Line 6 Pod HD Wishlist - Revision history

Meambobbo: /* EQ's */

2016-02-26T03:32:55Z

‎EQ's

Meambobbo at 03:32, 26 February 2016

2016-02-26T03:32:20Z

Meambobbo at 03:30, 26 February 2016

2016-02-26T03:30:51Z

Show changes

Meambobbo: /* Devkit */

2016-02-22T04:54:00Z

‎Devkit

Meambobbo at 05:37, 19 February 2016

2016-02-19T05:37:35Z

Meambobbo: /* Amps */

2015-10-08T03:22:34Z

‎Amps

Meambobbo: /* Amps */

2015-10-08T03:22:09Z

‎Amps

Meambobbo at 03:20, 8 October 2015

2015-10-08T03:20:33Z

Meambobbo at 03:57, 13 April 2015

2015-04-13T03:57:10Z

Meambobbo: /* EQ's */

2015-04-09T18:53:06Z

‎EQ's

@@ Line 108: / Line 108: @@
 * A view in HD Edit and possibly in the Pod itself to sum the various EQ effects and display the resulting EQ curve dialed in, similar to how it was done in Gearbox.
 * Increase the headroom in the Parametric EQ (and Graphic and Mid-Focus EQ's), so it doesn't clip on hot input. Its headroom should be as high as the Pod's digital resolution.
 == Footswitches/controls/Midi ==

@@ Line 30: / Line 30: @@
 I have noticed that when using dual amp patches, there can be some comb filtering due to the two signals becoming out of phase. If the cab DEP's included a short variable delay (0 - 10 or 20ms), this could be fixed. I am currently using EQ's to try to achieve phase correction which has very limited accuracy. See this thread.
 == Amps ==
@@ Line 52: / Line 52: @@
 Lower the default Master Volume DEP settings for cleaner amps that tend to exhibit crossover distortion. For instance the Blackface Dbl is defaulted to 100%, when it offers no tonal benefit to do so (unless you like crossover distortion). Especially change the Elektrik's MV off of 100% - it sounds like garbage at that setting.
-Top of Page
+{{top}}
 == Utilities ==
@@ Line 69: / Line 69: @@
 Include DSP management tools. Have a DSP meter display how much DSP is currently being used. When selecting a new effect, rather than put it right into the chain causing the DSP error message and blanking out the effect block, display how much more DSP it would take up before you actually add it to the chain.
-Top of Page
+{{top}}
 == Routing ==
@@ Line 87: / Line 86: @@
 The mixer, the end of the signal chain, or even a separate effect should be able to set a very precise, short, and variable delay (0.00 - 5.00 ms)to each side of the signal. This would be useful to achieve phase correction and avoid comb filtering, due to delays introduced into the signals by using different signal chains. Or even add the delay into the biggest offenders, effect-wise. I imagine this would be the most DSP intensive effects, or the ones that require the largest discrete time samples.
-Top of Page
+{{top}}
 == EQ's ==
@@ Line 132: / Line 130: @@
 More control over the footswitch "modes". For instance, I wouldn't mind an all-patch-switch mode, where all 8 footswitches change patches, FS1-4 access patches 2A-2D while FS5-8 access patches 1A-1D for instance. Also, allow the bank up/down switches to be used for next/previous patch, which would be really helpful in pedalboard mode, so you don't have to hit two switches to change patch.
-Top of Page
+{{top}}
 == Effects ==
@@ Line 154: / Line 151: @@
 Allow daily trails through patch switches where enough DSP is available.
-Top of Page
+{{top}}
 == DSP Saving Features ==
@@ Line 176: / Line 172: @@
 If it will use less DSP, make mono versions of the stereo effects. This could particularly help with the Reverbs.
-Top of Page
+{{top}}
 == Devkit ==

@@ Line 108: / Line 108: @@
 [[Category:Guitar]]
 [[Category:Gear]]
 [[Category:Guides]]
 [[Category:Pod HD]]

@@ Line 1: / Line 1: @@
 {{Top-Level Crumbs|4}}
 {{User Guide Crumbs|1}}
-{{Pod HD Guide Crumbs|11}}
+{{Pod HD Guide Crumbs|12}}
 == Output Modes, Cabs, and IR's ==
@@ Line 104: / Line 104: @@
 {{top}}
-{{Pod HD Guide Crumbs|11}}
+{{Pod HD Guide Crumbs|12}}
 [[Category:Guitar]]

@@ Line 27: / Line 27: @@
 Separate the pre-amp and power amp components of the amplifiers into separate blocks. This would allow mixing pre-amps with other amps power amps, as well as being able to place effects between pre-amp and power amp (otherwise known as an effects loop).
-Add some of the following high-gain amp models: Mesa/Boogie Mark IIC+, Mesa/Boogie Mark IV, Diezel VH4, Diezel Herbert, ENGL Invader, ENGL Powerball, Friedman HBE, Friedman Smallbox, Bogner Helios, Randall Warhead, Bogner Ecstacy, Krank Revolution, Carvin Legacy.
+Add some of the following high-gain amp models: Mesa/Boogie Mark IIC+, Mesa/Boogie Mark IV, Diezel VH4, Diezel Herbert, ENGL Invader, ENGL Powerball, Friedman HBE, Friedman Smallbox, Bogner Helios, Bogner Ecstacy, Krank Revolution, Carvin Legacy, Randall Warhead.
 Level the amp models, so they have roughly the same output volume at default values.

@@ Line 55: / Line 55: @@
 * A dual Parametric EQ without the "lows" or "highs".
 * Include the EQ from the XT/X3 - two shelves, and two peak/valleys, all with adjustable gain and frequencies. If 8 parameters is not possible, do two shelves and one peak/valley.
-* A Mesa Mark Series graphic EQ: 80, 240, 750, 2200, 5500 HZ.
+* A Mesa Mark Series graphic EQ: 80, 240, 750, 2200, 5500 Hz.
 * A notch EQ: 3 sets of frequency and gain to dial out narrow ugly spots in the frequency spectrum.
 * Always display frequency in Hz, not %. Similarly, display gain in db, not %.  (Global EQ in FW 2.6 features Hz/db.)