Ref: Chord Fingerings/Voicings - Revision history

Meambobbo at 22:27, 11 September 2016

2016-09-11T22:27:24Z

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Meambobbo: /* Sevenths */

2016-02-22T05:54:39Z

‎Sevenths

Meambobbo: /* Major 6th */

2015-06-08T01:22:46Z

‎Major 6th

Meambobbo at 01:21, 8 June 2015

2015-06-08T01:21:17Z

Show changes

Meambobbo at 18:48, 7 June 2015

2015-06-07T18:48:23Z

Show changes

Meambobbo: /* Minor Triads */

2015-06-07T18:46:36Z

‎Minor Triads

Meambobbo: /* Major Triads */

2015-06-07T18:44:49Z

‎Major Triads

Meambobbo: /* Augmented Triads */

2015-06-07T18:42:43Z

‎Augmented Triads

Meambobbo: /* Major Triads */

2015-06-07T18:41:16Z

‎Major Triads

Meambobbo: /* Minor 6th */

2015-06-07T18:17:42Z

‎Minor 6th

← Older revision		Revision as of 05:54, 22 February 2016
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	: '''R - 3 - 5 - 7'''		: '''R - 3 - 5 - 7'''
−

	== Major 7th ==		== Major 7th ==

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 |}
 {|
-! 1st Inversion !! 2nd Inversion || 3rd Inversion
+! 1st Inversion !! 2nd Inv || 3rd Inv
 |-
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 <pre>
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 </pre>
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 </pre>
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 </pre>
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 </pre>
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@@ Line 622: / Line 622: @@
 Augmented chords consist of root, major third, and augmented 5th.  An augmented fifth is equivalent to two major thirds.  An augmented fifth + a major third = an octave.  Therefore, the distance between root and 3rd, 3rd and 5th, and 5th and octave are all the same - a major third.
-There are no real 7th chords - augmented chords tend to be associated with the whole-tone scale, which only has 6, not 7 notes.  In the 7-note scale, you have 1st (C), 3rd (E), 5th (G), 7th (B), 9th (D), 11th (F), and 13th (A) before you reach the 15th (C), which is 2 octaves above the 1st.  In the 6-note scale, you have 1st (C), 3rd (E), 5th (G#), 7th (C).  The 7th note is the octave, and the chord simply repeats.
+There are no real 7th chords - augmented chords tend to be associated with the whole-tone scale, which only has 6, not 7 notes.  In the 7-note scale, you have 1st (C), 3rd (E), 5th (G), 7th (B), 9th (D), 11th (F), and 13th (A) before you reach the 15th (C), which is 2 octaves above the 1st.  In the 6-note scale, you have 1st (C), 3rd (E), 5th (G{{s}}), 7th (C).  The 7th note is the octave, and the chord simply repeats.
-There aren't distinct inversion shapes - the first inversion of C aug (C E G#) is (E G# C), which is equivalent to (E G# B#) or E aug.  So the inversions are identical to using a different root note.  In other words, the inversions' shapes are identical to the root position shapes below.
+There aren't distinct inversion shapes - the first inversion of C aug (C E G{{s}}) is (E G{{s}} C), which is equivalent to (E G{{s}} B{{s}}) or E aug.  So the inversions are identical to using a different root note.  In other words, the inversions' shapes are identical to the root position shapes below.
 {|

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   '''3'''  |-|-|m|-|
   '''1'''  |-|-|-|r|
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   '''1'''  |i|-|-|
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   '''3'''  |-|-|-|-|p|
   '''_'''  |-|-|-|-|-|
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   '''1'''  |-|-|-|p|
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   '''_'''  |-|-|-|-|
   '''_'''  |-|-|-|-|
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   '''1'''  |i|-|-|