} || {{tt|tt}} || {{P4|P4}} || {{M3|M3}} || {{Mn3|m3}} || {{M2|M2}} || {{Mn2|m2}}
 |-
 !Example Major Key vs C Major
@@ Line 300: / Line 300: @@
 !Common Notes !! Diatonic Keys !! Non-Diatonic Keys
 |-
-|6 || P4, P5 ||
+|6 || {{P4|P4}}, {{P5|P5}} ||
 |-
-|5 || M2 || m7
+|5 || {{M2|M2}} || {{Mn7|m7}}
 |-
-|4 || M6 || m3
+|4 || {{M6|M6}} || {{Mn3|m3}}
 |-
-|3 || M3 || m6
+|3 || {{M3|M3}} || {{Mn6|m6}}
 |-
-|2 || M7 || m2, d5
+|2 || {{M7|M7}} || {{Mn2|m2}}, {{tt|tt}}
 |}
 <nowiki>*</nowiki> Note: All intervals in above table are ''above'' the root note

@@ Line 254: / Line 254: @@
 ! 1 !! 2 !! 3 !! 4 !! 5
 |-
-| major || above || P4 || sharped || M7
+| major || above || {{P4|P4}} || sharped || {{M7|M7}}
 |-
-| minor || above || m6 || sharped || M2
+| minor || above || {{Mn6|m6}} || sharped || {{M2|M2}}
 |-
-| major || below || M7 || flatted || P4
+| major || below || {{M7|M7}} || flatted || {{P4|P4}}
 |-
-| minor || below || M2 || flatted || m6
+| minor || below || {{M2|M2}} || flatted || {{Mn6|m6}}
 |}

@@ Line 35: / Line 35: @@
 Moving only clockwise and using strict naming for each P5, we require to start using sharps once we hit 6 o'clock.  Notice that the sharp keys are enharmonic to the flat keys above.  Here's the same visualization using sharp keys instead of flats:
-:{|
+{|
 |-
+|
@@ Line 55: / Line 55: @@
 If we kept going, B{{s}} would be the next P5 we reach at 12 o'clock, enharmonic to C.  We could keep going around and start using double, then triple sharps, and so on.  On the other hand, if we move strict P4's going clockwise, we get the following:
-:{|
+{|
 |-
+|

@@ Line 13: / Line 13: @@
 So assuming C is "12 o'Clock", our circle of fifths looks like this:
-:{|
+{|
 |-
+|

@@ Line 28: / Line 28: @@
 |}
+|
-[[File:P5_CW_Circle_of_5ths.svg]]
+[[File:P5_CW_Circle_of_5ths.png]]
 |}
@@ Line 50: / Line 50: @@
 |}
+|
-[[File:P5_CW_Circle_of_5ths.svg]]
+[[File:P5_CW_Circle_of_5ths.png]]
 |}
@@ Line 70: / Line 70: @@
 |}
+|
-[[File:P4_CCW_Circle_of_5ths.svg]]
+[[File:P4_CCW_Circle_of_5ths.png]]
 |}

@@ Line 14: / Line 14: @@
 So assuming C is "12 o'Clock", our circle of fifths looks like this:
 :{|
 | || F || C || G ||
 |-
@@ Line 23: / Line 26: @@
 |-
 | || D{{b}} || G{{b}} || B ||
 |}
@@ Line 30: / Line 36: @@
 :{|
 | || E{{s}} || C || G ||
 |-
@@ Line 39: / Line 48: @@
 |-
 | || C{{s}} || F{{s}} || B ||
 |}
@@ Line 44: / Line 56: @@
 :{|
 | || F || C || A{{db}} ||
 |-
@@ Line 53: / Line 68: @@
 |-
 | || D{{b}} || G{{b}} || C{{b}} ||
 |}

@@ Line 66: / Line 66: @@
 | {{Mn3|m3}} || || || || {{M6|M6}}
 |-
-| {{Mn6|m6}} || || || || {{M3|3}}
+| {{Mn6|m6}} || || || || {{M3|M3}}
 |-
 | || {{Mn2|m2}} || {{tt|tt}} || {{M7|M7}} ||